'Hello,' she said. 'Listen - this is Nine East Sixty-second Street... Yes, that's right. Could you send someone round as soon as possible, do you think? Yes, it seems to be stuck between the second and third floors. At least, that's where the indicator's pointing... Right away? Oh, that's very kind of you. You see, my legs aren't any too good for walking up a lot of stairs. Thank you so much. Good-bye.'
She replaced the receiver and sat there at her husband's desk, patiently waiting for the man who would be coming soon to repair the lift.
Parson's Pleasure
Mr Boggis was driving the car slowly, leaning back comfortably in the seat with one elbow resting on the sill of the open window. How beautiful the countryside, he thought; how pleasant to see a sign or two of summer once again. The primroses especially. And the hawthorn. The hawthorn was exploding white and pink and red along the hedges and the primroses were growing underneath in little clumps, and it was beautiful.
He took one hand off the wheel and lit himself a cigarette. The best thing now, he told himself, would be to make for the top of Brill Hill. He could see it about half a mile ahead. And that must be the village of Brill, that cluster of cottages among the trees right on the very summit. Excellent. Not many of his Sunday sections had a nice elevation like that to work from.
He drove up the hill and stopped the car just short of the summit on the outskirts of the village. Then he got out and looked around. Down below, the countryside was spread out before him like a huge green carpet. He could see for miles. It was perfect. He took a pad and pencil from his pocket, leaned against the back of the car, and allowed his practised eye to travel slowly over the landscape.
He could see one medium farmhouse over on the right, back in the fields, with a track leading to it from the road. There was another larger one beyond it. There was a house surrounded by tall elms that looked as though it might be a Queen Anne, and there were two likely farms away over on the left. Five places in all. That was about the lot in this direction.
Mr Boggis drew a rough sketch on his pad showing the position of each so that he'd be able to find them easily when he was down below, then he got back into the car and drove up through the village to the other side of the hill. From there he spotted six more possibles - five farms and one big white Georgian house. He studied the Georgian house through his binoculars. It had a clean prosperous look, and the garden was well ordered. That was a pity. He ruled it out immediately. There was no point in calling on the prosperous.
In this square then, in this section, there were ten possibles in all. Ten was a nice number, Mr Boggis told himself. Just the right amount for a leisurely afternoon's work. What time was it now? Twelve o'clock. He would have liked a pint of beer in the pub before he started, but on Sundays they didn't open until one. Very well, he would have it later. He glanced at the notes on his pad. He decided to take the Queen Anne first, the house with the elms. It had looked nicely dilapidated through the binoculars. The people there could probably do with some money. He was always lucky with Queen Annes, anyway. Mr Boggis climbed back into the car, released the handbrake, and began cruising slowly down the hill without the engine.
Apart from the fact that he was at this moment disguised in the uniform of a clergyman, there was nothing very sinister about Mr Cyril Boggis. By trade he was a dealer in antique furniture, with his own shop and showroom in the King's Road, Chelsea. His premises were not large, and generally he didn't do a great deal of business, but because he always bought cheap, very very cheap, and sold very very dear, he managed to make quite a tidy little income every year. He was a talented salesman, and when buying or selling a piece he could slide smoothly into whichever mood suited the client best. He could become grave and charming for the aged, obsequious for the rich, sober for the godly, masterful for the weak, mischievous for the widow, arch and saucy for the spinster. He was well aware of his gift, using it shamelessly on every possible occasion; and often, at the end of an unusually good performance, it was as much as he could do to prevent himself from turning aside and taking a bow or two as the thundering applause of the audience went rolling through the theatre.
In spite of this rather clownish quality of his, Mr Boggis was not a fool. In fact, it was said of him by some that he probably knew as much about French, English, and Italian furniture as anyone else in London. He also had surprisingly good taste, and he was quick to recognize and reject an ungraceful design, however genuine the article might be. His real love, naturally, was for the work of the great eighteenth-century English designers, Ince, Mayhew, Chippendale, Robert Adam, Manwaring, Inigo Jones, Hepplewhite, Kent, Johnson, George Smith, Lock, Sheraton, and the rest of them, but even with these he occasionally drew the line. He refused, for example, to allow a single piece from Chippendale's Chinese or Gothic period to come into his showroom, and the same was true of some of the heavier Italian designs of Robert Adam.
During the past few years, Mr Boggis had achieved considerable fame among his friends in the trade by his ability to produce unusual and often quite rare items with astonishing regularity. Apparently the man had a source of supply that was almost inexhaustible, a sort of private warehouse, and it seemed that all he had to do was to drive out to it once a week and help himself. Whenever they asked him where he got the stuff, he would smile knowingly and wink and murmur something about a little secret.
The idea behind Mr Boggis's little secret was a simple one, and it had come to him as a result of something that had happened on a certain Sunday afternoon nearly nine years before, while he was driving in the country.
He had gone out in the morning to visit his old mother, who lived in Sevenoaks, and on the way back the fanbelt on his car had broken, causing the engine to overheat and the water to boil away. He had got out of the car and walked to the nearest house, a smallish farm building about fifty yards off the road, and had asked the woman who answered the door if he could please have a jug of water.
While he was waiting for her to fetch it, he happened to glance in through the door to the living-room, and there, not five yards from where he was standing, he spotted something that made him so excited the sweat began to come out all over the top of his head. It was a large oak armchair of a type that he had only seen once before in his life. Each arm, as well as the panel at the back, was supported by a row of eight beautifully turned spindles. The back panel itself was decorated by an inlay of the most delicate floral design, and the head of a duck was carved to lie along half the length of either arm. Good God, he thought. This thing is late fifteenth century!
He poked his head in further through the door, and there, by heavens, was another of them on the other side of the fireplace!
He couldn't be sure, but two chairs like that must be worth at least a thousand pounds up in London. And oh, what beauties they were!
When the woman returned, Mr Boggis introduced himself and straight away asked if she would like to sel
l her chairs.
Dear me, she said. But why on earth should she want to sell her chairs?
No reason at all, except that he might be willing to give her a pretty nice price.
And how much would he give? They were definitely not for sale, but just out of curiosity, just for fun, you know, how much would he give?
Thirty-five pounds.
How much?
Thirty-five pounds.
Dear me, thirty-five pounds. Well, well, that was very interesting. She'd always thought they were valuable. They were very old. They were very comfortable too. She couldn't possibly do without them, not possibly. No, they were not for sale but thank you very much all the same.
They weren't really so very old, Mr Boggis told her, and they wouldn't be at all easy to sell, but it just happened that he had a client who rather liked that sort of thing. Maybe he could go up another two pounds - call it thirty-seven. How about that?
They bargained for half an hour, and of course in the end Mr Boggis got the chairs and agreed to pay her something less than a twentieth of their value.
That evening, driving back to London in his old station-wagon with the two fabulous chairs tucked away snugly in the back, Mr Boggis had suddenly been struck by what seemed to him to be a most remarkable idea.
Look here, he said. If there is good stuff in one farmhouse, then why not in others? Why shouldn't he search for it? Why shouldn't he comb the countryside? He could do it on Sundays. In that way, it wouldn't interfere with his work at all. He never knew what to do with his Sundays.