Gone With the Wind - Page 35

In Atlanta, there were machine factories tediously turning out machinery to manufacture war materials -- tediously, because there were few machines in the South from which they could model and nearly every wheel and cog had to be made from drawings that came through the blockade from England. There were strange faces on the streets of Atlanta now, and citizens who a year ago would have pricked op their ears at the sound of even a Western accent paid no heed to the foreign tongues of Europeans who had run the blockade to build machines and turn out Confederate munitions. Skilled men these, without whom the Confederacy would have been hard put to make pistols, rifles, cannon and powder.

Almost the poising of the town's heart could be felt as the work went forward night and day, pumping the materials of war up the railway arteries to the two battle fronts. Trains roared in and out of the town at all hours. Soot from the newly erected factories fell in showers on the white houses. By night, the furnaces glowed and the hammers clanged long after townsfolk were abed. Where vacant lots had been a year before, there were now factories turning out harness, saddles and shoes, ordnance-supply plants making rifles and cannon, rolling mills and foundries producing iron rails and freight cars to replace those destroyed by the Yankees, and a variety of industries manufacturing spurs, bridle bits, buckles, tents, buttons, pistols and swords. Already the foundries were beginning to feel the lack of iron, for little or none came through the blockade, and the mines in Alabama were standing almost idle while the miners were at the front. There were no iron picket fences, iron summerhouses, iron gates or even iron statuary on the lawns of Atlanta now, for they had early found their way into the melting pots of the rolling mills.

Here along Peachtree Street and near-by streets were the headquarters of the various army departments, each office swarming with uniformed men, the commissary, the signal corps, the mail service, the railway transport, the provost marshal. On the outskirts of town were the remount depots where horses and mules milled about in large corrals, and along side streets were the hospitals. As Uncle Peter told her about them, Scarlet felt that Atlanta must be a city of the wounded, for there were general hospitals, contagious hospitals, convalescent hospitals without number. And every day the trains just below Five Points disgorged more sick and more wounded.

The little town was gone and the face of the rapidly growing city was animated with never-ceasing energy and bustle. The sight of so much hurrying made Scarlett, fresh from rural leisure and quiet, almost breathless, but she liked it. There was an exciting atmosphere about the place that uplifted her. It was as if she could actually feel the accelerated steady pulse of the town's heart beating in time with her own.

As they slowly made their way through the mudholes of the town's chief street, she noted with interest all the new buildings and the new faces. The sidewalks were crowded with men in uniform, bearing the insignia of all ranks and all service branches; the narrow street was jammed with vehicles -- carriages, buggies, ambulances, covered army wagons with profane drivers swearing as the mules struggled through the ruts; gray-clad couriers dashed spattering through the streets from one headquarters to another, bearing orders and telegraphic dispatches; convalescents limped about on crutches, usually with a solicitous lady at either elbow; bugle and drum and barked orders sounded from the drill fields where the recruits were being turned into soldiers; and with her heart in her throat, Scarlett had her first sight of Yankee uniforms, as Uncle Peter pointed with his whip to a detachment of dejected-looking bluecoats being shepherded toward the depot by a squad of Confederates with fixed bayonets, to entrain for the prison camp.

"Oh," thought Scarlett, with the first feeling of real pleasure she had experienced since the day of the barbecue, I'm going to like it here! It's so alive and exciting!"

The town was even more alive than she realized, for there were new barrooms by the dozens; prostitutes, following the army, swarmed the town and bawdy houses were blossoming with women to the consternation of the church people. Every hotel, boarding house and private residence was crammed with visitors who had come to be near wounded relatives in the big Atlanta hospitals. There were parties and balls and bazaars every week and war weddings without number, with the grooms on furlough in bright gray and gold braid and the brides in blockade-run finery, aisles of crossed swords, toasts drunk in blockaded champagne and tearful farewells. Nightly the dark tree-lined streets resounded with dancing feet, and from parlors tinkled pianos where soprano voices blended with those of soldier guests in the pleasing melancholy of "The Bugles Sang Truce" and "Your Letter Came, but Came Too Late" -- plaintive ballads that brought exciting tears to soft eyes which had never known the tears of real grief.

As they progressed down the street, through the sucking mud, Scarlett bubbled over with questions and Peter answered them, pointing here and there with his whip, proud to display his knowledge.

"Dat air de arsenal. Yas'm, dey keeps guns an' sech lak dar. No'm, dem air ain' sto's, dey's blockade awfisses. Law, Miss Scarlett, doan you know whut blockade awfisses is? Dey's awfisses whar furriners stays dat buy us Confedruts' cotton an' ship it outer Cha'ston and Wilmin'ton an' ship us back gunpowder. No'm, Ah ain' sho whut kine of furriners dey is. Miss Pitty, she say dey is Inlish but kain nobody unnerstan a' wud dey says. Yas'm 'tis pow'ful smoky an' de soot jes' ruinin' Miss Pitty's silk cuttins. If frum de foun'ry an' de rollin' mills. An' de noise dey meks at night! Kain nobody sleep. No'm, Ah kain stop fer you ter look around. Ah done promise Miss Pitty Ah bring you straight home. ... Miss Scarlett, mek yo' cu'tsy. Dar's Miss Merriwether an' Miss Elsing a-bowin' to you."

