The Golden Compass (His Dark Materials 1) - Page 20

Pantalaimon, an eagle now, swooped at her and cried, “Left! Left!”

She swerved that way and saw a gap between the coal-spirit barrels and the end of a corrugated iron shed, and darted for it like a bullet.

But those throwing nets!

She heard a hiss in the air, and past her cheek something lashed and sharply stung, and loathsome tarred strings whipped across her face, her arms, her hands, and tangled and held her, and she fell, snarling and tearing and struggling in vain.

“Pan! Pan!”

But the fox daemon tore at the cat Pantalaimon, and Lyra felt the pain in her own flesh, and sobbed a great cry as he fell. One man was swiftly lashing cords around her, around her limbs, her throat, body, head, bundling her over and over on the wet ground. She was helpless, exactly like a fly being trussed by a spider. Poor hurt Pan was dragging himself toward her, with the fox daemon worrying his back, and he had no strength left to change, even; and the other man was lying in a puddle, with an arrow through his neck—

The whole world grew still as the man tying the net saw it too.

Pantalaimon sat up and blinked, and then there was a soft thud, and the net man fell choking and gasping right across Lyra, who cried out in horror: that was blood gushing out of him!

Running feet, and someone hauled the man away and bent over him; then other hands lifted Lyra, a knife snicked and pulled and the net strings fell away one by one, and she tore them off, spitting, and hurled herself down to cuddle Pantalaimon.

Kneeling, she twisted to look up at the newcomers. Three dark men, one armed with a bow, the others with knives; and as she turned, the bowman caught his breath.

“That en't Lyra?”

A familiar voice, but she couldn't place it till he stepped forward and the nearest light fell on his face and the hawk daemon on his shoulder. Then she had it. A gyptian! A real Oxford gyptian!

“Tony Costa,” he said. “Remember? You used to play with my little brother Billy off the boats in Jericho, afore the Gobblers got him.”

“Oh, God, Pan, we're safe!” she sobbed, but then a thought rushed into her mind: it was the Costas' boat she'd hijacked that day. Suppose he remembered?

“Better come along with us,” he said. “You alone?”

“Yeah. I was running away….”

“All right, don't talk now. Just keep quiet. Jaxer, move them bodies into the shadow. Kerim, look around.”

Lyra stood up shakily, holding the wildcat Pantalaimon to her breast. He was twisting to look at something, and she followed his gaze, understanding and suddenly curious too: what had happened to the dead men's daemons? They were fading, that was the answer; fading and drifting away like atoms of smoke, for all that they tried to cling to their men. Pantalaimon hid his eyes, and Lyra hurried blindly after Tony Costa.

“What are you doing here?” she said.

“Quiet, gal. There's enough trouble awake without stirring more. We'll talk on the boat.”

He led her over a little wooden bridge into the heart of the canal basin. The other two men were padding silently after them. Tony turned along the waterfront and out onto a wooden jetty, from which he stepped on board a narrowboat and swung open the door to the cabin.

“Get in,” he said. “Quick now.”

Lyra did so, patting her bag (which she had never let go of, even in the net) to make sure the alethiometer was still there. In the long narrow cabin, by the light of a lantern on a hook, she saw a stout powerful woman with gray hair, sitting at a table with a paper. Lyra recognized her as Billy's mother.

“Who's this?” the woman said. “That's never Lyra?”

“That's right. Ma, we got to move. We killed two men out in the basin. We thought they was Gobblers, but I reckon they were Turk traders. They'd caught Lyra. Never mind talk—we'll do that on the move.”

“Come here, child,” said Ma Costa.

Lyra obeyed, half happy, half apprehensive, for Ma Costa had hands like bludgeons, and now she was sure: it was their boat she had captured with Roger and the other collegers. But the boat mother set her hands on either side of Lyra's face, and her daemon, a hawk, bent gently to lick Pantalaimon's wildcat head. Then Ma Costa folded her great arms around Lyra and pressed her to her breast.

“I dunno what you're a doing here, but you look wore out. You can have Billy's crib, soon's I've got a hot drink in you. Set you down there, child.”

It looked as if her piracy was forgiven, or at least forgotten. Lyra slid onto the cushioned bench behind a well-scrubbed pine table top as the low rumble of the gas engine shook the boat.

“Where we going?” Lyra asked.

Ma Costa was setting a saucepan of milk on the iron stove and riddling the grate to stir the fire up.

“Away from here. No talking now. We'll talk in the morning.”

And she said no more, handing Lyra a cup of milk when it was ready, swinging herself up on deck when the boat began to move, exchanging occasional whispers with the men. Lyra sipped the milk and lifted a corner of the blind to watch the dark wharves move past. A minute or two later she was sound asleep.

She awoke in a narrow bed, with that comforting engine rumble deep below. She sat up, banged her head, cursed, felt around, and got up more carefully. A thin gray light showed her three other bunks, each empty and neatly made, one below hers and the other two across the tiny cabin. She swung over the side to find herself in her underclothes, and saw the dress and the wolfskin coat folded at the end of her bunk together with her shopping bag. The alethiometer was still there.

She dressed quickly and went through the door at the end to find herself in the cabin with the stove, where it was warm.

There was no one there. Through the windows she saw a gray swirl of fog on each side, with occasional dark shapes that might have been buildings or trees.

Before she could go out on deck, the outer door opened and Ma Costa came down, swathed in an old tweed coat on which the damp had settled like a thousand tiny pearls.

“Sleep well?” she said, reaching for a frying pan. “Now sit down out the way and I'll make ye some breakfast. Don't stand about; there en't room.”

“Where are we?” said Lyra.

“On the Grand Junction Canal. You keep out of sight, child. I don't want to see you topside. There's trouble.”

She sliced a couple of rashers of bacon into the frying pan, and cracked an egg to go with them.

“What sort of trouble?”

“Nothing we can't cope with, if you stay out the way.”

And she wouldn't say any more till Lyra had eaten. The boat slowed at one point, and something banged against the side, and she heard men's voices raised in anger; but then someone's joke made them laugh, and the voices drew away and the boat moved on.

Presently Tony Costa swung down into the cabin. Like his mother, he was pearled with damp, and he shook his woollen hat over the stove to make the drops jump and spit.

“What we going to tell her, Ma?”

“Ask first, tell after.”

He poured some coffee into a tin cup and sat down. He was a powerful, dark-faced man, and now that she could see him in daylight, Lyra saw a sad grimness in his expression.

“Right,” he said. “Now you tell us what you was doing in London, Lyra. We had you down as being took by the Gobblers.”

“I was living with this lady, right…”

Lyra clumsily collected her story and shook it into order as if she were settling a pack of cards ready for dealing. She told them everything, except about the alethiometer.

“And then last night at this cocktail party I found out what they were really doing. Mrs. Coulter was one of the Gobblers herself, and she was going to use me to help her catch more kids. And what they do is—”

Ma Costa left the cabin and went out to the cockpit. Tony waited till the door was shut, and cut in:

“We know what they do. Least, we know part of it. We know they don't come back. Them kids is taken up north, far out the way, and they do experiments on 'em. At first we reckoned they tried out different diseases and medicines, but there'd be no reason to start that all of a sudden two or three years back. Then we thought about the Tartars, maybe there's some secret deal they're making up Siberia way; because the Tartars want to move north just as much as the rest, for the coal spirit and the fire mines, and there's been rumors of war for even longer than the Gobblers been going. And we reckoned the Gobblers were buying off the Tartar chiefs by giving 'em kids, cause the Tartars eat 'em, don't they? They bake children and eat “em.”

Tags: Philip Pullman His Dark Materials Science Fiction
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