The Handmaid's Tale (The Handmaid's Tale 1) - Page 64

It's a good look, slow and level. I'm a wreck. The mascara has smudged again, despite Moira's repairs, the purplish lipstick has bled, hair trails aimlessly. The moulting pink feathers are tawdry as carnival dolls and some of the starry sequins have come off. Probably they were off to begin with and I didn't notice. I am a travesty, in bad makeup and someone else's clothes, used glitz.

I wish I had a toothbrush.

I could stand here and think about it, but time is passing.

I must be back at the house before midnight; otherwise I'll turn into a pumpkin, or was that the coach? Tomorrow's the Ceremony, according to the calendar, so tonight Serena wants me serviced, and if I'm not there she'll find out why, and then what?

And the Commander, for a change, is waiting; I can hear him pacing in the main room. Now he pauses outside the bathroom door, clears his throat, a stagy ahem. I turn on the hot water tap, to signify readiness or something approaching it. I should get this over with. I wash my hands. I must beware of inertia.

When I come out he's lying down on the king-sized bed, with, I note, his shoes off. I lie down beside him, I don't have to be told. I would rather not; but it's good to lie down, I am so tired.

Alone at last, I think. The fact is that I don't want to be alone with him, not on a bed. I'd rather have Serena there too. I'd rather play Scrabble.

But my silence does not deter him. "Tomorrow, isn't it?" he says softly. "I thought we could jump the gun." He turns towards me.

"Why did you bring me here?" I say coldly.

He's stroking my body now, from stem as they say to stern, cat-stroke along the left flank, down the left leg. He stops at the foot, his fingers encircling the ankle, briefly, like a bracelet, where the tattoo is, a Braille he can read, a cattle-brand. It means ownership.

I remind myself that he is not an unkind man; that, under other circumstances, I even like him.

His hand pauses. "I thought you might enjoy it for a change." He knows that isn't enough. "I guess it was a sort of experiment." That isn't enough either. "You said you wanted to know."

He sits up, begins to unbutton. Will this be worse, to have him denuded, of all his cloth power? He's down to the shirt; then, under it, sadly, a little belly. Wisps of hair.

He pulls down one of my straps, slides his other hand in among the feathers, but it's no good, I lie there like a dead bird. He is not a monster, I think. I can't afford pride or aversion, there are all kinds of things that have to be discarded, under the circumstances.

"Maybe I should turn the lights out," says the Commander, dismayed and no doubt disappointed. I see him for a moment before he does this. Without his uniform he looks smaller, older, like something being dried. The trouble is that I can't be, with him, any different from the way I usually am with him. Usually I'm inert. Surely there must be something here for us, other than this futility and bathos.

Fake it, I scream at myself inside my head. You must remember how. Let's get this over with or you'll be here all night. Bestir yourself. Move your flesh around, breathe audibly. It's the least you can do.

XIII

NIGHT

CHAPTER FORTY

The heat at night is worse than the heat in daytime. Even with the fan on, nothing moves, and the walls store up warmth, give it out like a used oven. Surely it will rain soon. Why do I want it? It will only mean more dampness. There's lightning far away but no thunder. Looking out the window I can see it, a glimmer, like the phosphorescence you get in stirred seawater, behind the sky, which is overcast and too low and a dull grey infra-red. The searchlights are off, which is not usual. A power failure. Or else Serena Joy has arranged it.

I sit in the darkness; no point in having the light on, to advertise the fact that I'm still awake. I'm fully dressed in my red habit again, having shed the spangles, scraped off the lipstick with toilet paper. I hope nothing shows, I hope I don't smell of it, or of him either.

She's here at midnight, as she said she'd be. I can hear her, a faint tapping, a faint shuffling on the muffling rug of the corridor, before her light knock comes. I don't say anything, but follow her back along the hall and down the stairs. She can walk faster, she's stronger than I thought. Her left hand clamps the banister, in pain maybe but holding on, steadying her. I think: she's biting her lip, she's suffering. She wants it all right, that baby. I see the two of us, a blue shape, a red shape, in the brief glass eye of the mirror as we descend. Myself, my obverse.

We go out through the kitchen. It's empty, a dim nightlight's left on; it has the calm of empty kitchens at night. The bowls on the counter, the canisters and stoneware jars loom round and heavy through the shadowy light. The knives are put away into their wooden rack.

"I won't go outside with you," she whispers. Odd, to hear her whispering, as if she is one of us. Usually Wives do not lower their voices. "You go out through the door and turn right. There's another door, it's open. Go up the stairs and knock, he's expecting you. No one will see you. I'll sit here." She'll wait for me then, in case there's trouble; in case Cora and Rita wake up, no one knows why, come in from their room at the back of the kitchen. What will she say to them? That she couldn't sleep. That she wanted some hot milk. She'll be adroit enough to lie well, I can see that.

"The Commander's in his bedroom upstairs," she says. "He won't come down this late, he never does." That's what she thinks.

I open the kitchen door, step out, wait a moment for vision. It's so long since I've been outside, alone, at night. Now there's thunder, the storm's moving closer. What has she done about the Guardians? I could be shot for a prowler. Paid them off somehow, I hope: cigarettes, whiskey, or maybe they know all about it, her stud farm, maybe if this doesn't work she'll try them next.

The door to the garage is only steps away. I cross, feet noiseless on the grass, and open it quickly, slip inside. The stairway is dark, darker than I can see. I feel my way up, stair by stair: carpet here, I think of it as mushroom-coloured. This must have been an apartment once, for a student, a young single person with a job. A lot of the big houses around here had them. A bachelor, a studio, those were the names for that kind of apartment. It pleases me to be able to remember this. Separate entrance, it would say in the ads, and that meant you could have sex, unobserved.

I reach the top of the stairs, knock on the door there. He opens it himself, who else was I expecting? There's a lamp on, only one but enough light to make me blink. I look past him, not wanting to meet his eyes. It's a single room, with a fold-out bed, made up, and a kitchen

ette counter at the far end, and another door that must lead to the bathroom. This room is stripped down, military, minimal. No pictures on the walls, no plants. He's camping out. The blanket on the bed is grey and says U.S.

He steps back and aside to let me past. He's in his shirt sleeves, and is holding a cigarette, lit. I smell the smoke on him, in the warm air of the room, all over. I'd like to take off my clothes, bathe in it, rub it over my skin.

Tags: Margaret Atwood The Handmaid's Tale Fiction
Source: readsnovelonline.net
readsnovelonline.net Copyright 2016 - 2024