Bridge of Clay - Page 39

Toward the end, Henry came up, straight from the garage, with a beer and a bag of peanuts. He sat at the edge, near a Playboy in the gutter; a dead and dying Miss January. He gestured for Clay to follow, and when he arrived, he made his offerings; the nuts and the sweating beer.

“No thanks.”

“He speaks!” Henry slappe

d his back. “That’s twice in three hours; this really is a night for the books. I’d better get down to the newsagent’s tomorrow and do another lotto ticket.”

Clay looked silently out:

The dark compost of skyscrapers and suburbia.

Then he looked at his brother, and the surety of his beer sips. He enjoyed the thought of that lotto ticket.

Henry’s numbers were one to six.

* * *


Later, Henry gestured to the street, where Rory came laboring upwards, a letterbox over his shoulder. Behind him, the timber pole dragged along the ground; he swung it to our lawn, triumphant. “Oi, Henry, throw us a nut, y’ weak lanky prick!” He thought for a moment but forgot what he was saying. It must have been funny, though, it must have been sidesplitting, because he laughed on his way to the porch. He angled up the steps and lay noisily down on the deck.

Henry sighed. “Here, we better get him,” and Clay followed, to the other side, where Henry had propped a ladder. He didn’t look at The Surrounds, or the immense backdrop of slanted rooves. No, all he saw was the yard, and Rosy running laps of the clothesline. Achilles stood chewing in the moonlight.

* * *


As for Rory, he weighed a drunken ton, but they somehow slung him to bed.

“Dirty bastard,” said Henry. “Must have twenty schooners in ’im.”

They’d never seen Hector move so quickly, either. His look of alarm was priceless, as he leapt, mattress to mattress, and out the door. On the other bed, Tommy slept against the wall.

* * *


In their bedroom, later, much later, it said 1:39 on Henry’s old clock radio (also bargained for at a garage sale), and Clay was standing, his back to the open window. Earlier, Henry had sat on the floor, writing a quick-fire essay for school, but now he hadn’t moved for minutes; he lay on top of the sheets, and Clay was safe to think it:

Now.

He bit down hard.

He made his way to the hallway, aiming for the kitchen—and faster than expected, he was next to the fridge, his hand in the assorted recycling.

From nowhere there was light.

Jesus!

It was white and heavy and belted him across the eyes like a football hooligan. He brought his hands up as it was turned off again, but still it throbbed and stung. In the new drowning dark was Tommy; he was standing in just his underpants, with Hector at his flank. The cat was a shifting shadow of himself, and eyes in shock from the light.

“Clay?” Tommy wandered toward the back door. His words drooled, midsleep and walk. “Kil’ nee’ s’ fee’…” With a second attempt, he nearly cracked the full code of his sentence. “Achilles knees some feed.”

Clay took his arms and turned him, watching as he ambled the hall. He even bent down and gave the cat a small pat, triggering a few short purrs. For a moment, he expected Rosy to bark, or Achilles to let loose a bray, but they didn’t, and he reached for the crate.

Nothing.

Even when he gambled and opened the fridge—just a crack, to borrow some light—he couldn’t find a single scrap of the murderous paper. What a shock to walk back in then, and find it patched up, with sticky tape, on his bed.

Tags: Markus Zusak
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