A Room on Lorelei Street - Page 1

One

It used to be a house.

You could almost have called it pretty.

She stares at chain-link threaded with weeds, a few of them blooming. Her vision blurs on white petals and regains focus on a patch of lawn the fence holds in—or what might have been a lawn once. She can’t remember that it has ever been green but knows it once was more than the dusty stubble it is now. She thinks about the rough texture between her toes, running across it, barefoot, with the hot Texas sun pressing down from above and a cool, lazy sprinkler refreshing from below. She remembers a six-year-old girl whose laughter came easy. She remembers but wonders, Was it ever really that way?

No pretense is made of throwing out a sprinkler now. It is not a house anymore. She knows that. The only life is in the weeds that live in the protection of the chain-link.

She throws down her cigarette and mashes it on the sidewalk, kicking it over with a pile of a dozen others. She breathes out one last, smoke-filled breath and almost smiles. There is still a little pretense left. She slips a peppermint into her mouth and lifts the latch of the gate. It groans, low and heavy, whispering, Don’t go in. Don’t go in.

But she does.

Two

“Mama?”

The front room is heavy with the smell of dusty furniture and stale cigarettes. She walks to the kitchen and sees a plate of eggs and buttered toast, untouched, still sitting at the kitchen table where she left it this morning. She shoves aside dishes, unopened mail, and brimming ashtrays, and sets her books on the counter.

“Mama?” she calls again.

There is no answer.

The floor beneath her creaks as she walks down the short hallway. The first door is open, the room dark. Her hand slides around the wall and flips on the light. The room is empty, but she yanks back the shower curtain just to be sure.

She has to be sure.

The bathtub is empty, the glimmering white a macabre gift, and a faint, strangled noise escapes through her throat as she turns off the light and continues down the hall. The door opposite her own is closed, but she turns the knob and slivers it open, just enough to see bare legs across rumpled sheets and a never-made bed. Heavy breathing, the sound of deep slumber, drifts out of the room along with the smell of hair spray, oily linen, and anisette. She closes the door, shutting in the smells and sounds, and steps across the hall to her own room. The air is hot and still.

She hits the switch on her fan to high and scans the room. What should I take? What? She grabs a duffel bag from beneath her bed and begins to fill it. Jeans, underwear, T-shirts, pajamas, the blanket from her bed? There isn’t room for it all. She empties the bag and starts over, trying to decide what must go. When the duffel is full, her pillowcase is stuffed with more. Her ragged Eeyore, headphones, a framed picture of her and Kyle, her broken jewelry box with the plastic ballerina. She steps back and stares at the duffel bag and bulging pillowcase lying on her bed. Full and waiting. Stares at them for four minutes, imagining them resting on a different bed—a bed in a room, down a hall, in a house, on a street named Lorelei.

Lorelei.

A pretty name. What does it mean? Maybe a flower. Maybe a sparkling, rushing river in a faraway part of the world. She whispers it aloud, “Lorelei.” The sound makes her ache, makes the word even more beautiful, even more real. Her eyes close, and her hands inch up to hug her arms. The only sound is the whirring and chink of the fan as it oscillates back and forth. Lorelei. The fan whirs and whispers again and again, Lorelei, Lorelei, Lorelei.

Whir.

Chink.

Her eyelids flutter open. This is not Lorelei Street. She unzips the duffel. Piece by piece, everything is put back exactly where it had been. The same with the pillowcase, until it only holds a limp, beaten-down pillow. Her eyes lock onto the deflated case for another silent minute and then she goes to the kitchen to wash dishes and throw forgotten eggs down the disposal.

The dishwasher is broken—it has been for months—so she fills the sink with hot water and squirts in dish soap. Soft bubbly water rises, enveloping cereal-crusted bowls, coffee cups with smeared lines of lipstick, and glasses with burgundy-colored stains. They are swallowed by the white bubbles, erasing three more days and promising a fresh start. A fresh start. Again, she almost smiles and dips her fingers into the hot water searching for the sponge.

“Hey, sugar.”

She turns and sees Mama leaning against the doorway, still rubbing sleep from her eyes. Mama is pretty, striking, even as she is now. She looks at Mama’s legs, each day growing thinner, taut, the knees protruding like bony knobs while her trunk bloats like a barrel. Her eyes are puffy, her shimmering white-blond hair, brittle. But still, Mama is beautiful, delicate and light like a fragile china doll.

“I thought you were going to work today, Mama,” she says, turning back to the sink, searching for the sponge hidden beneath the bubbles. She finds it and vigorously scrubs the first glass.

“I called and there weren’t any appointments for me.”

There haven’t been appointments in weeks. No one wants Mama anymore. Her hands shake, and Mama talks about things no one wants to hear. The glass is clean, but she continues to scrub. “There’s always walk-ins. Sally always has walk-ins for you.”

“I just wasn’t up to it. Not feeling too well. I—”

“You didn’t eat the eggs I made you. You said you wou

ld. Before I left for school you said—”

Mama leaves. She walks from the kitchen to the front room, brushes week-old newspapers from the couch to the floor, and lies down. “Come on in here, sugar. I’ll get those dishes later. Come sit with me and talk.”

Talk. She rinses the glass and feels her stomach squeeze. There will be no talk. Only listening. And listening.

Tags: Mary E. Pearson
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