Flowers in the Attic (Dollanganger 1) - Page 73

"Chris, being grown up is awfully complicated, isn't it?"

"Guess so."

"I always thought when you were an adult you knew how to handle any situation. You were never in doubt as to what is wrong, and what is right. I never guessed adults floundered around, too, just like us."

"If you're thinking of Momma, she didn't mean what she said and did. I believe, though I'm not sure, once you are an adult, and come back to the home of your parents to live, for some odd reason, you're reduced to being a child again, and dependent. Her parents tug her one way--and we pull her another way-- and now she's got that man with the moustache. He must be tugging her his way, too."

"I hope she never marries again! We need her more than that man does!"

Chris didn't say anything

"And that TV set she brought us--she waited for her father to give her one, when she could have bought us one herself months ago, instead of buying herself so many clothes. And the jewelry! She's always wearing new rings, and new bracelets, earrings and necklaces."

Very slowly he expressed a careful explanation of our mother's motives. "Look at it this way, Cathy. If she had given us a TV the first day we came, we would have sat down in front of it and stared all day long. Then we wouldn't have created a garden in the attic where the twins can play happily. We wouldn't have done anything but sit and watch. And look how much we've learned during our long, long days, like how to make flowers and animals. I paint better now than when I came, and look at the books we've read to improve our minds. And you, Cathy, you've changed too."

"How? How have I changed? Name it."

He rolled his head from side to side on the pillow, expressing a sort of embarrassed helplessness.

"All right. You don't have to say anything nice to me. But before you leave this bed and get into your own, tell me all you found out--everything Don't leave out a thing, not even your thoughts. I want you to make me feel I was there with you, at your side, seeing and feeling what you did."

He turned his head so our eyes locked and he said in the weirdest voice, "You were there beside me. I felt you there, holding onto my hand, whispering in my ear, and I looked all the harder, just so you could see what I did."

This giant house, ruled by the sick ogre beneath, had intimidated him; I could tell that by his voice. "It's an awfully big house, Cathy, like a hotel. There are rooms and rooms, all furnished with beautiful expensive things, but you can tell they are never used. I counted fourteen rooms on this floor alone, and I think I missed a few small ones."

"Chris!" I cried out, disappointed. "Don't tell it to me that way! Make me feel I was there beside you. Start over, and tell me how it went from the second you were out of my sight."

"Well," he said, sighing, like he'd rather not, "I stole along the dark corridor of this wing, and I ran to where this hall joins that large center rotunda where we hid in the chest near the balcony. I didn't bother looking in any of the northern-wing rooms. As soon as I was where people might see me, I had to be careful. The party was nearing its peak. The revelry down there was even louder, everybody sounded drunk. In fact, one man was singing in a foolish way something about wanting his missing two front teeth. It was so funny sounding, I stole over to the balustrade and looked down on all the people. They looked odd, foreshortened, and I thought, I'll have to remember that, so when I draw people from an above the eye-level viewpoint, they'll look natural. Perspective makes all the difference in a painting."

It made all the difference in everything, if you asked me.

"Of course it was Momma I searched for," he continued after I urged him on, "and the only people I recognized down there were our grandparents. Our grandfather was beginning to look tired, and even as I watched, a nurse came and pushed him out of sight. And I watched, for it gave me the general direction to his room in back of the library."

"Was she wearing a white uniform?"

"Of course. How else would I know she was a nurse?"

"Okay, go on. Don't leave out a thing."

"Well, no sooner did the grandfather leave than the grandmother left, too, and then I heard voices coming up one of the stairways! You never saw anyone move quicker than I did! I couldn't hide in the chest without revealing myself, so I ducked into a corner where a suit of armor stood on a pedestal. You know that armor must have been worn by a fully grown man, and yet I'll bet you a hundred it wouldn't fit me, though I would have liked to try it on. And as for who was coming up the stairs, it was Momma, and with her she had the same dark-haired man with the moustache."

"What did they do? Why were they upstairs?"

"They didn't see me hiding in the shadows, I guess, because they were so preoccupied with each other. That man wanted to see some bed Momma has in her room."

"Her bed--he wanted to see her bed? Why?"

"It's a special kind of bed, Cathy. He said to her, 'C'mon, you've held out long enough.' His voice sounded teasing. Then he added, 'It's time you showed me that fabulous swan bed I've heard so much about.' Apparently Momma was worried that we might still be hidden in the chest. She glanced that way, looking uneasy. But she agreed and said, 'All right, Bart-- however, we can linger but a moment, for you know what everyone will suspect if we stay away too long.' And he chuckled and teased back, 'No, I can't guess what everyone would think. Tell me what they will suspect.' To me, this sounded like a challenge to let everyone think what they would. It made me angry, him saying that." And at this point Chris paused, and his breathing got heavier and faster.

"You're holding something back," I said, knowing him like a book I'd read a hundred times over. "You're protecting her! You saw something you don't want to tell me! Now that's not fair! You know we agreed the first day we came here to always be honest and fully truthful with each other--now you tell me what you saw!"

"Good gosh," he said, squirming and turning his head and refusing to look me straight in the eyes, "what difference does a few kisses make?"

"A FEW kisses?" I stormed. "You saw him kiss Momma more than once? What kind of kisses? Hand kisses--or real mouth-to-mouth kisses?"

A blush heated up his chest, on which my cheek was resting. It burned right through his pajamas. "They were passionate kisses, weren't they?" I threw out, convinced even without his say-so. "He kissed her, and she let him, and maybe he even touched her breasts, and stroked her buttocks, like I once saw Daddy do when he didn't know I was in the room and watching! Is that what you saw, Christopher?"

"What difference does it make?" he answered, a choke in his voice. "Whatever he did, she didn't seem to mind, though it made me feel sick."

Tags: V.C. Andrews Dollanganger Horror
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