Summer Morning, Summer Night (Green Town 4) - Page 59

He would hear them calling, far off in the tomb ravine, among the summer butterflies and the green moss echoes, shouting down the long throat of the underground tunnel, standing by the solemn, reflecting creek, hands up to mouths, calling, calling for him. And he would giggle, stifling his laughter inside, like corking water into a jug. And he would run still further away from them, among the mushroom tombstones that grew up like bits of white cheese and moonstone in the shadows of the summer day. In this land of ravine silence, his feet pattered with the sound of rain along the soft paths of grass, and the further he ran, the more numerous the names on the stones became, Belton, Sears, Roller, Smith, Brown, Davis, Braden, Jones. Lackel, Nixon, Merton, Beddoes, Spaulding. A land of names and silences. And far far away his mother and his father and his aunts and his cousins calling his name:

“Charles, Charles, Charles, Charlie, Charles!”

He stopped when he reached his particular tomb building, slipped wide the door with the broken lock and hurried in. It was a tomb like a wedding cake, fancifully ornate, impossible and lovely. It had four windows facing the directions of the compass, looking out upon moss silence and weeping trees and fluttering water shelves that lowered themselves down a shadowed hill into the tunnel. Along the path now, like a string of white butterflies, flew the girl cousins, hair yellow on the air, eyes flashing.

“Charles, Charles, Charles, Charlie!”

And after them, more serious at the game than the children, came the tall aunts, their white skirts winging on the still air, panic making them begin to stumble and whirl about. “Charles!”

SIXTY SUMMERS burned the grass and sixty autumns plucked the trees to emptiness, and sixty winters froze the creek waters and cracked the toppling stones, while winds raced cold about, and sixty springs opened up new green meadows of color where butterflies were thick as flowers, and flowers as numerous as butterflies.

And then, one autumn afternoon, with the sky iron cold and the wind hurling tins of thunderous and invisible sound through the flying trees, an old woman edged along the path, peering here or there, alone, as delicate as chaff, as yellow as the last leaf.

She paused before the tomb building and nodded and sighed. She went to the long remembered window and peered in. Dust was thickened on the outside, and this she removed with her dainty flowered handkerchief, slowly and tremblingly.

And there was the small boy, leaned against the high sill, in the silent darkness, looking at her, looking out at silence and autumn hardness and the bare earth, and thi

s old woman returned after so long. There was his head, like a dried fruit, and the fragile, timeworn arm and delicate fingers.

“Charles,” she said to the window, standing back. “Charlie. I thought of you today. For the first time in years. How long’s it been? Sixty years. I forgot all about you. After that first year. I went to Philadelphia and forgot all about it. I thought it was only a dream. And I was married and had children and now my husband’s gone and I live alone, and I’m old, seventy years old now, Charles, and I was sitting in my house, for I came back to this only a year ago, and I looked at the sky this morning and suddenly I remembered. It was like a dream, I couldn’t believe it, so I had to come to be sure. And now I see it’s true, here you are. And I don’t know what to say.”

The small child looked out through dust and glass.

“I’m sorry, Charlie, do you hear me, I’m sorry. It’s too late, but I’m sorry. But listen, Charles, listen. My life is over and it’s just as if it never was. When you’re seventy it’s like an instant. And now I’m here to where you were and have always been, and you shouldn’t be jealous and hate me, for it comes to all of us, and now it’s coming to me.”

SUMMER’S END

SUMMER WAS COMING to its own end, winding up the spool, shaking out the last bright sand from the glass. It took in its leaves, or dropped them when a good wind passed. It let the rain wash the color from the grass. It forgot the flowers so they turned away and died. There was a great stir, as of a family upon the eve of departure, birds rushing all about in children’s bands, impatient for the going. When summer died there was always a great whining and roaring of wind. In every yard, soon, summer would be piled and burned, with children tending the pyres and the smoke flagging the sky, showing the birds how the wind moved and where the great waiting south lay.

“The sooner we freeze the sooner we thaw,” said Grandfather. “Look at the leaves. The air smells like an old book store on days like this.”

The fruits were quartered and liquored and bottled and shelved. The house was painted and shingled and puttied and put right. The trees were free of their leaves and enjoying the freedom of the sky, like hands fresh out of gloves. An avalanche of coal tinned and chuted in a dark pour through the cellar window, rising to a volcano peak in the wooden bin. Winter coming on with stony thunder! Winter, later, floating down like the white lace of a woman passing by. Winter and the flood of wind rising foot by foot over the porches and towers and roofs of town until all was under its tide. The skies swept clean of birds, erased, it almost seemed, by hurrying clouds. Storms coming and going so high that they were not felt, but occurred only among themselves, in high gray mountains in the heavens, throwing lightning and coldness all about in twists and turns. All pointing toward that morning when one would wake to hear the world holding its breath, and silence, in lace, falling from the sky, a whiteness moving in a great moth wind softly upon the lawns. All these things predicted and foretold by this one day in September.

Tags: Ray Bradbury Green Town Fiction
Source: readsnovelonline.net
readsnovelonline.net Copyright 2016 - 2024