Scarlett vaguely remembered two ladies of those names who came from Atlanta to Tara to attend her wedding and she remembered that they were Miss Pittypat's best friends. So she turned quickly where Uncle Peter pointed and bowed. The two were sitting in a carriage outside a drygoods store. The proprietor and two clerks stood on the sidewalk with armfuls of bolts of cotton cloth they had been displaying. Mrs. Merriwether was a tall, stout woman and so tightly corseted that her bust jutted forward like the prow of a ship. Her iron-gray hair was eked out by a curled false fringe that was proudly brown and disdained to match the rest of her hair. She had a round, highly colored face in which was combined good-natured shrewdness and the habit of command. Mrs. Elsing was younger, a thin frail woman, who had been a beauty, and about her there still clung a faded freshness, a dainty imperious air.

These two ladies with a third, Mrs. Whiting, were the pillars of Atlanta. They ran the three churches to which they belonged, the clergy, the choirs and the parishioners. They organized bazaars and presided over sewing circles, they chaperoned balls and picnics, they knew who made good matches and who did not, who drank secretly, who were to have babies and when. They were authorities on the genealogies of everyone who was anyone in Georgia, South Carolina and Virginia and did not bother their heads about the other states, because they believed that no one who was anybody ever came from states other than these three. They knew what was decorous behavior and what was not and they never failed to make their opinions known -- Mrs. Merriwether at the top of her voice, Mrs. Elsing in an elegant die-away drawl and Mrs. Whiting in a distressed whisper which showed how much she hated to speak of such things. These three ladies disliked and distrusted one another as heartily as the First Triumvirate of Rome, and their close alliance was probably for the same reason.

"I told Pitty I had to have you in my hospital," called Mrs. Merriwether, smiling. "Don't you go promising Mrs. Meade or Mrs. Whiting!"

"I won't," said Scarlett, having no idea what Mrs. Merriwether was talking about but feeling a glow of warmth at being welcomed and wanted. "I hope to see you again soon."

The carriage plowed its way farther and halted for a moment to permit two ladies with baskets of bandages on their arms to pick precarious passages across the sloppy street on stepping stones. At the same moment, Scarlett's eye was caught by a figure on the sidewalk in a brightly colored dress -- too bright for street wear -- c

overed by a Paisley shawl with fringes to the heels. Turning she saw a tall handsome woman with a bold face and a mass of red hair, too red to be true. It was the first time she had ever seen any woman who she knew for certain had "done something to her hair" and she watched her, fascinated.

"Uncle Peter, who is that?" she whispered.

"Ah doan know."

"You do, too. I can tell. Who is she?"

"Her name Belle Watling," said Uncle Peter, his lower lip beginning to protrude.

Scarlett was quick to catch the fact that he had not preceded the name with "Miss" or "Mrs."

"Who is she?"

"Miss Scarlett," said Peter darkly, laying the whip on the startled horse, "Miss Pitty ain gwine ter lak it you astin' questions dat ain' none of yo' bizness. Day's a passel of no-count folks in dis town now dat it ain' no use talkin' about."

"Good Heavens!" thought Scarlett, reproved into silence. That must be a bad woman!"

She had never seen a bad woman before and she twisted her head and stared after her until she was lost in the crowd.

The stores and the new war buildings were farther apart now, with vacant lots between. Finally the business section fell behind and the residences came into view. Scarlett picked them out as old friends, the Leyden house, dignified and stately; the Bonnells', with little white columns and green, blinds; the close-lipped red-brick Georgian home of the McLure family, behind its low box hedges. Their progress was slower now, for from porches and gardens and sidewalks ladies called to her. Some she knew slightly, others she vaguely remembered, but most of them she knew not at all. Pittypat had certainly broadcast her arrival. Little Wade had to be held up time and again, so that ladies who ventured as far through the ooze as their carriage blocks could exclaim over him. They all cried to her that she must join their knitting and sewing circles and their hospital committees, and no one else's, and she promised recklessly to right and left.

As they passed a rambling green clapboard house, a little black girl posted on the front steps cried, "Hyah she come," and Dr. Meade and his wife and little thirteen-year-old Phil emerged, calling greetings. Scarlett recalled that they too had been at her wedding. Mrs. Meade mounted her carriage block and craned her neck for a view of the baby, but the doctor, disregarding the mud, plowed through to the side of the carriage. He was tall and gaunt and wore a pointed beard of iron gray, and his clothes hung on his spare figure as though blown there by a hurricane. Atlanta considered him the root of all strength and all wisdom and it was not strange that he had absorbed something of their belief. But for all his habit of making oracular statements and his slightly pompous manner, he was as kindly a man as the town possessed.

After shaking her hand and prodding Wade in the stomach and complimenting him, the doctor announced that Aunt Pittypat had promised on oath that Scarlett should be on no other hospital and bandage-rolling committee save Mrs. Meade's.

"Oh, dear, but I've promised a thousand ladies already!" said Scarlett.

"Mrs. Merriwether. I'll be bound!" cried Mrs. Meade indignantly. "Drat the woman! I believe she meets every train!"

"I promised because I hadn't a notion what it was all about," Scarlett confessed. "What are hospital committees anyway?"

Tags: Margaret Mitchell Romance
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