Sandman Slim (Sandman Slim 1) - Page 134

Josef doesn't even look around. He knows who did this. He comes right for me. I can see the beast under his skin. I can't tell if he was ever human.

When he's a few feet away, he starts to say something. It's going to be some Kissi threat or demonic one-liner. Who cares? I slash his throat with the black blade, giving the knife a little twist. Unlike Kasabian, when Josef's head pops off, he's totally, one hundred percent dead.

I pick up the head by its singed blond hair and push it into lisa's chest. It takes her a minute to figure out that she's supposed to take it. I wait for one of the big boys to make a move, but they're mostly staring at the raspberry-colored lake forming around Josef's body.

I say, "You tell the rest of these animals and any Kissi you run into to stay away from my doughnut place."

I go back to the Lexus and floor it out of there before they come to enough to realize that there are fifty of them and only one of me.

IF YOU DO it right, cleaning your guns is a form of meditation. There's the precise disassembly. Attaching a cotton swatch to the end of a ramrod, soaking it in solvent, and passing it through the gun barrel from the breech end and out the front. Cleaning the nooks and crannies with a soft toothbrush. Carefully applying a few drops of gun oil. Then wiping the gun down and reassembling it before starting on the next gun, moving from smallest to largest. It's a calm, quiet, and satisfying process. I'm ashamed that I've neglected the guns this long. I should have cleaned them the moment I dug them out from under the floorboards at Vidocq's. Wild Bill would be ashamed of me.

I'd picked up the cleaning kit at an upscale gun club in West Hollywood on the way back to Max Overdrive. Also a can of WD-40 to clean the na'at. On the night table next to the bed is the bottom half of a Coke can I ripped in half. There's an inch of Spiritus Dei floating in the can and I dip each bullet into it before reloading the guns.

That encounter with the Kissi back at Donut Universe woke me up. I need to be more careful now that I don't have any real backup.

I can't get the bloody image of the green-haired girl out of my mind. Every time I think I've pushed her away, Alice drifts in to take her place.

No wonder I'm so popular.

There's a knock at the door. I stay sitting on the bed, but hide the reassembled .45 under one leg, where I can get it quickly. I don't say, "Come in," but she comes in anyway.

Allegra only takes a couple of steps into the room, like she's afraid there are snakes under all the furniture. She sits on Kasabian's old bootlegging table, knocking over a couple of stacks of DVDs that I'd stolen from the racks downstairs. I soak another cotton patch in solvent and go back to cleaning the guns.

"Why didn't you tell me before about what happened to you? What Mason did?"

"Vidocq told you my little secret? Is he in some contest I don't know about? Rat out your friends three times in a day and win Springsteen tickets."

"He just wanted me to understand why you're the way you are."

"And now everyone knows. Did you come up here to gloat? I give up. You win. You and Vidocq showed me up for the chump I truly am."

"That's not what this is about and you know it.">"Are you talking about killing yourself?"

"Nah. I'm not the suicide type. I just mean that if I get to pick my moment, it might not be so bad. That was the problem last time. I wasn't ready. I didn't get to pick the moment. I could this time."

"I hate to break it to you, but planning your own violent death, whether it's you murdering yourself or letting someone else do it, is still suicide."

"You think so?" I shake my head and lean against the wall, suddenly out of breath. "Ignore me. I'm babbling. I'm tired. My only friends narced me out to Norman Bates's mom. And every time I get up close to death, I think about Alice."

"You know she's not down below. You let yourself be killed and you'll be farther away from her than ever, and it will be forever."

"Point taken. Truth is, enough people want me dead that I'm probably never going to have to make that choice."

"See? Things are looking up already."

"Let's see if my cab's here yet."

I WAKE IN the early afternoon, wander into the bathroom, and see myself in the mirror. Candy was right. Aelita's sword has given me one of my best scars. It looks like a rattler set itself on fire and did a GG Allin stage dive into my chest. This scar is a work of art. It deserves an Oscar and a star on Hollywood Boulevard. It deserves its own power ballad. Now I sort of know how Lucifer must have felt when that last thunderbolt hit and he fell out of Heaven's cotton candy clouds and into the deep, deep dark.

Aelita seems to have given me something else, too. Back in Hell, each new scar was a gift. Protection against a new attack. That attack in Aelita's chapel seems to have left me with something besides a new scar. She's given me some part of her angelic vision. Or maybe she just tore open my third eye, the one that's been sensing other people's moods and heartbeats. Whatever it is, I see with different eyes now and I see what she was trying to tell me. The Kissi are everywhere.

There's graffiti on the alley wall behind Max Overdrive. It's painted on the buildings and street corners. Store windows and telephone poles. The marks aren't in any language I know, but I can almost understand them. Like a name on the tip of your tongue that just won't come. The marks are greetings, warnings, and messages. Hobo signs for eldritch hicks.

The Kissi wander the streets ghosting the holiday merrymakers. Giddy families window-shop, trying to fill some of their desperate hours together with anything that gets them out of having to talk to each other. In some of those families, Mom or Dad is a Kissi. Or possessed by one. A little Kissi girl follows her parents, holding her big brother's hand, literally draining the life from him as the family stops to admire a blinking LED wreath outside a Burmese restaurant.

There are Kissi as pale and tenuous as vapor from a car exhaust. They whisper lies into people's ears. Slip hotel receipts into a husband's wallet. A phone number into a wife's jacket pocket. They merrily plant little cells of paranoia that grow like a melanoma, because what's more fun at this time of year than a holiday family slaughter?

I have to get off the street. I can't stand looking at this. Regular people are bad enough, but regular people being made worse by chaos-sucking bottom feeders is something I can't take right now.

Tags: Richard Kadrey Sandman Slim Fantasy
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