A Comfortable Wife (Regencies 8) - Page 54

Philip nodded. "Your first waltz." There had been only cotillions, quadrilles and country dances over the past two nights; he was determined her first waltz in the capital would be his.

Reading as much in his eyes, Antonia resigned herself to the inevitable. Lips compressed, she opened the small card Lady Caldecott had handed her. The first waltz was the third dance; under Philip's watchful eye, she duly inscribed his name in the space beside it—then showed him the card.

He actually read it before nodding. Antonia set her teeth. She would have caught his eye and glared—she was dis­tracted by Hugo Satterly who appeared through the ranks before them.

"A great pleasure to welcome you to town, Miss Man­nering." Hugo bowed with ready grace, his pleasant smile creasing his face.

He was but the first to express that sentiment. To An­tonia's surprise, they were rapidly surrounded by a select group of elegant gentlemen, none of whom bore any rela­tion to her relatively innocuous, easy-to-manage cavaliers of the past weeks. These gentlemen were all contemporaries of Philip's, many his friends, smoothly claiming his offices in making the introductions. At first, she wondered if it was he rather than she with whom they had stopped to chat. They were, however, assiduous in claiming the blank spaces in her dance card; long before the first cotillion, her card was gratifyingly full.

Surrounded by broad shoulders, she waited for the mu­sicians to start up, not entirely sure if she was relieved or otherwise when her circle of gentlemen plainly set them­selves to entertain her. Philip, however, large and relatively silent by her side, gave her no hint he saw anything re­markable in their attentions; lifting her chin, Antonia smiled graciously on her would-be cavaliers.

A lull in the conversation brought Hugo Satterley's voice to her ears; he was standing beyond Philip—a quick glance confirmed it was to Philip he spoke.

“Meant to thank you for coming out that night—dashed awkward, but it saved my hide."

Philip's eyes narrowed. "If I'd known it was simply a matter of making a fourth at whist I wouldn't have set foot beyond my door. From your note, I'd imagined some life-threatening situation."

Hugo opened his eyes wide. "If you think engaging one­self to entertain the Bishop of Worcester and then finding oneself one short for the table isn't life-threatening, you know nothing of the Bishop. Can't tell you how grateful I was to be saved from excommunication."

Philip's snort was drowned by the summoning of the vi­olins.

"Ah!" Eyes brightening, Hugo turned to Antonia. "My dance, I believe, Miss Mannering?"

Antonia smiled and gave him her hand. Hugo deftly cleared a path onto the dance floor; while they waited for the rest of the company to find places in the sets, Antonia turned to him. "I overheard your comment on the Bishop of Worcester. Was it recently you entertained His Grace?''

"Just the other night." Hugo grimaced. "Deuced awk­ward, but I had to do it—he's m'godfather, you know. He'd received a summons from his sister, Lady Griswald, to some musical affair. Old man's tone deaf—virtually ordered me to rescue him."

Antonia's eyes widened. "I see." She managed a weak smile. She'd returned from Lady Griswald's to find Philip absent; that night had been the first on which she'd declined her nightcap.

"At last!" Hugo held out his hand as the music for the cotillion began.

Antonia had danced countless cotillions in recent weeks; habit, she was certain, was all that kept her twirling in the right direction. A horrible suspicion had taken root in her mind; as it grew, a sinking sensation swelled inside her. She was relieved when, at the cotillion's end, Hugo returned her to Philip's side. Unfortunately, a gavotte with Lord Dewhurst followed virtually immediately. Raising her from her final curtsy, his lordship guided her around the room. After passing some time in idle, on her part disjointed, con­versation, they finally came up with Philip; her heart sank when she saw the steely look in his eyes.

Reclaiming Antonia's hand, Philip settled it on his sleeve then caught Lord Dewhurst's eye. "I believe, Dewhurst, that our hostess is searching for you."

"Heh?" Jerked from contemplation of Antonia's smile, Lord Dewhurst focused on Philip's face. His expression turned to one of dismay. "Don't say that. Dash it all—this is what comes of letting on I'm on the look-out for a wife." Openly chagrined, he confided to Antonia, "If her lady­ship's after me, it'll mean she's got some protégée that she wants me to look over. I'll have to take refuge in the card-room."

His features impassive, Philip scanned the crowds. "If her ladyship's on the prowl, I wouldn't waste any time."

Lord Dewhurst sighed and bowed over Antonia's hand. "Dashed shame. But no doubt we'll meet at the next ball, Miss Mannering." With a hopeful smile, he straightened. "I'll look forward to furthering our acquaintance."

Antonia smiled with what grace she could muster; his lordship turned away, his eyes on her to the last. Lord Marbury stepped in, keen to engage her attention.

Philip gritted his teeth.

Tonight, strolling the rooms, his favoured method for dis­posing of unwanted encumbrances, was out of the question; Lady Caldecott had outdone herself with a vengeance. There was barely room to stand; the dance floor would be impossibly crowded.

Not that the idea of waltzing with Antonia at excusably close quarters was bothering him. Quite the opposite. But the crowding left him with few options to thin out her court.

He was contemplating a few novel possibilities when the musicians returned and set bow to string. Sternly suppress­ing a surge of anticipation, he turned to An

tonia. “The first waltz. My dance, I believe, my dear."

"Indeed, my lord." Straightening her spine, Antonia in­wardly cursed the fluster that threatened. Her smile over-bright, she gave Philip her hand. "I rely on you to lead me through this maze."

With the merest inclination of his head, he led her to where couples were jostling for space on the floor. Tense as she was, the overcrowding claimed all of Antonia's at­tention; it was only when they were processing freely, albeit in distinctly circumscribed circles, that she relaxed enough to think. Only to have her senses rush in; a most peculiar panic gripped her.

Philip was holding her very close, a fact necessitated by the proximity of the surrounding couples. As realization sank in, Antonia felt her breath catch, felt the familiar vice close about her chest. Held against him, the shift and sway of their bodies as they revolved through the dance was a dizzying distraction, a potent inducement to set her wits free and let her senses slide into a world of sensation. Her gaze wide, unseeing, she stiffened, struggling to shackle her wits, to keep her face, her posture, free of any hint of the drug­ging effect of the dance, of her awareness of Philip.

Tags: Stephanie Laurens Regencies Historical
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