The Fall (The Strain Trilogy 2) - Page 40

Creem said, “Fuck, you’re a little too good to be true. I need to see some green first.”

Gus chuckled. “Tell you what I’m gonna do. I’m gonna show you three colors, Creem. Silver, green, and white.”

He raised his hand in signal to the hooded driver. The driver went to the trunk, popped it open, and retrieved two bags. He ported them through the fence opening to the meeting place, and set them down.

One was a large black duffel bag, the other a moderately sized, two-handled leather clutch.

“Who your homie?” said Creem. The driver was big, wearing heavy Doc Martens, blue jeans, and the large hoodie. Creem couldn’t see the driver’s face under the hood, but it was obvious this close that this guy was all wrong.

“They call him Mr. Quinlan,” said Gus.

A scream arose from the other end of the park—a man’s scream, more terrible to the ears than a woman’s scream. The others turned.

Gus said, “Let’s hurry. First—the silver.”

He knelt and drew the zipper across the duffel. There wasn’t much light. Gus pulled out the long gun and felt the Sapphires reach for theirs. Gus flipped the switch on the barrel-mounted lamp, thinking it was a normal incandescent bulb, but it was ultraviolet. Of course.

He used the inky-purple light to show the rest of the weapons. A crossbow, its bolt load tipped with a silver impact charge. A flat, fan-shaped silver blade with a curved wooden handle. A sword fashioned like a wide-bladed scimitar with a generous curve and a rugged, leather-bound handle.

Gus said, “You like silver, Creem, don’t you?”

The exotic-looking weaponry piqued Creem’s interest. But he was still wary of the driver, Quinlan. “All right. What about the green?

Quinlan opened the handles of the leather bag. Filled with bundles of cash, anti-counterfeiting threads glowing under the indigo eye of Gus’s UV light.

Creem started to reach into the bag—then stopped. He noticed Quinlan’s hands gripping the bag handles. Most of his fingernails were gone, his flesh entirely smooth. But the fucked-up thing was his middle fingers. Twice as long as the rest of the digits, and crooked at the end—so much so that the tip curled around his palm to the side of his hand.

Another scream split the night, followed by a kind of growl. Quinlan closed the bag, looking forward into the trees. He handed the money bag to Gus, trading him for the long gun. Then, with unbelievable power and speed, he went sprinting into the trees.

Creem said, “What the…?”

If there was a path, this Quinlan ignored it. The gangsters heard branches cracking.

Gus slung the weapons bag onto his shoulder. “Come on. You don’t want to miss this.”

He was easy to follow, because Quinlan had cleared a path of downed branches, pointing the way straight ahead, weaving only for tree trunks. They hustled along, coming upon Quinlan in a clearing on the other side, finding him standing quietly with the gun cradled against his chest.

His hood had fallen back. Creem, huffing, saw the driver’s smooth bald head from behind. In the darkness, it looked like the guy had no ears. Creem came around to see his face better—and the human tank shivered like a little flower in a storm.

The thing called Quinlan had no ears and barely any nose left. A thick throat. Translucent skin, nearly iridescent. And blood-red eyes—the brightest eyes Creem had ever seen—set deep within his pale, smooth head.

Just then a figure broke from the upper branches, dropping to the ground with ease and loping across the clearing. Quinlan sprinted out to intercept it like a cougar tracking a gazelle. They collided, Quinlan dropping his shoulder for an open-field hit.

The figure went down sprawling with a squeal, rolling hard—before popping right back up.

In an instant, Quinlan turned the barrel light on the figure. The figure hissed and flailed back, the torture in its face evident even from that distance. Then Quinlan pulled the trigger. An exploding cone of bright silver buckshot obliterated the figure’s head.

Only—the figure didn’t die like a man dies. A white substance geysered out from its neck trunk and it tucked in its arms and collapsed to the ground.

Quinlan turned his head fast—even before the next figure darted from the trees. A female this time, racing away from Quinlan, toward the others. At the others. Gus pulled the scimitar from the bag. The female—dressed in tatters like the filthiest crack whore you’ve ever seen, except that she was nimble and her eyes shone red—reeled back from the sight of the weapon, but too late. With a single, clean move, Gus connected with the tops of her shoulders and her neck, her head falling one way, her body the other. When it all settled to the ground, a pasty-white liquid oozed out of her wounds.

“And there’s the white,” Gus said.

Quinlan returned to them, pumping the long gun and raising his thick cotton hood back over his head.

“Okay, yeah,” said Creem, dancing from side to side like a kid who had to go to the bathroom on Christmas morning. “Yeah, I’d say we’re fucking in.”

The Flatlands

Tags: Guillermo Del Toro The Strain Trilogy Horror
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