Mockingjay (The Hunger Games 3) - Page 54

We come out in the rebel encampment, a ten-block stretch outside the train station where Peeta and I made our previous arrivals. It's already crawling with soldiers. Squad 451 is assigned a spot to pitch its tents. This area has been secured for over a week. Rebels pushed out the Peacekeepers, losing hundreds of lives in the process. The Capitol forces fell back and have regrouped farther into the city. Between us lie the booby-trapped streets, empty and inviting. Each one will need to be swept of pods before we can advance.

Mitchell asks about hoverplane bombings - we do feel very na**d pitched out in the open - but Boggs says it's not an issue. Most of the Capitol's air fleet was destroyed in 2 or during the invasion. If it has any craft left, it's holding on to them. Probably so Snow and his inner circle can make a last-minute escape to some presidential bunker somewhere if needed. Our own hoverplanes were grounded after the Capitol's antiaircraft missiles decimated the first few waves. This war will be battled out on the streets with, hopefully, only superficial damage to the infrastructure and a minimum of human casualties. The rebels want the Capitol, just as the Capitol wanted 13.

After three days, much of Squad 451 risks deserting out of boredom. Cressida and her team take shots of us firing. They tell us we're part of the disinformation team. If the rebels only shoot Plutarch's pods, it will take the Capitol about two minutes to realize we have the holograph. So there's a lot of time spent shattering things that don't matter, to throw them off the scent. Mostly we just add to the piles of rainbow glass that's been blown off the exteriors of the candy-colored buildings. I suspect they are intercutting this footage with the destruction of significant Capitol targets. Once in a while it seems a real sharpshooter's services are needed. Eight hands go up, but Gale, Finnick, and I are never chosen.

"It's your own fault for being so camera-ready," I tell Gale. If looks could kill.

I don't think they quite know what to do with the three of us, particularly me. I have my Mockingjay outfit with me, but I've only been taped in my uniform. Sometimes I use a gun, sometimes they ask me to shoot with my bow and arrows. It's as if they don't want to entirely lose the Mockingjay, but they want to downgrade my role to foot soldier. Since I don't care, it's amusing rather than upsetting to imagine the arguments going on back in 13.

While I outwardly express discontent about our lack of any real participation, I'm busy with my own agenda. Each of us has a paper map of the Capitol. The city forms an almost perfect square. Lines divide the map into smaller squares, with letters along the top and numbers down the side to form a grid. I consume this, noting every intersection and side street, but it's remedial stuff. The commanders here are working off Plutarch's holograph. Each has a handheld contraption called a Holo that produces images like I saw in Command. They can zoom into any area of the grid and see what pods await them. The Holo's an independent unit, a glorified map really, since it can neither send nor receive signals. But it's far superior to my paper version.

A Holo is activated by a specific commander's voice giving his or her name. Once it's working, it responds to the other voices in the squadron so if, say, Boggs were killed or severely disabled, someone could take over. If anyone in the squad repeats "nightlock" three times in a row, the Holo will explode, blowing everything in a five-yard radius sky-high. This is for security reasons in the event of capture. It's understood that we would all do this without hesitation.

So what I need to do is steal Boggs's activated Holo and clear out before he notices. I think it would be easier to steal his teeth.

On the fourth morning, Soldier Leeg 2 hits a mislabeled pod. It doesn't unleash a swarm of muttation gnats, which the rebels are prepared for, but shoots out a sunburst of metal darts. One finds her brain. She's gone before the medics can reach her. Plutarch promises a speedy replacement.

The following evening, the newest member of our squad arrives. With no manacles. No guards. Strolling out of the train station with his gun swinging from the strap over his shoulder. There's shock, confusion, resistance, but451 is stamped on the back of Peeta's hand in fresh ink. Boggs relieves him of his weapon and goes to make a call.

"It won't matter," Peeta tells the rest of us. "The president assigned me herself. She decided the propos needed some heating up."

Maybe they do. But if Coin sent Peeta here, she's decided something else as well. That I'm of more use to her dead than alive.

PART III

"THE ASSASSIN"

19

I've never really seen Boggs angry before. Not when I've disobeyed his orders or puked on him, not even when Gale broke his nose. But he's angry when he returns from his phone call with the president. The first thing he does is instruct Soldier Jackson, his second in command, to set up a two-person, round-the-clock guard on Peeta. Then he takes me on a walk, weaving through the sprawling tent encampment until our squad is far behind us.

"He'll try and kill me anyway," I say. "Especially here. Where there are so many bad memories to set him off."

"I'll keep him contained, Katniss," says Boggs.

"Why does Coin want me dead now?" I ask.

"She denies she does," he answers.

"But we know it's true," I say. "And you must at least have a theory."

Boggs gives me a long, hard look before he answers. "Here's as much as I know. The president doesn't like you. She never did. It was Peeta she wanted rescued from the arena, but no one else agreed. It made matters worse when you forced her to give the other victors immunity. But even that could be overlooked in view of how well you've performed."

"Then what is it?" I insist.

"Sometime in the near future, this war will be resolved. A new leader will be chosen," says Boggs.

I roll my eyes. "Boggs, no one thinks I'm going to be the leader."

"No. They don't," he agrees. "But you'll throw support to someone. Would it be President Coin? Or someone else?"

"I don't know. I've never thought about it," I say.

"If your immediate answer isn't Coin, then you're a threat. You're the face of the rebellion. You may have more influence than any other single person," says Boggs. "Outwardly, the most you've ever done is tolerated her."

"So she'll kill me to shut me up." The minute I say the words, I know they're true.

"She doesn't need you as a rallying point now. As she said, your primary objective, to unite the districts, has succeeded," Boggs reminds me. "These current propos could be done without you. There's only one last thing you could do to add fire to the rebellion."

Tags: Suzanne Collins The Hunger Games Science Fiction
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