"What's this over here?"
"A Buddhist temple."
"And on the other side of it?"
"The log cabin where Lincoln was born."
"And here?"
"St. Patrick's church, New York."
"And on the reverse?"
"A Russian Orthodox church in Rostov!"
"What's this?"
"The door of a castle on the Rhine!"
"And inside?"
"A Kansas City soda fountain!"
"And here? And here? And over there? And what's that?" asks Douglas. "What's this! What about that one! And over there!"
It seems as if they are running and rushing and yelling all through the cities, here, there, everywhere, up, down, in, out, climbing, descending, poking, stirring, opening-shutting doors.
"And this, and this, and this, and this!"
The night watchman tells all there is to tell.
Their shadows run ahead in narrow alleys, and avenues as broad as rivers made of stone and sand.
They make a great talking circle; they hurry all around and back to where they started.
They are quiet again. The old man is quiet from having said what there was to say, and the producer is quiet from listening and remembering and fitting it all together in his mind. He stands, absent-mindedly fumbling for his cigarette case. It takes him a full minute to open it, examining every action, thinking about it, and to offer the case to the watchman.
"Thanks."
They light up thoughtfully. They puff on their cigarettes and watch the smoke blow away.
Douglas says, "Where's that damned hammer of yours?"
"Here," says Smith.
"You got your nails with you?"
"Yes, sir."
Douglas takes a deep drag on his cigarette and exhales. "Okay, Smith, get to work."
"What?"
"You heard me. Nail what you can back up, on your own time. Most of the stuff that's already torn down is a complete loss. But any bits and pieces that fit and will look decent, put 'em together. Thank God there's a lot still standing. It took me a long time to get it through my head. A man with a nose for business and some imagination, you said. That is the world, you said. I should have seen it years ago. Here it all is inside the fence, and me too blind to see what could be done with it. The World Federation in my own back yard and me kicking it over. So help me God, we need more crazy people and night watchmen."
"You know," says the night watchman, "I'm getting old and I'm getting strange. You wouldn't be fooling an old and strange man, would you?"
"I'll make no promises I can't keep," says the producer. "I'll only promise to try. There's a good chance we can go ahead. It would make a beautiful film, there's no doubt of that. We could make it all here, inside the fence, photograph it ten ways from Christmas. There's no doubt about a story, either. You provided it. It's yours. It wouldn't be hard to put some writers to work on it. Good writers. Perhaps only a short subject, twenty minutes, but we could show all the cities and countries here, leaning on and holding each other up. I like the idea. I like it very much, believe me. We could show a film like that to anyone anywhere in the world and they'd like it. They couldn't pass it up, it would be too important."