Something Wicked This Way Comes (Green Town 2) - Page 72

Something wicked this way comes.

So vague, yet so immense.

He did not want to live with it.

Yet he knew that, during this night, unless he lived with it very well, he might have to live with it all

the rest of his life.

At the window he looked out and thought, Jim, Will, are you coming? will you get here?

Waiting, his flesh took paleness from his bones.

Chapter 38

THE LIBRARY, then, at seven-fifteen, seven-thirty, seven-forty-five of a Sunday night, cloistered with great drifts of silence and transfixed avalanche of books poised like the cuneiform stones of eternity on shelves, so high the unseen snows of time fell all year there.

Outside, the town breathed back and forth to the carnival, hundreds of people passing near where Jim and Will lay strewn in bushes to one side of the library, now ducking up, now ducking down to nose raw earth.

"Cheezit!"

Both smothered in grass. Across the street there passed what could have been a boy, could have been a dwarf, could have been a boy-with-dwarf-mind, could have been anything blown along like the scuttle-crab leaves on the frost-mica sidewalks. But then whatever it was went away; Jim sat up. Will still lay face buried in good safe dirt.

"Come on, what's wrong?"

"The library," said Will. "I'm even afraid of it, now." All the books, he thought, perched there, hundreds of years old, peeling skin, leaning on each other like ten million vultures. Walk along the dark stacks and all the gold titles shine their eyes at you. Between old carnival, old library and his own father, everything old ... well ...

"I know Dad's in there, but is it Dad? I mean, what if they came, changed him, made him bad, promised him something they can't give but he thinks they can, and we go in there and some day fifty years from now someone opens a book in there and you and me drop out, like two dry moth wings on the floor, Jim, someone pressed and hid us between pages, and no one ever guessed where we went--"

This was too much for Jim, who had to do something to flog his spirits. Next thing Will knew, Jim was hammering on the library door. Both hammered, frantic to jump from this night to that warmer book-breathing night inside. Given a choice of darknesses, this one was the better: the oven smell of books, as the door opened and Dad stood with his ghost-colored hair. They tiptoed back through the deserted corridors, Will feeling a crazy urge to whistle as he often did past the graveyard at sundown, Dad asking what made them late, and they trying to remember all the places they hid in one day.

They had hid in old garages, they had hid in old barns, they had hid in the highest trees they could climb and got bored and boredom was worse than fear so they came down and reported in to the Police Chief and had a fine chat which gave them twenty safe minutes right in the station and Will got the idea of touring churches and they climbed all the steeples in town and scared pigeons off the belfries and whether or not it was safer in churches and especially up with the bells or not, no one could claim, but it felt safe. But there again they began to get starchy with boredom and fatigued with sameness, and were almost on the point of giving themselves up to the carnival in order to have something to do, when quite fortunately the sun went down. From sundown to now it had taken a wonderful time, creeping upon the library, as if it were a once friendly fort that might now be manned by Arabs.

"So here we are," whispered Jim, and stopped.

"Why am I whispering? It's after hours. Heck!"

He laughed, then stopped.

For he thought he heard a soft tread off in the subterranean vaults.

But it was only his laughter walking back through the deep stacks on panther feet.

So when they talked again, it was still in whispers. Deep forests, dark caves, dim churches, half-lit libraries were all the same, they tuned you down, they dampened your ardor, they brought you to murmurs and soft cries for fear of raising up phantom twins of your voice which might haunt corridors long after your passage.

They reached the small room and circled the table on which Charles Halloway had laid out the books, where he had read many hours, and for the first time looked in each other's faces and saw a dreadful paleness, so did not comment.

"From the beginning." Will's father pulled out chairs. "Please."

So, each taking his part, in their own good time, the boys told of the wandering-by lightning-rod salesman, the predictions of storms to come, the long-after-midnight train, the suddenly inhabited meadow, the moonblown tents, the untouched but full-wept calliope, then the light of noon showering over an ordinary midway with hundreds of Christians wandering through but no lions for them to be tossed to, only the maze where time lost itself backward and forward in waterfall mirrors, only the OUT OF ORDER carousel, the dead supper hour, Mr. Cooger, and the boy with the eyes that had seen all the glistery tripes of the world shaped like hung-and-dripping sins and all the sins tenterhooked and running red and verminous, this boy with the eyes of a man who has lived forever, seen too much, might like to die but doesn't know how....

The boys stopped for breath.

Miss Foley, the carnival again, the carousel run wild, the ancient Cooger mummy gasping moonlight, exhaling silver dust, dead, then resurrected in a chair where green lightning struck his skeleton alight, all of it a storm minus rain, minus thunder, the parade, the cigar store basement, the hiding, and at last them here, finished, done with the telling.

For a long moment, Will's father sat staring blinding into the center of the table. Then, his lips moved.

"Jim. Will," he said. "I believe."

Tags: Ray Bradbury Green Town Fiction
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