Outside the windowless purple wagon, black in the night, a shadow shifted in the deeper shadows. The sickle moon came out from behind the clouds long enough for Mat to recognize Harnan’s lantern jaw.
“All quiet, my Lord,” the file-leader said.
Mat nodded and took a deep breath, feeling for the washleather bag in his pocket. The air was clean, washed by the rain and away from the horselines. Tuon must be relieved to be away from the dung smell, and the rank odor of the animal cages. The performers’ wagons to his left were as dark as the canvas-topped storage wagons to his right. No use waiting any longer. He pushed Egeanin up the purple wagon’s steps ahead of him.
There were more people inside than he expected. Setalle was seated on one of the beds, working her embroidery hoop again, and Selucia stood at the far end scowling beneath her head scarf, but Noal was sitting on the other bed, apparently lost in thought, and Tuon sat cross-legged on the floor playing Snakes and Foxes with Olver.
The boy twisted around with a wide-mouthed grin that almost split his face when Mat came in. “Noal has been telling us about Co’dansin, Mat,” he exclaimed. “That’s another name for Shara. Did you know the Ayyad tattoo their faces? That’s what they call women who can channel, in Shara.”
“No, I didn’t,” Mat said, settling a grim eye on Noal. It was bad enough that Vanin and the Redarms were teaching the boy bad habits, not to mention what he was picking up from Juilin and Thorn, without Noal filling his head with made-up nonsense.
Suddenly Noal slapped his thigh and sat up straight. “I remember now,” he said, and then the fool began to recite.
“Fortune rides like the sun on high
with the fox that makes the ravens fly.
Luck his soul, the lightning his eye,
He snatches the moons from out of the sky.”
The broken-nosed old man looked around as if just realizing anyone else was there. “I’ve been trying to remember that. It’s from the Prophecies of the Dragon.”
“Very interesting, Noal,” Mat muttered. Those colors whirled in his head just the way they had that morning, when the Aes Sedai were panicking. They flashed away without making a picture this time, but he felt as cold as if he had spent a night sleeping under a bush in his skin. The last thing on earth he needed was anybody else linking him to the Prophecies. “Maybe some time you can recite the whole thing for us. But not tonight, eh?”
Tuon looked up at him through her eyelashes, a black porcelain doll in a dress that was too big for her. Light, but she had long lashes. She ignored Egeanin as if the other woman did not exist, and in truth, Egeanin was doing her best to appear part of a cabinet built into the wall. So much for hoping for a diversion.
“Toy d
oesn’t mean to be rude,” Tuon murmured in that slow honey drawl. “He just has never been trained in manners. But it is late, Master Charin; time for Olver to be in bed. Perhaps you will escort him to his tent? We’ll play again another time, Olver. Would you like me to teach you to play stones?”
Olver most emphatically would. He almost wriggled, saying so. The boy liked anything that gave him a chance to smile at a woman, not to mention a chance to say things that should have gotten him slapped till his ears swelled up bigger than they already were. If Mat ever found out which of his ‘uncles’ was teaching him that. . . . But the lad gathered the pieces of his game and carefully rolled up the line-marked cloth without a second urging. He even made a very good leg, thanking the High Lady, before letting Noal lead him from the wagon. Mat nodded approvingly. He had taught the boy how to make a leg, but the boy usually added a leer for a pretty woman. If he ever found out who. . . .
“You have a reason for interrupting me, Toy?” Tuon said in cool tones. “It is late, and I was thinking of going to sleep.”
He made a leg and gave her his best smile. He could be polite even if she was not. “I just wanted to make sure you were all right. These wagons are uncomfortable, on the road. And I know you aren’t happy with the clothes I could find you. I thought this might make you feel a little better.” Fishing the leather bag from his pocket, he presented it with a flourish. Women always liked that little extra flourish.
Selucia tensed, blue eyes sharpening, but Tuon waggled her slim fingers and the bosomy maid subsided. A little. Mat liked feisty women, by and large, but if she ruined this, he was going to paddle her bottom. He hung on to his smile with an effort, and even managed to ratchet it up a notch.
Tuon turned the bag over her hands several times before untying the drawstrings and spilling what it contained into her lap, a heavy necklace of gold and carved amber. An expensive piece, and Seanchan work to boot. He was proud of finding the thing. It had been the property of an acrobat, who had it from a Seanchan officer whose fancy she caught, but she had been willing to sell now that her officer was left behind. It did not suit her skin, whatever that meant. He smiled and waited. Jewels always softened a woman’s heart.
No one’s reaction was quite what he expected, though. Tuon lifted the necklace in front of her face with both hands, studying it as if she had never seen such a thing before. Selucia’s lip curled in a sneer. Setalle set her embroidery down on her knees and looked at him, the large golden hoops in her ears swaying as she shook her head.
Abruptly, Tuon thrust the necklace back over her shoulder toward Selucia. “It does not suit me,” she said. “Would you like it, Selucia?” Mat’s smile slipped a little.
The cream-skinned woman took the necklace between thumb and forefinger, as if holding a dead rat by the tail. “A piece for a shea dancer to wear with her veil,” she said wryly. With a twist of her wrist, she hurled the necklace at Egeanin, snapping, “Put it on!” Egeanin caught the thing just before it hit her face. Mat’s smile slid the rest of the way off his.
He expected an explosion, but Egeanin immediately fumbled open the clasp and pushed her heavy wig back to fasten it behind her neck. Her face might have been molded from snow for all the expression on it.
“Turn,” Selucia commanded, and it was a command, without any doubt. “Let me see.”
Egeanin turned. Stiff as a fence post, but she turned.
Setalle looked at her intently, with a puzzled shake of her head, then gave Mat a different head shake before returning to her embroidery. Women had as many ways of shaking their heads as they had looks. This one said he was a fool, and if he did not catch the finer nuances, he was just as glad. He did not think he would have liked them. Burn him, he bought a necklace for Tuon, who gave it to Selucia right in front of him, and now it was Egeanin’s?
“She came for a new name,” Tuon said musingly. “What does she call herself?”
“Leilwin,” Selucia replied. “A fitting name for a shea dancer. Leilwin Shipless, perhaps?”