"Oh, I'm so sorry," Minna said. "She was so nice. I had a lovely day."
"Well," Mrs. Elwood said toughly, "perhaps she'll pull herself together."
Minna nodded, feeling sad, wishing she could help. Mrs. Elwood was still looking at the cans, and Minna hoped that she wouldn't notice the extravagant hors d'oeuvre fork.
"What's in these things?" Mrs. Elwood asked, holding another can in her lumpy palm.
"They're delicacies from other countries. Molly said they were very good."
"I wouldn't buy anything to eat if I didn't know what it was," Mrs. Elwood said. "Lord, they might be unclean! They might be from Korea, or somewhere."
"Oh, I just thought they were pretty," Minna said, and the familiar exhaustion seemed to numb her whole body and her speech. "It was a pleasant way to spend the afternoon," she mumbled, and there was something bitter which came into her voice and surprised her, surprised Mrs. Elwood, too, and brought an unsettling quiet to the small room.
"I think you're very tired," Mrs. Elwood said. "Let me put a note up for the girls, and you go to bed." The authority of Mrs. Elwood's voice seemed to fill Minna's exhaustion, so perfectly, and it made unnecessary any protest. Minna didn't even mention the Alec Guinness movie.
But her sleep was bothered by vague phantoms, in conspiracy, it seemed, with the occasional scratching in the dormitory corridor -- presumably the girls who came to see the news and shuffled, puzzled, around the note on the door. Once Minna was sure that Celeste was in the room, still awesomely naked and huge, surrounded by grotesque dwarfs. Once Minna woke, felt the warm weight of her tired hands against her sides, and felt repelled by her own touch. She lay back again, her arms outstretched to the sides of her bed, her fingers curled beneath the mattress as if she were manacled to a rack. If Minna had eaten one of the strange foods, which she had not, she would have attributed her nightmares to this. But as it was inexplicable, her troubled sleep struck her as somewhat of an enigma.
If Minna had any recurrent flickers of embarrassment, any lasting reservations regarding Celeste, nothing of the kind was at all apparent. If she was envious of Celeste's easy vibrancy -- her immediate intimacy with the girls, with gruff Flynn, especially with Angelo -- she wasn't conscious of such an envy. In fact, it was not until several weeks after the first, awful night that Minna recalled how Mrs. Elwood had not even asked her if she'd gone to meet Celeste. Also, Minna had occasion to see more of Molly Cabot; she felt obligated to see more of her, to mother her, in some small, inoffensive way. But Minna's sense of duty took none of the former pleasures away from Molly's company. Minna enjoyed the shy, secretive closeness of her times with Molly. As she saw more of Molly, she saw less of Angelo -- not that she stopped worrying about him. Angelo, as Mrs. Elwood had said, was "rather taken with" Celeste. He brought her flowers -- expensive, gaudy and tasteless flowers, which he couldn't have stolen in the Common but would have had to buy. And Celeste received other, less open admiration. On Saturdays the girls were allowed to bring their weekend dates to the dining hall for lunch, and Celeste certainly was noticed. The looks which the boys gave her were seldom casual; they were the penetrating weighted looks which Celeste, when her head was turned, received from Flynn -- darkly and stealthily watching her from behind various pots and counters. Minna, if she thought anything of this, thought it rather unbecoming of Flynn, and simply rude of the boys. If she worried about Angelo's adoration, she thought of it as nothing more than another example of Angelo's tragic exposure of himself. Celeste, certainly, offered no threat to Angelo. Angelo, as before, simply was a threat to himself.
Minna was perfectly at ease with Celeste. In two months Celeste had made herself at home; she was jolly, a little raucous, always pleasant. The girls were obviously impressed with (or envious of) what Molly called "her Modigliani allure," and Flynn appeared to get great pleasure from his dark observations. Mrs. Elwood thought Celeste was charming, even if a bit bold. Minna liked her.
