A Knight in Shining Armor (Montgomery/Taggert 13) - Page 90

The other women, Dougless learned, were Lady Margaret’s gentlewomen and chamberers. As far as Dougless could tell, everyone in the household had a specific rank, and servants had servants who had servants. And, to her surprise, they also had specific duty hours. Her knowledge of servants was based on what she’d read of Victorian households, where the servants worked from very early to very late, but she learned from questioning Honoria, there were so many servants in the Stafford household that no one worked longer than about six hours at a time.

At supper, Dougless was introduced, and the ladies eagerly asked about her country of Lanconia and her uncle the king. Dougless, squirming with the lie, muttered replies, then asked the ladies about their clothes. She received some fascinating information on the Spanish style of dress, the French, the English, and the Italian fashions. Dougless became very involved in this, and soon found herself planning a gown in the Italian style that had something called a bum role under the skirt instead of a farthingale.

After supper, servants cleared the tables, then moved them against the wall, and Lady Margaret asked to hear Dougless’s songs. What followed was an energetic and laugh-filled evening. With no TV and professional performances ever seen, no one was shy about singing or dancing. Dougless knew she was terrible compared to the people she’d heard on the radio and on records, but before the evening was over she found herself singing solos.

Christopher came to join them, and Honoria taught him “They Call the Wind Maria,” which he played on the lute. Everyone seemed to play an instrument, and before long Lady Margaret and all five of her ladies were playing the melodies on oddly-shaped, strange-sounding instruments. There was a guitar of sorts but shaped like a violin, a three-stringed violin, a tiny piano, an enormous lute, several kinds of flutes, and a couple of horns.

Dougless found herself drawn to Kit. He was so much like Nicholas, the Nicholas she’d known in the twentieth century—certainly not this sixteenth-century Nicholas who went from one woman to another. She sang “Get Me to the Church on Time,” and Kit quickly picked up the melody. In no time they were all singing the funny song.

At one point she saw Nicholas standing in the doorway glowering. He refused to enter even when Lady Margaret motioned to him.

It was only about nine o’clock when Lady Margaret said it was time to retire. Kit kissed Dougless’s hand, and she smiled at him; then she followed Honoria off to bed.

Honoria’s maid came to help the two women undress. Dougless took several lovely, deep breaths after the steel corset was removed; then, wearing the long linen undergarment she’d worn under her dress all day and a little cap to protect her hair, she climbed into bed beside Honoria. The sheets were linen and scratchy and not too clean, but the mattress was of goose down and as soft as a whisper. She was asleep before she’d pulled the coverlet over her.

She didn’t know how long she’d been asleep when she awoke. She felt as though someone was calling her, but when she lifted her head and listened, she heard no one, so she lay back down. But the feeling that someone wanted her would not go away. Although the room was silent, she couldn’t get rid of the feeling that she was needed by someone.

“Nicholas!” she said, coming bolt upright.

After a glance at the sleeping back of Honoria, Dougless crept out of bed. She put on a heavy brocade robe that was at the

foot of the bed; then she slipped her feet into the soft, wide shoes. Elizabethan corsets might be murder but the shoes were heaven.

Silently, she left the room, then stood outside the closed door and listened. There was no sound, and what with the straw on the floor, she’d have been able to hear any footsteps. She started walking to the right, for she felt the call strongest there. She went to one closed door, put her hand on it, but felt nothing. The same at the second door. It was at the third door that she could feel the call the strongest.

When she opened the door, she wasn’t surprised to see Nicholas sitting on a chair wearing his tight hose, the baggy shorts, and a big linen shirt open to the waist. A fire burned in the fireplace, and he held a silver tankard. He looked as though he’d been drinking for a while.

“What do you want of me?” she asked. She was more than a little afraid of this Nicholas, as he didn’t seem remotely like the man who had come to her own century.

He didn’t look at her, just stared at the fire.

“Nicholas, I’m willing to talk, but if you’re just going to give me the silent treatment, then I’d like to go back to bed.”

“Who are you?” he asked softly. “How do I know of you?”

She sat on the chair next to him, facing the fire. “We are bonded somehow. I can’t explain it. I cried for help and you came to me. I needed you and you heard my call. You gave me . . .” Love, she almost said. Somehow that seemed long ago and this man was a stranger to her. “It seems to be my turn now. I’ve come to warn you.”

He looked at her. “Warn me? Ah, yes, I must not commit treason.”

“You don’t have to sound so cynical. If I can come all this way back here, the least you can do is listen. That is, if you can keep your hands from under some woman’s skirt long enough.”

She could see his face turning red with rage. “Callet!” he said under his breath. “You who use your witchcraft to befuddle my mother, who exhibit yourself to my brother, dare to speak ill of me?”

“I am not a witch. I’ve told you that a thousand times. All I’ve done is what I’ve had to do to get myself inside your house so I can warn you.” Standing up, she tried to calm herself. “Nicholas, we have to stop arguing. I’ve been sent back to warn you, but unless you listen to me, everything’s going to happen the same way it did before. Kit will—”

He stood up, cutting her off, then leaned over her threateningly. “When you came to me this night, did you come from my brother’s bed?”

Dougless didn’t think about what she did. She just slapped him across the face.

He grabbed her against him, his body forcing hers backward as he put his mouth on hers, hard, angry.

Dougless wasn’t going to allow a man to use force to kiss her. She pushed at him with all her strength, but he didn’t release her. One of his hands was on the back of her head, forcing her head sideways, while the other hand slipped to the small of her back and pushed her body intimately to his.

When his lips touched hers, Dougless stopped fighting him. This was Nicholas, the Nicholas she’d come to love, the man that even time couldn’t separate her from. Her arms went about his neck, and she opened her mouth under his. As she kissed him in return, her body began to melt into his. Her legs were weak, trembling.

His lips moved to her neck.

“Colin,” she whispered, “my beloved Colin.”

Tags: Jude Deveraux Montgomery/Taggert Historical
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