“A bit ago,” I say, treading water between hurtful truth and balls-out lies. “I had to deal with some things in Amsterdam.”
“I’ve been wondering where you were,” Broodje says. “I tried calling you a while back but got a strange recording, and you’re shit about email.”
“I know. I lost my phone and all my contacts, and some Irish guy gave me his, including his SIM card. I thought I texted you the new number.”
“Maybe you did. Anyhow, come in. Let me go see what I have to eat.” He turns right into the galley kitchen. I hear drawers opening and closing.
Five minutes later Broodje returns with a tray of food and beers for all of us. “So tell us everything. The glamorous life of a roving actor. Is it a girl every night?”
“Jesus, Broodje, let the guy sit down,” Henk says.
“Sorry. I live vicariously through him; it was like having a movie star in the house having him around. And, it’s been a little dry these past few years.”
“And by past few years, you mean twenty?” W says drolly.
“So you’ve been in Amsterdam?” Broodje asks. “How is your ma?”
“I wouldn’t know,” I say lightly. “She’s in India.”
“Still?” Broodje asks. “Or there and back?”
“Still. This whole time.”
“Oh. I was in the old neighborhood recently and the boat was all lit up and there was furniture inside, so I thought she might be back.”
“Nope, they must’ve put furniture in there to make it look lived in, but it’s not. Not by us, anyhow,” I say, rolling up a piece of cervelaat and shoving it in my mouth. “It’s been sold.”
“You sold Bram’s boat?” Broodje says incredulously.
“My mother sold it,” I clarify.
“She must’ve made a boatload,” Henk jokes.
I pause for a second, somehow unable to tell them that I did, too. Then W starts talking about a piece he read in De Volkskrant recently about Europeans paying top dollar for the old houseboats in Amsterdam, for the mooring rights, which are as valuable as the boats themselves.
“Not this boat. You should’ve seen it,” Broodje says. “His father was an architect, so it was beautiful, three floors, balconies, glass everywhere.” He looks wistful. “What did that magazine call it?”
“Bauhaus on the Gracht.” A photographer had come and taken pictures of the boat, and us on it. When the magazine had come out, most of the shots had been of just the boat, but there had been one of Yael and Bram, framed by the picture window, the trees and canal reflecting like a mirror behind them. I’d been in the original of that shot but had been cropped out. Bram explained that they’d used this one because of the window and the reflection; it was a representation of the design, not our family. But I’d thought it had been a fairly accurate depiction of our family, too.
“I can’t believe she sold it,” Broodje says.
Some days I can’t believe it and other days I can absolutely believe it. Yael is the sort to chew off her own hand if she needs to escape. She’d done it before.
The boys are all looking at me now, their faces blanking out with a kind of concern that I’m unaccustomed to after two years of anonymity.
“So, Holland-Turkey tonight,” I begin.
The guys look at me for a moment. Then nod.
“I hope things go better for us,” I say. “After the sad offerings during Euro Cup, I don’t know if I can take it. Sneijder . . .” I shake my head.
Henk takes the bait first. “Are you kidding? Sneijder was the only striker who proved his mettle.”
“No way!” Broodje interrupts. “Van Persie scored that beautiful goal against Germany.”
Then W jumps in with math talk, something about regression toward the mean guaranteeing improvement after the last lousy year, and now there’s nowhere to go but up, and I relax. There’s a universal language of small talk. On the road, it’s about travel: some unknown island, or a cheap hostel, a restaurant with a good fixed-price menu. With these guys, it’s soccer.
“You gonna watch the game with us, Willy?” Broodje asks. “We were going to O’Leary’s.”