“Then order me three drinks and stand by.”
“See you soon.”
She doesn’t say anything for a beat.
“Hey, why did you suddenly get smart?”
“I’ll tell you a funny story when you get here.”
“It better have clowns and Sailor Moon in a bikini in it.”
“And ponies.”
“I’m swooning.”
“See you soon.”
I order a drink for myself and three extras. Carlos sets the glasses down and I arrange them in a pyramid just like a clown would.
WE WEAVE BACK to Max Overdrive after an hour or so of drinking. The first three drinks pretty much did Candy in. I don’t know how many more she ordered, but Carlos cut her off at two. I got cut off too, but more, I think, to encourage me to take Candy home. It was time anyway. I’d told her about Vidocq, Marlowe, and the knife by then, so there wasn’t much more to say. I didn’t mention what Marlowe said about a bogeyman waiting for me in the great beyond because I was 90 percent sure he was fucking with me. If he wasn’t, I figured I’d know soon enough.
We go in through the side door because I don’t want to look at KILLER on the front windows. I’m in too good a mood for that. It doesn’t last long. The moment we get inside, Kasabian comes clanking up on his Tin Woodsman legs.
“He’s awake,” he says. “He woke up just a little while after you left.”
He gives Candy a look that’s half accusing and half scared shitless. I wave a hand in his face to get his attention.
“Where is he?”
“Right the fuck inside.”
We go around the counter and there he is, the Angel of Death, stark damned naked in the middle of the empty store watching The Cabinet of Dr. Caligari on the big screen. He’s got this goofy grin on his face, like an ankle biter seeing a mobile for the first time.
I walk over and stand next to him, watching the movie. Caligari is a silent film. Cesare, the somnambulist, is carrying Jane across rooftops that look like they were designed by Dalí and drawn with crayons on blotter acid.
“Is this old?” he says.
“Yeah. From 1920.”
He points at the big screen.
“I remember all of them. When each passed on, I remember taking them.”
Candy comes over. Kasabian stays back by the counter.
“How are you feeling?” she says.
He looks at her, then back at the screen.
“I still hurt, but watching helps take my mind off it.”
“You just described the entire twentieth century,” I say.
I take the pills out of my pocket and put them in his hand.
“Try these. They should help with the pain.”
“Thank you.”