In the Moon of Red Ponies (Billy Bob Holland 4) - Page 76

“My relationship?”

“You two seem to be an item. Bad timing, if you ask me. You know, conflict of interest, sleeping with the enemy, that sort of thing?”

“You want to repeat that more slowly?”

“I think she hired the guys who attacked Dixon. I think you know it, too.”

“You’re out of line.”

“The same people who killed Lester Antelope probably sabotaged my truck. But for some reason you’ve got a perpetual hard-on about Dixon. Maybe you ought to get your priorities straight.”

“I heard you accidentally shot and killed your partner down on the border. That’s too bad. I guess carrying something like that around could make anybody a full-time asshole,” he said.

IT HAD BEEN pointless and self-defeating to take my anger out on Darrel McComb. I’d come to appreciate the fact that he was a better cop than he was given credit for, and in all probability he would eventually home in on the people who had murdered Lester Antelope. But in the meantime I had no idea how or when the brake-fluid line on my truck had been cut, and I had no investigative authority to depend on except McComb. That evening, I examined the floor of the garage where my truck had been parked. There was a single drip line across the cement where Temple had backed onto the driveway, which indicated that the damage to the truck had been done inside the garage, perhaps during the day, while we were at work.

The intruder had no way of knowing who would drive the truck later or the kind of accident, if any, the perforated brake line would cause. It was meant, in almost arbitrary fashion, a

s either a warning or a mortal distraction, whichever came first. The intent was obviously to change our behavior.

I believed the network of assassins or mercenaries responsible for Seth Masterson’s and Lester Antelope’s deaths were becoming better at what they did. They wouldn’t repeat their mistakes or misjudge their adversaries as they had Johnny, Wyatt Dixon, and even Lester Antelope, who had put up a ferocious fight before he died. I believed they would soon abduct another victim, take that person to a remote location, allow him or her to consider the possibility that not all of us are descended from the same tree, and this time extract the information they needed.

My guess was their interrogations were not aimed at pliant subjects. They would choose someone whose principles were such that the subject’s surrendering of them under ordeal would leave no doubt as to their validity. The images that swam before my eyes were like those in crude medieval drawings depicting the fate of those who suffered at the king’s pleasure. In terms of evil, I had come to think of Wyatt Dixon as an amateur.

That evening I drove west on Highway 12, along Lolo Creek, through mountains and patches of meadowland that were a dark green from evening shade and the wheel lines spraying creekwater above the alfalfa. It was the same route Meriwether Lewis, William Rogers Clark, and the young Indian woman Sacagawea had taken to Oregon, and Lolo Peak was still blue and massive and snowcapped against the sky, just as it was two centuries ago when a million-acre fire could burn and extinguish itself without one human being ever witnessing the event.

But the fires on the far side of Lolo Pass were eating huge tracts of forest now and incinerating homesteads, and I could see their glow beyond the mountains as I turned off the highway into a manicured ranch set back in domed-shaped hills that reminded me of women’s breasts. The railed fences were painted white, as were the horse barns, which looked more like Kentucky breeding stables than structures on a working Montana ranch. But the main house was even more incongruent with its surroundings than the displaced barns and hot-walker rings. The house was not simply large; its size was far greater than any individual or group of individuals could possibly make use of in a lifetime.

It was built of cedar and river stone, with cathedral ceilings, the windows orange in the sunset, as though the season were fall rather than summer, the galleries strung with baskets of chrysanthemums rather than petunias. But the alpine design was out of kilter. Shaved and lacquered ponderosa had been used as columns on the front porch, in imitation of Jefferson’s architectural experiments, so that the entrance looked like the gaping mouth of a man with wood teeth.

There were other aspects of Karsten Mabus’s home that were even more unusual. A sweathouse constructed of dark stone, dripping with moisture, stood not far from a swimming pool shaped with undulating curves that were obviously meant to suggest the outline of a woman. Bronze dolphins mounted on stanchions ringed the pool, along with palm, bottlebrush, and banana trees that grew in redwood tubs. The pool was sky-blue, coated with steam, and at the far end a white-jacketed waiter with oiled black hair stood behind an array of liquor bottles and colored drink glasses clinking with light.

As I got out of my car a young woman, absolutely naked, walked out of the steamhouse, her skin threaded with sweat, and dove into the pool. Then two others emerged from the steamhouse, also naked, pushing back the hair on their heads, and dove into the pool, too. The three of them swam in tandem to the far end, taking long strokes, breathing effortlessly to one side like professional swimmers, the water sliding across their tanned buttocks. They paused under the diving platform, grasping the tile trough, while the waiter stooped down and placed three frothy pink drinks before them. They did not speak to one another or to the waiter, as though each of them was involved in a solipsistic activity that had no connection to anyone else.

If Karsten Mabus employed security personnel on the grounds, neither their dress nor their functions showed it. Gardeners and ranch hands came and went; a carpenter hammered nails on a roof; a maid carried jars of sun tea from a picnic table into the kitchen. I had no appointment, nor had I called before coming to his house. But he met me at the door as though I were not only expected but welcome.

“You’re taking me up on my offer?” he said.

“To sell ranch properties? No, sir.”

“Doesn’t matter. Come in, come in.” He closed the door behind me, his hand on my arm. “You’ve given me an excuse to get rid of my current guest.”

Inside the huge living room, under a vaulted ceiling, sat a gelatinous pile of a man in a white suit. His head was large and bald, marked with soft blue depressions, like those in a premature baby. His lips were the color of old liver, his skin so pale he looked as though the blood had been drained from his veins. I could hear his lungs wheezing under the massive weight on his chest. “I’ll be with you in just a minute, Emile,” Mabus said to him.

Mabus picked up a whiskey and soda from a table and walked me into a mahogany-paneled hallway that led deep into the house’s interior. “I’ll give you the whole tour in a minute. Let me get rid of this fellow first. In the meantime, entertain yourself with anything you want back here,” he said.

“I need to talk to you now, Mr. Mabus.”

“You will, you will. Did you see those three lovelies splashing about in the pool? Like to meet one of them?” he said.

He held his eyes on mine, suppressing a grin, then suddenly broke into a laugh. He smacked me on the arm. “I had you going, didn’t I? Those are Emile’s unholy trinity. Their collective IQ is less than their thong size, that is, when they wear one. If you think they’re an embarrassment in the pool, how would you like to have them walking around in your house? At a formal dinner with the Vice President of the United States,” he said.

He laughed so hard he had to hold on to my shoulder.

Then he was gone, back with his guest, standing over him, the two of them chatting in front of the dead fireplace, sharing drinks from a decanter of whiskey, the mountainous world outside little more than a backdrop for their conversation.

The labyrinthine interior of the house seemed to dwarf its own contents, which included a bowling alley, a handball court, a playroom for children (the walls garish with cartoon art), a swimming pool divided by a volleyball net, an exercise room, and a library tiered to the ceiling with shelves of leather-bound, gold-embossed books and classics that had been purchased in sets.

But I couldn’t find a bathroom. A side door in the library gave onto a darkened bedroom, one that upon first glance appeared windowless. I used the half bath inside it, washed my hands, and came back out, not looking in a deliberate way at the decor in a room whose privacy I was violating. But this room was different from the others, its sybaritic ambiance unmistakable.

Tags: James Lee Burke Billy Bob Holland Mystery
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