Cart and Cwidder (The Dalemark Quartet 1) - Page 10

“Nothing here,” he called.

“Look in the woods then,” said the fair one. And they were gone.

Clennen lay where he had fallen, half in the lake, with blood running out of him into the water.

Before Moril could move, there was a thumping of racing feet. Dagner shot past him round the lake and surged onto his knees in the water beside Clennen. “Have they killed him?”

“Not quite,” said Lenina. “Help me move him.”

Moril stood where he was, some distance away, and watched them heave his father out of the calm sunny water. Brid’s face was grayish white, and her teeth were chattering. Dagner’s mouth kept twisting about. Moril could see his hands shaking. But Lenina was quite calm and no paler than usual. As they turned Clennen over, Moril saw a cut in his chest. Bright red blood was gushing from it as fast as the river ran in Dropwater, steaming a little in the cold air over the surface of the lake.

At the sight, the bright trees, the lake, and the sunny sky dipped and swung in front of Moril. Everything turned sour and gray and distant. He could not move from the spot. Up in the woods behind him, he could dimly hear the six men crashing about and calling to one another, but they could have been on the moon for all the fear and interest Moril felt. His eyes stared, so widely that they hurt, at the group by the water.

Lenina, without abating her calm, tore a big strip from her petticoat, and another, to stop the bleeding. “Give me yours,” she said to Brid, and while Brid, shaking and shivering, was getting out of her petticoat, Lenina said in the same calm way to Dagner, “Get the small flask from the cart.”

Moril stared at his mother working and telling Brid what to do. The only sign of emotion Lenina showed was when her hair trailed in the way of the bandages. “Bother the stuff!” she said. “Brid, tie it back for me.”

Brid was still trying to get a ribbon round Lenina’s hair when Dagner scudded back with the flask. “Do you think you can save him?” he asked, as if he were pleading with Lenina.

She looked up at him calmly. “No, Dagner. The most I can do is keep him with you for a while. He’ll want to have his say. He always did.” She took the flask from Dagner and uncorked it.

Moril desolately watched her trying to get some of the liquid from the flask into Clennen’s mouth. It was not fair. He felt it was not fair on his father at all, to die like this, first thing in the morning, miles from anywhere. He ought to have had warning. Dying was a thing someone like Clennen ought to do properly, in front of a crowd, with music playing if possible.

Music was possible, of course. Moril found himself beside the cart, without quite knowing how he had got there. He scrambled up and seized the nearest cwidder. It happened to be the big one. In the ordinary way, Moril would not have chosen it. But being inside the cart made him feel sick and queer, so he simply took what came first to hand and backed hastily down with it.

While he was getting its strap over his back, he realized that Clennen’s eyes were open. And it was clear that Clennen shared Moril’s opinion. Moril heard him say, rather thickly, but quite strongly, “This came out of the blue, didn’t it? I’d have preferred to have notice.”

Moril put his hands to the strings and began to play, very softly, the weird broken little tune of “Manaliabrid’s Lament.” The cwidder responded sweetly. The old song seemed more melodious than usual, and because of the water, it carried out across the lake until the valley seemed full of it. Moril heard its echo from the woods opposite.

His ears were so full of the sound that he did not hear much else of what Clennen said. Clennen’s voice became weaker, anyway, after that first remark, and he spoke to Lenina in what was only a murmur. Then he spoke to Brid for a while, reaching out to hold her hand, which made Brid cry. After that, it was Dagner’s turn. Clennen was very weak by then. Dagner had to put his head right down near his father’s face in order to hear him. Moril played on, as softly as he could, watching Dagner listening and nodding, and wondered vaguely at the amount Clennen seemed to have to say. Then Dagner looked up and beckoned to Moril.

“He wants to talk to you. Quickly.”

Moril did not dare take off the cwidder for fear of wasting time. He hurried over to Clennen with it bumping at his thighs and knees, and hoisted it away sideways as he knelt down. Clennen’s face was paler than Moril had ever seen a face before. His eyes did not seem to reflect the sky, or Moril bending over him, though it was clear he could see Moril.

“Got the big cwidder, have you?” Clennen said. Moril nodded. He could not manage to speak. “Keep it carefully,” said Clennen. “It’s yours now. Always meant to give it to you, Moril, because I think you’ve got the ability. Or will have. But you have to come to terms with it, and with yourself. Understand?” Moril nodded again, though he did not understand in the least. “You’re in two halves at present,” Clennen went on. “Often thought so. Come together, Moril, and there’s no knowing what you might do. There’s power in that cwidder, if you can use it. Used to be Osfameron’s. He could use it. Handed down to me. I couldn’t use it. Only found the power once, when I—” Clennen paused for breath. Moril waited for him to go on, but nothing happened. Clennen stayed as he was, with his eyes open looking at Moril, and his lips parted. After a while, Moril realized that this was all

there would be. He got up and carefully, very carefully, put the cwidder back in its place inside the cart.

Brid was crying loudly. Lenina was standing very upright beside the lake, as calm as ever. Dagner seemed to have frozen into the same sort of calmness, facing her. And Kialan was coming slowly toward them round the lake with a bundle of dead rabbits.

When he reached them, Kialan stopped. He looked at Clennen and, for once, seemed not to know what to say. “I’m—terribly sorry,” he said at length.

“It was going to happen sometime,” said Lenina. “Will you help us dig a grave, please?”

“Of course,” said Kialan. “Here?”

“Why not?” said Lenina. “Clennen never had a home after he left Hannart, and we can’t take him there.”

“Very well,” said Kialan, and he laid the rabbits down and unhooked the spade from its clips beneath the cart. Dagner went and fetched the pickax, and the two set to work. Lenina watched and seemed ready to take Kialan’s advice, as if, in some odd way, Kialan were in charge just then. “I think we should mark the spot,” Kialan said as he dug.

“How?” said Lenina.

“Is there a spare board in the cart?” Kialan asked.

“Find him one, Moril,” said Lenina.

Moril managed to work free one of the spare boards Clennen always carried under the floor of the cart, and on Kialan’s instructions, he sawed off a piece about three feet long. Then he relieved Kialan at the digging for a while. Kialan took out his sheath knife and carved away at the board, quickly and competently, as if this were another thing he was good at. When he had finished, the board had letters deeply and neatly cut into it. CLENNEN THE SINGER.

Tags: Diana Wynne Jones The Dalemark Quartet Fantasy
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