“What if I wanted to see it?” Lien interjects.
I offer her a silent thank-you and she gives me a perplexed eyebrow raise in return, showing off her piercing. W acquiesces and the rest follow suit.
Upstairs, we take our seats. In the quiet, you can hear the explosions from the adjacent theater and I can see Henk’s eyes go wistful.
The lights go down and the piano player starts in with the overture and Lulu’s face fills the screen. The movie starts, all scratchy and black and white; you can almost hear it crackle like an old LP. But there is nothing old about Lulu. She’s timeless, flirting gaily in the nightclub, being caught with her lover, shooting her husband on their wedding night.
It’s strange because I’ve seen this film before, a few times. I know exactly how it ends, but as it goes on, a tension starts to build, a suspense, churning uncomfortably in my gut. It takes a certain kind of naiveté, or perhaps just stupidity, to know how things will end and still hope otherwise.
Fidgety, I shove my hands into my pockets. Though I try not to, my mind keeps going to the other Lulu on that hot August night. I tossed her the coin, as I’d done to so many other girls. But unlike the other girls who always came back—lingering by our makeshift stage to return my very valuable worthless coin and to see what it might buy—Lulu didn’t.
That should’ve been my first sign that the girl could see through my acts. But all I’d thought was: Not to be. It was just as well. I had an early train to catch the next day, and a big, shitty day after that, and I never slept well with strangers.
I hadn’t slept well anyhow, and I’d been up early, so I’d caught an earlier train down to London. And there she was, on that train. It was the third time in twenty-four hours that I’d seen her and when I walked into that train’s café car, I remember feeling a jolt. As if the universe was saying: pay attention.
So I’d paid attention. I’d stopped and we’d chatted, but then we were in London and about to go our separate ways. By that point, the knot of dread that had been building in me since Yael’s request that I return to Holland to sign away my home had solidified into a fist. The banter with Lulu on the way down to London had made it unravel, somehow. But I knew that once I got on that next train to Amsterdam, it would grow, it would take over my insides, and I wouldn’t be able to eat or do anything except nervously roll a coin along my knuckles and focus on the next next—the next train or plane I’d be boarding. The next departure.
But then Lulu started talking about wanting to go to Paris, and I had all this money from the summer’s worth of Guerrilla Will, cash I wouldn’t be needing much longer. And in that train station in London, I’d thought, okay, maybe this was the meant to be: The universe, I knew, loved nothing more than balance, and here was a girl who wanted to go to Paris and here was me who wanted to go anywhere but back to Amsterdam. As soon as I’d suggested we go to Paris together, balance was restored. The dread in my gut disappeared. On the train to Paris, I was as hungry as ever.
On screen, Lulu is crying. I imagine my Lulu waking up the next day, finding me gone, reading a note that promised a quick return that never materialized. I wonder, as I have so many times, how long it took her to think the worst of me when she already had thought the worst of me. On the train from London to Paris, she’d started laughing uncontrollably, because she’d thought I’d left her there. I’d made a joke of it; and of course, it wasn’t true. I wasn’t planning that. But it had got to me because it was my first warning that somehow, this girl saw me in a way I hadn’t intended to be seen.
As the movie goes on, desire and longing and regret and second-guessing of everything about that day start building in me. It’s all pointless, but somehow knowing that only makes it worse, and it builds and builds and has nowhere to go. I shove my hands deeper into my pockets and punch a hole right through.
“Damn!” I say, louder than I mean to.
Lien looks at me, but I pretend to be absorbed in the movie. The piano player is building to a crescendo as Lulu flirts with Jack the Ripper and, lonely and defeated, invites him up to her room. She thinks she has found someone to love, and he thinks that he has found someone to love, and then he sees the knife, and you know what will happen. He’ll just revert to his old ways. I’m sure that’s what she thinks of me, and maybe she’s right to think it. The film ends with a frenzied flourish of the piano. And then there’s silence.
The boys sit there for a minute and then all start talking at once. “That’s it? So he killed her?” Broodje asks.
“It’s Jack the Ripper and he had a knife,” Lien responds. “He wasn’t carving her a Christmas turkey.”
“What a way to go. I’ll give you one thing, it wasn’t boring,” Henk says. “Willem? Hey, Willem, are you there?”
I startle up. “Yeah. What?”
The four of them all look at me for what feels like a while. “Are you okay?” Lien asks at last.
“I’m fine. I’m great!” I smile. It feels unnatural I can almost feel the scar on my face tug like a rubber band. “Let’s go get a drink.”
We all make our way to the crowded café downstairs. I order a round of beers and then a round of jenever for good measure. The boys give me a look, though if it’s for the booze or for paying for it all, I don’t know. They know about my inheritance now, but they still expect the same frugality from me as always.
I drain my shot and then my beer.
“Whoa,” W says, passing me his shot. “No kopstoot for me.”
I knock his shot back, too.
They’re quiet as they look at me. “Are you sure you’re okay?” Broodje asks, strangely hesitant.
“Why wouldn’t I be?” The jenever is doing its job, heating me up and burning away the memories that came alive in the dark.
“Your father died. Your mother left for India,” W says bluntly. “Also, your grandfather died.”
There’s a moment of awkward silence. “Thanks,” I say. “I’d forgotten all about that.” I mean it to come out as a joke, but it just comes out as bitter as the booze that’s burning its way back up my throat.
“Oh, don’t mind him,” Lien says, tweaking his ear affectionately. “He’s working on human emotions like sympathy.”
“I don’t need anyone’s sympathy,” I say. “I’m fine.”