In June, with only a few weeks of regular classes remaining, Celeste bought an old car -- a dented relic of Boston traffic. Once she drove Minna and Molly Cabot to Cambridge, for an afternoon's shopping. The car smelled of suntan oil and cigarettes and, Minna noticed, of the curious heavy scent, coffee-rich, the musk of sheeted furniture in unattended summer homes. Celeste drove like a man, one arm out the window, forceful wrenches on the wheel, fond of shifting from third to second, fond of competing with taxis. The car labored and knocked with sudden acceleration; Celeste explained that the carburetor was dirty or ill-adjusted. Minna and Molly nodded their bewildered respect. Celeste took her days off at Revere Beach; she became deeply tanned but complained about the "pee-like" condition of the water. It was an eager and active time of year.
And June brought a certain impatience to the girls, an irritable quality to Flynn, who always was great at sweating but seemed to suffer most acutely from this in Boston's early and long summers. Minna had grown quite used to the heat; it didn't seem to bother her much, and she noticed that she rarely sweated anymore. Angelo, of course, was forever pale and dry, a completely a-seasonal face and body. Celeste looked damply hot.
June was an almost-over time of year, when the girls were brighter and more often in handsome company, when the weekend dining hall was something like a restless, overly chaperoned party. In a while, there would be different girls in the dormitory for the summer session, and summer sessions were so different anyway, lighter, breezier -- and from the kitchen's point of view, people ate less. Now there was a distinctly light-handed way about things. Angelo, during the presentation of one horrendous bouquet to Celeste, asked her to see a movie with him. Their heads struggled on either side of the flowers, Angelo peering for an answer, Celeste amused, both at the size of the bouquet and at Angelo's question.
"What movie is it, Angelo?" Her wide, strong mouth; her rich, good teeth.
"Oh, some movie. We'll have to find one close. I don't have a car."
"Then sometime let's go in mine," Celeste said. And then, looking at the ridiculous bouquet, "Where on earth shall we put this? -- by the window, out of Flynn's way? I like flowers in a window."
And Angelo scurried to arrange the windowsill. Flynn's following eyes, from somewhere out of the steam, found Celeste's long back and strong legs -- her broad, taut buttocks laboring under the weight of lilies and anonymous greens, lilac branches and unopened buds.
There were very few girls who came to see the news on this Friday night, the last Friday of the school year, the last weekend before the final exams. Presumably the girls were studying, and those who weren't had chosen to go out and really not study (rather than compromise with the news). It had rained that afternoon, a rain you could smell, steaming off the sidewalks and leaving the streets nearly dry -- only a few tepid puddles remained, and the evening air resembled t
he damp stuffiness of a laundromat. The heat was of that sensuous, gluttonous kind that people in Boston imagine is like the swamp-surrounded porches of a Southern estate, complete with a woman lolling nude in a hammock. Minna felt pleasantly tired; she sat by the window, looking out to the circular driveway in front of the dormitory. It was a private gravel driveway with a high curb, and from the window it appeared to be carved, or etched, through the rows of elms and the green, green lawn. Minna saw Celeste, arms akimbo, sitting with her back against a tree. Her legs were extended straight in front of her so that her ankles stuck out over the curb of the driveway. It would have been an entirely unbecoming posture for almost any woman, but somehow Celeste lent to it a kind of magnificence in repose; a figure in semi-recline that seemed not exactly sluggish but rather wantonly indisposed to any motion. She was somewhat arrogantly dressed: a sleeveless, high-necked jersey, untucked and fallen outside one of those wraparound skirts -- the kind that always had a slit somewhere.
The girls stayed after the news to hear the weather report, and to see the dapper little man in the weather station at Logan Airport tediously interpret his complex map. The girls' plans for the weekend obviously hinged on the good weather, and they were all there, Minna still at the window, Celeste still at the tree, when a motorcycle, the gas tank painted fire-engine red, neatly cornered the right-angled entrance to the driveway, leaned cautiously into the gravel circle, and stopped (sliding just a little) in front of the dormitory. The motorcyclist was a young man, very tanned and very blond, with a remarkably babyish face. His shoulders were almost pointed and his head seemed too small for the rest of him; long, thin arms and legs, snugly fitted in a beige summer suit, which sported a wild silk handkerchief in the breast pocket. He wore no tie, just a white shirt open at the throat. His passenger was Molly Cabot. Molly skipped lightly away from the cycle and the curb, then waited for the driver to step off his machine, which he did quite stiffly and slowly. He walked with Molly into the front lobby of the dormitory, walking in the manner of a stoically injured athlete. Minna turned, to see how the weather was progressing, and saw that all the girls were surrounding her at the window.
