Mockingjay (The Hunger Games 3) - Page 30

Back at our space, I open one of the packs to find a thin mattress, bedding, two sets of gray clothing, a toothbrush, a comb, and a flashlight. On examining the contents of the other packs, I find the only discernible difference is that they contain both gray and white outfits. The latter will be for my mother and Prim, in case they have medical duties. After I make up the beds, store the clothes, and return the backpacks, I've got nothing to do but observe the last rule.

3. Await further instructions.

I sit cross-legged on the floor to await. A steady flow of people begins to fill the room, claiming spaces, collecting supplies. It won't take long until the place is full up. I wonder if my mother and Prim are going to stay the night at wherever the hospital patients have been taken. But, no, I don't think so. They were on the list here. I'm starting to get anxious, when my mother appears. I look behind her into a sea of strangers. "Where's Prim?" I ask.

"Isn't she here?" she replies. "She was supposed to come straight down from the hospital. She left ten minutes before I did. Where is she? Where could she have gone?"

I squeeze my lids shut tight for a moment, to track her as I would prey on a hunt. See her react to the sirens, rush to help the patients, nod as they gesture for her to descend to the bunker, and then hesitate with her on the stairs. Torn for a moment. But why?

My eyes fly open. "The cat! She went back for him!"

"Oh, no," my mother says. We both know I'm right. We're pushing against the incoming tide, trying to get out of the bunker. Up ahead, I can see them preparing to shut the thick metal doors. Slowly rotating the metal wheels on either side inward. Somehow I know that once they have been sealed, nothing in the world will convince the soldiers to open them. Perhaps it will even be beyond their control. I'm indiscriminately shoving people aside as I shout for them to wait. The space between the doors shrinks to a yard, a foot; there are only a few inches left when I jam my hand through the crack.

"Open it! Let me out!" I cry.

Consternation shows on the soldiers' faces as they reverse the wheels a bit. Not enough to let me pass, but enough to avoid crushing my fingers. I take the opportunity to wedge my shoulder into the opening.

"Prim!" I holler up the stairs. My mother pleads with the guards as I try to wriggle my way out. "Prim!"

Then I hear it. The faint sound of footsteps on the stairs. "We're coming!" I hear my sister call.

"Hold the door!" That was Gale.

"They're coming!" I tell the guards, and they slide the doors open about a foot. But I don't dare move - afraid they'll lock us all out - until Prim appears, her cheeks flushed with running, hauling Buttercup. I pull her inside and Gale follows, twisting an armload of baggage sideways to get it into the bunker. The doors are closed with a loud and final clank.

"What were you thinking?" I give Prim an angry shake and then hug her, squashing Buttercup between us.

Prim's explanation is already on her lips. "I couldn't leave him behind, Katniss. Not twice. You should have seen him pacing the room and howling. He'd come back to protect us."

"Okay. Okay." I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. "I should've drowned you when I had the chance." His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt. In retaliation, he gives a helpless kitten mew that brings my sister immediately to his defense.

"Oh, Katniss, don't tease him," she says, folding him back in her arms. "He's already so upset."

The idea that I've wounded the brute's tiny cat feelings just invites further taunting. But Prim's genuinely distressed for him. So instead, I visualize Buttercup's fur lining a pair of gloves, an image that has helped me deal with him over the years. "Okay, sorry. We're under the bigE on the wall. Better get him settled in before he loses it." Prim hurries off, and I find myself face-to-face with Gale. He's holding the box of medical supplies from our kitchen in 12. Site of our last conversation, kiss, fallout, whatever. My game bag's slung across his shoulder.

"If Peeta's right, these didn't stand a chance," he says.

Peeta. Blood like raindrops on the window. Like wet mud on boots.

"Thanks for...everything." I take our stuff. "What were you doing up in our rooms?"

"Just double-checking," he says. "We're in Forty-Seven if you need me."

Practically everyone withdrew to their spaces when the doors shut, so I get to cross to our new home with at least five hundred people watching me. I try to appear extra calm to make up for my frantic crashing through the crowd. Like that's fooling anyone. So much for setting an example. Oh, who cares? They all think I'm nuts anyway. One man, who I think I knocked to the floor, catches my eye and rubs his elbow resentfully. I almost hiss at him, too.

Prim has Buttercup installed on the lower bunk, draped in a blanket so that only his face pokes out. This is how he likes to be when there's thunder, the one thing that actually frightens him. My mother puts her box carefully in the cube. I crouch, my back supported by the wall, to check what Gale managed to rescue in my hunting bag. The plant book, the hunting jacket, my parents' wedding photo, and the personal contents of my drawer. My mockingjay pin now lives with Cinna's outfit, but there's the gold locket and the silver parachute with the spile and Peeta's pearl. I knot the pearl into the corner of the parachute, bury it deep in the recesses of the bag, as if it's Peeta's life and no one can take it away as long as I guard it.

The faint sound of the sirens cuts off sharply. Coin's voice comes over the district audio system, thanking us all for an exemplary evacuation of the upper levels. She stresses that this is not a drill, as Peeta Mellark, the District 12 victor, has possibly made a televised reference to an attack on 13 tonight.

That's when the first bomb hits. There's an initial sense of impact followed by an explosion that resonates in my innermost parts, the lining of my intestines, the marrow of my bones, the roots of my teeth.We're all going to die, I think. My eyes turn upward, expecting to see giant cracks race across the ceiling, massive chunks of stone raining down on us, but the bunker itself gives only a slight shudder. The lights go out and I experience the disorientation of total darkness. Speechless human sounds - spontaneous shrieks, ragged breaths, baby whimpers, one musical bit of insane laughter - dance around in the charged air. Then there's a hum of a generator, and a dim wavering glow replaces the stark lighting that is the norm in 13. It's closer to what we had in our homes in 12, when the candles and fire burned low on a winter's night.

Tags: Suzanne Collins The Hunger Games Science Fiction
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