Straying From the Path - Page 19

Lady Petulant wailed that the poor girl was about to die on top of her. Pressed up against the good lady, Madeline took the opportunity to reach for the brooch. She could slip it off and no one would notice—

The brooch was already gone.

She did not have to feign a stunned limpness when a pair of gallant gentlemen lifted her and carried her to a chaise near a window. Ned was nowhere to be seen. Vials of smelling salts were thrust at her, lavender water sprinkled at her. Someone was wrapping her wrist—still gloved—in a bandage, and someone who looked like a doctor—good God, was the man wielding a razor?—approached.

She shoved away her devoted caretakers and tore off the bandage. “Please, give me air! I’ve recovered my senses. No, really, I have. If-you-please, sir!”

As if nothing had happened, she stood, straightened her bodice over her corset, smoothed her skirts, and opened her fan with a snap.

“I thank you for your attention, but I am quite recovered. Goodbye.”

She marched off in search of Ned.

He was waiting for her toward the back of the hall, a fox’s sly grin on his face. Before she came too close, he turned his cupped hand, showing her a walnut-sized diamond that flashed against the green velvet of his coat.

Turning, he stepped sideways behind the same potted fern where he had ambushed her.

He disappeared utterly.

“Damn him!” Her skirts rustled when she stamped her foot.

Ignoring concerned onlookers and Lady Petulant’s cries after her welfare, she cut across the hall to the glass doors opening to the courtyard behind the hall, and across the courtyard to a hideously baroque statue of Cupid trailing roses off its limbs. She stopped and took a breath, trying to regain her composure. No good brooding now. It was over and done. There would be other times and places to get back at him. Stepping through required calm.

A handful of doorways collected here in this hidden corner of the garden. One led to an alley in Prague 1600; tilting her head one way, she could just make out a dirty cobbled street and the bricks of a Renaissance façade. Another led to a space under a pier in Key West 1931. Yet another led home.

She danced for this moment; this moment existed because she danced.

Behind the statue Madeline turned her head, narrowed her eyes a certain practiced way, and the world shifted. Just a bit. She put out her hand to touch the crack that formed a line in the air. Confirming its existence, she stepped sideways and through the doorway, back to her room.

Her room: sealed in the back of a warehouse, it had no windows or doors. In it, she stored the plunder taken from a thousand years of history—what plunder she could carry, at least: Austrian crystal, Chinese porcelain, Aztec gold, and a walk-in closet filled with costumes spanning millennia.

She dropped her fan, pulled the pins out of her wig, unfastened her dress and unhooked her corset. Now that she could breathe, she paced and fumed at Ned properly.

She really ought to go someplace with a beach next time. Hawaii 1980, perhaps. Definitely someplace without corsets. Someplace like—

The band played Glenn Miller from a gymnasium stage with a USO banner draped overhead. There must have been a couple hundred G.I.s drinking punch, crowding along the walls, or dancing with a couple hundred local girls wearing bright dresses and big grins. Madeline only had to wait a moment before a G.I. in dress greens swept her up and spun her into the mob.

Of all periods of history, of all forms of dance, this was her favorite. Such exuberance, such abandon in a generation that saw the world change before its eyes. No ultra-precise curtseys and bows here.

Her soldier lifted her, she kicked her feet to the air and he brought her down, swung her to one side, to the other, and set her on the floor at last to Lindy hop and catch her breath. Her red skirt caught around her knees, and sweat matted her hair to her forehead.

Her partner was a good looking kid, probably nineteen or twenty, clean-faced and bright-eyed. Stuck in time, stuck with his fate—a ditch in France, most likely. Like a lamb to slaughter. It was like dancing a minuet in Paris in 1789, staring at a young nobleman’s neck and thinking, you poor chump.

She could try to warn him, but it wouldn’t change anything.

The kid swung her out, released her and she spun. The world went by in a haze and miraculously she didn’t collide with anyone.

When a hand grabbed hers, she stopped and found herself pulled into an embrace. Arm in arm, body to body, with Ned. Wearing green again. Arrogant as ever, he’d put captain bars on his uniform. He held her close, his hand pressed against the small of her back, and two-stepped her in place, hemmed in by the crowd. She couldn’t break away.

“Dance with me, honey. I ship out tomorrow and may be dead next week.”

“Not likely, Ned. Are you following me?”

“Now how would I manage that? I don’t even know when you live. So, what are you here for, the war bonds cash box?”

“Maybe I just like the music.”

As they fell into a rhythm, she relaxed in his grip. A dance was a dance after all, and if nothing else he was a good dancer.

Tags: Carrie Vaughn Fantasy
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