One of the girls said, "So she did get a date with him!"
"We'll never hear the end of this," another girl added.
Everyone sat or stooped rather gravely about the window, waiting for the cyclist to reappear. He wasn't long inside, and when he came out he looked all around him and fiddled with several small parts of his motorcycle. His gestures seemed hurried and not really intended to fix anything; they were the gestures of one who was conscious of being watched. He rose up on the seat and came down heavily on the kick starter; the report which followed the first sucking sound was startling to those in the window. It even caught the attention of Celeste, who straightened up from her repose against the tree and sat a little farther out on the curb. The motorcycle moved around the driveway in Celeste's direction, and when it was a few feet past her the brake light flickered, the rear wheel slid gently sideways toward the curb, and the cyclist brought his right foot to the ground as the machine stopped. He then straightened up off the seat and walked the motorcycle backward to where Celeste sat. One of the girls moved away from the window and shut off the television; then she came quickly back to her position in the huddle. No one could hear what the boy was saying because he kept the engine running. Celeste didn't seem to be saying anything. She just smiled, engaged in looks of practiced scrutiny of the motorcycle and the boy. Then she got up, moved in front of the cycle, moved her hand once or twice in front of the headlamp, touched one of the instrument dials mounted on the handlebars, and stood back from the boy and his machine-- giving what appeared from the window to be one last appraisal of everything that met her eyes. At that moment, or so it seemed to the window watchers, Molly Cabot knocked once on the door of Minna's room, entered and said, "Wow!" Everyone stood up and tried to be doing something; one girl made an awkward move to the television, but Molly came directly to the window and looked out to the driveway, asking, "Has he gone?" She was in time to see Celeste offer her hand to the cyclist and deftly swing herself up behind him -- it was a move executed with surprising agility for her long weight. The skirt was a slight problem; she had to twist it so that the slit was directly behind her. Then she gripped the seat and the driver with her strong legs, rolled her long arms completely around him -- her head was a full two inches higher than his, her back and her shoulders seemed broader, stronger than his. The cyclist shifted all his weight to his left leg, held the motorcycle up with some difficulty, and with his right foot shifted the machine into gear. They pulled away slowly, weaving slightly to the end of the driveway; then, once free of the gravel, and with a minimum of fishtailing from the rear wheel, the cycle lurched into the traffic on the broad street. From the window they were able to follow the sound through the first three gears; then the machine and its riders either stayed in that gear or were lost to the window watchers and listeners in the random blaring of horns and the other sounds of traffic in the night.
"That bastard," Molly Cabot said, coolly, analytically -- and, from the faces of the other girls, expectedly.
"Maybe he's just taken her for a ride around the block," someone said, not too convincingly, not even too hopefully.
"Sure," Molly said, and she turned from the window and walked directly out of the room.
All the girls went back to the window. They sat for another 20 minutes, just looking into the night, and finally Minna said, "It's surely time for the movie. Will anyone stay and see it with me?" It was suddenly a night when something extraordinary was called for, Minna thought, and so she considered the extravagance of asking all of them to stay for the movie. If Mrs. Elwood came, as she might, she would not be pleased about it; she would speak to Minna about it -- after the girls were gone.
"Why not?" someone said.
The movie, as if things weren't cruel enough, was an old musical. The girls commented harshly on each scene and song. During the commercials the girls went and sat by the window, and whenever there was a likely roar in the street they ran over, regardless of what new horror in song the movie then explored. When the movie was over, the girls were unwilling to leave (some of them had rooms that didn't face the driveway), and they appeared bitterly resolved to a nightlong vigil. Minna asked politely, shyly, if she might go to bed, and the girls straggled into the corridor, aimlessly bitching. They didn't seem angry at Celeste, or angry because they felt badly for Molly; on the contrary, it struck Minna that they were almost glad about it, and certainly excited. Their anger came from a feeling that they had been deeply cheated out of witnessing the climax to the show. They'll be up all night, Minna thought. How awful.