"Disaster man!" another businessman called out.
"Won't you have a drink?" Barbara Frei asked Patrick pityingly.
"Well ... all right." An immense and unfamiliar depression was weighing on him, and as soon as his beer arrived, there also arrived at the bar the man whom Ms. Frei had been waiting for--her husband.
Wallingford knew him. He was Peter Frei, a well-respected journalist at ZDF, although Peter Frei did cultural programs and his wife did what they called hard news.
"Peter's a little tired," Ms. Frei said, affectionately rubbing her husband's shoulders and the back of his neck. "He's been training for a trip to Mount Everest."
"For a piece you're doing, I suppose," Patrick said enviously.
"Yes, but I have to climb a bit of the mountain to do it properly."
"You're going to climb Mount Everest?" Wallingford asked Peter Frei. He was an extremely fit-looking man--they were a very attractive couple.
"Oh, everyone climbs a bit of Everest now," Mr. Frei replied modestly. "That's what's wrong with it--the place has been overrun by amateurs like me!" His beautiful wife laughed fondly and went on rubbing her husband's neck and shoulders. Wallingford, who was barely able to drink his beer, found them as likable a couple as any he'd known.
When they said good-bye, Barbara Frei touched Patrick's left forearm in the usual place. "You might try interviewing that woman from Ghana," she suggested helpfully. "She's awfully nice and smart, and she's got more to say than I have. I mean she's more of a person with a cause than I am." (This meant, Wallingford knew, that the woman from Ghana would talk to anyone.)
"That's a good idea--thank you."
"Sorry about the hand," Peter Frei told Patrick. "That's a terrible thing. I think half the world remembers where they were and what they were doing when they saw it."
"Yes," Wallingford answered. He'd had only one beer, but he would scarcely remember leaving the hotel bar; he went off full of self-disgust, looking for the African woman as if she were a lifeboat and he a drowning man. He was.
It was an unkind irony that the starvation expert from Ghana was extremely fat. Wallingford worried that Dick would exploit her obesity in an unpredictable way. She must have weighed three hundred pounds, and she was dressed in something resembling a tent made of samples from patchwork quilts. But the woman had a degree from Oxford, and another from Yale; she'd won a Nobel Prize in something to do with world nutrition, which she said was "merely a matter of intelligent Third World crises anticipation ... any fool with half a brain and a whole conscience could do what I do."
But as much as Wallingford admired the big woman from Ghana, they didn't like her in New York. "Too fat," Dick told Patrick. "Black people will think we're making fun of her."
"But we didn't make her fat!" Patrick protested. "The point is, she's smart--she's actually got something to say!"
"You can find someone else with something to say, can't you? Jesus Christ, find someone smart who's normal-looking!" But as Wallingford would discover at the "Future of Women" conference in Tokyo, this was exceedingly hard to do--taking into account that, by "normal-looking," Dick no doubt meant not fat, not black, and not Japanese.
Patrick took one look at the Chinese geneticist, who had an elevated, hairy mole in the middle of her forehead; he wouldn't bother trying to interview her. He could already hear what that dick Dick in New York would say about her. "Talk about making fun of people--Jesus Christ! We might as well bomb a Chinese embassy in some asshole country and try calling it an accident or something!"
So Patrick talked to the Korean doctor of infectious diseases, who he thought was kind of cute. But she turned out to be camera-shy, which took the form of her staring obsessively at his stump. Nor could she name a single infectious disease without stuttering; the mere mention of a disease seemed to grip her in terror.
As for the Russian film director--"No one has seen her movies," the news editor in New York told Wallingford--Ludmilla (we'll leave it at that) was as ugly as a toad. Also, as Patrick would discover at two o'clock one morning when she came to his hotel room, she wanted to defect. She didn't mean to Japan. She wanted Wallingford to smuggle her into New York. In what? Wallingford would wonder. In his garment bag, now permanently reeking of Filipino dog piss?
Surely a Russian defector was news, even in New York. So what if no one had seen her movies? "She wants to go to Sundance," Patrick told Dick. "For Christ's sake, Dick, she wants to defect! That's a story!" (No sensible news network would turn down a story on a Russian defector.)
But Dick was unimpressed. "We just did five minutes on a Cuban defector, Pat."
"You mean that no-good baseball player?" Wallingford asked.
"He's a halfway-decent shortstop, and the guy can hit," Dick said, and that was that.
Then came the rejection from the green-eyed Danish novelist; she turned out to be a touchy writer who refused to be interviewed by someone who hadn't read her books. Who did she think she was, anyway? Wallingford didn't have the time to read her books! At least he'd guessed right about how to pronounce her name--it was "bode eel," accent on the eel.
Those too-numerous Japanese women in the arts were eager to talk to him, and they were fond, when they talked to him, of sympathetically touching his left forearm a little above where he'd lost his hand. But the news editor in New York was "sick of the arts." Dick further claimed that the Japanese women would give the television audience the false impression that the only participants in this conference were Japanese.
"Since when do we worry that we're giving our viewers a false impression?" Patrick plucked up the courage to ask.
"Listen, Pat," Dick said, "that runt poet with the facial tattoo would even put off other poets."
Wallingford had already been in Japan too lon
g. He was so used to the people's mispronunciation of his mother tongue that he now misheard his news editor, too. He simply didn't hear "runt poet;" he heard "cunt poet" instead.