The Girl on the Train - Page 27

Am I? I try not to think of the worst days, but the memories crowd into my head at times like this. Another fight, towards the end: waking, post-party, post-blackout, Tom telling me how I’d been the night before, embarrassing him again, insulting the wife of a colleague of his, shouting at her for flirting with my husband. ‘I don’t want to go anywhere with you any more,’ he told me. ‘You ask me why I never invite friends round, why I don’t like going to the pub with you any more. You honestly want to know why? It’s because of you. Because I’m ashamed of you.’

I pick up my handbag and my keys. I’m going to the Londis down the road. I don’t care that it’s not yet nine o’clock in the morning, I’m frightened and I don’t want to have to think. If I take some painkillers and have a drink now, I can put myself out, I can sleep all day. I’ll face it later. I get to the front door, my hand poised above the handle, then I stop. I could apologize. If I apologize right now, I might be able to salvage something. I might be able to persuade him not to show the message to Anna or to the police. It wouldn’t be the first time he’d protected me from her.

That day last summer, when I went to Tom and Anna’s, it didn’t happen exactly the way I told the police it had. I didn’t ring the doorbell, for starters. I wasn’t sure what I wanted – I’m still not sure what I intended. I did go down the pathway and over the fence. It was quiet, I couldn’t hear anything. I went up to the sliding doors and looked in. It’s true that Anna was sleeping on the sofa. I didn’t call out, to her or to Tom. I didn’t want to wake her. The baby wasn’t crying, she was fast asleep in her carrycot, at her mother’s side. I picked her up and took her outside, as quickly as I could. I remember running with her towards the fence, the baby starting to wake and to grizzle a little. I don’t know what I thought I was doing. I wasn’t going to hurt her. I got to the fence, holding her tightly against my chest. She was crying properly now, starting to scream. I was bouncing her and shushing her and then I heard another noise, a train coming, and I turned my back to the fence and I saw her – Anna – hurtling towards me, her mouth open like a gaping wound, her lips moving, but I couldn’t hear what she was saying.

She took the child from me and I tried to run away, but I tripped and fell. She was standing over me, screaming at me, she told me to stay put or she’d call the police. She rang Tom and he came home and sat with her in the living room. She was crying hysterically, she still wanted to phone the police, she wanted to have me arrested for kidnapping. Tom calmed her down, he begged her to let it go, to let me go. He saved me from her. Afterwards he drove me home, and when he dropped me off he took my hand. I thought it was a gesture of kindness, of reassurance, but he squeezed tighter and tighter and tighter until I cried out, and his face was red when he told me that he would kill me if I ever did anything to harm his daughter.

I don’t know what I intended to do that day. I still don’t. At the door, I hesitate, my fingers grasped around the handle. I bite down hard on my lip. I know that if I start drinking now, I will feel better for an hour or two and worse for six or seven. I let go of the handle and walk back into the living room, and I open my laptop again. I have to apologize, I have to beg forgiveness. I log back into my email account and see that I have one new message. It isn’t from Tom. It’s from Scott Hipwell.

Dear Rachel,

Thank you for contacting me. I don’t remember Megan mentioning you to me, but she had a lot of gallery regulars – I’m not very good with names. I would like to talk to you about what you know. Please telephone me on 07583 123657 as soon as possible.

Regards,

Scott Hipwell.

For an instant, I imagine that he’s sent the email to the wrong address. This message is intended for someone else. It’s just the briefest of moments, and then I remember. I remember. Sitting on the sofa, halfway through the second bottle, I realized that I didn’t want my part to be over. I wanted to be at the heart of it.

So I wrote to him.

I scroll down from his email to mine.

Dear Scott,

Sorry for contacting you again, but I feel it’s important that we talk. I’m not sure if Megan ever mentioned me to you – I’m a friend from the gallery – I used to live in Witney. I think I have information that would interest you. Please email me back on this address.

Rachel Watson.

I can feel the heat come to my face, my stomach a pit of acid. Yesterday – sensible, clear-headed, right-thinking – I decided I must accept that my part in this story was over. But my better angels lost again, defeated by drink, by the person I am when I drink. Drunk Rachel sees no consequences, she is either excessively expansive and optimistic or wrapped up in hate. She has no past, no future. She exists purely in the moment. Drunk Rachel – wanting to be part of the story, needing a way to persuade Scott to talk to her – she lied. I lied.

I want to drag knives over my skin, just so that I can feel something other than shame, but I’m not even brave enough to do that. I start writing to Tom, writing and deleting, writing and deleting, trying to find ways to ask forgiveness for the things I said last night. If I had to write down every transgression for which I should apologize to Tom, I could fill a book.

Evening

A week ago, almost exactly a week ago, Megan Hipwell walked out of number fifteen, Blenheim Road and disappeared. No one has seen her since. Neither her phone nor her bank cards have been used since Saturday either. When I read that in a news story earlier today, I started to cry. I am ashamed now of the secret thoughts I had. Megan is not a mystery to be solved, she is not a figure who wanders into the tracking shot at the beginning of a film, beautiful, ethereal, insubstantial. She is not a cipher. She is real.

I am on the train, and I’m going to her home. I’m going to meet her husband.

I had to phone him. The damage was done. I couldn’t just ignore the email – he would tell the police. Wouldn’t he? I would, in his position, if a stranger contacted me, claiming to have information, and then disappeared. He might have called the police already; they might be waiting for me when I get there.

Sitting here, in my usual seat, though not on my usual day, I feel as though I am driving off a cliff. It felt the same this morning when I dialled his number, like falling through the dark, not knowing when you’re going to hit the ground. He spoke to me in a low voice, as though there were someone else in the room, someone he didn’t want to overhear.

Tags: Paula Hawkins Thriller
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