Cutwell made it as far as the crumbling crenel-lations atop the wall and looked out at the morning haze. It was, maybe, a little hazier than usual. If he tried hard he could imagine a flicker in the sky. If he really strained his imagination he could hear a buzzing out over the cabbage fields, a sound like someone frying locusts. He shivered.
At a time like this his hands automatically patted his pockets, and found nothing but half a bag of jelly babies, melted into a sticky mass, and an apple core. Neither offered much consolation.
What Cutwell wanted was what any normal wizard wanted at a time like this, which was a smoke. He'd have killed for a cigar, and would have gone as far as a flesh wound for a squashed dog-end. He pulled himself together. Resolution was good for the moral fibre; the only trouble was the fibre didn't appreciate the sacrifices he was making for it. They said that a truly great wizard should be permanently under tension. You could have used Cutwell for a bowstring.
He turned his back on the brassica-ed landscape and made his way back down the winding steps to the main part of the palace.
Still, he told himself, the campaign appeared to be working. The population didn't seem to be resisting the fact that there was going to be a coronation, although they weren't exactly clear about who was going to be crowned. There was going to be bunting in the streets and Cutwell had arranged for the town square's main fountain to run, if not with wine, then at least with an acceptable beer made from broccoli. There was going to be folk dancing, at sword point if necessary. There would be races for children. There would be an ox roast. The royal coach had been regilded and Cutwell was optimistic that people could be persuaded to notice it as it went by.
The High Priest at the Temple of Blind Io was going to be a problem. Cutwell had marked him down as a dear old soul whose expertise with the knife was so unreliable that half of the sacrifices got tired of waiting and wandered away. The last time he'd tried to sacrifice a goat it had time to give birth to twins before he could focus, and then the courage of motherhood had resulted in it chasing the entire priesthood out of the temple.
The chances of him succeeding in putting the crown on the right person even in normal circumstances were only average, Cutwell had calculated; he'd have to stand alongside the old boy and try tactfully to guide his shaking hands.
Still, even that wasn't the big problem. The big problem was much bigger than that. The big problem had been sprung on him by the Chancellor after breakfast.
'Fireworks?' Cutwell had said.
'That's the sort of thing you wizard fellows are supposed to be good at, isn't it?' said the Chancellor, as crusty as a week-old loaf. 'Flashes and bangs and whatnot. I remember a wizard when I was a lad —'
'I'm afraid I don't know anything about fireworks,' said Cutwell, in tones designed to convey that he cherished this ignorance.
'Lots of rockets,' the Chancellor reminisced happily. 'Ankhian candles. Thunderflashes. And thingies that you can hold in your hand. It's not a proper coronation without fireworks.'
'Yes, but, you see —'
'Good man,' said the Chancellor briskly, 'knew we could rely on you. Plenty of rockets, you understand, and to finish with there must be a set-piece, mind you, something really breathtaking like a portrait of – of —' his eyes glazed over in a way that was becoming depressingly familiar to Cut-well.
'The Princess Keli,' he said wearily.
'Ah. Yes. Her,' said the Chancellor. 'A portrait of – who you said – in fireworks. Of course, it's probably all pretty simple stuff to you wizards, but the people like it. Nothing like a good blowout and a blowup and a bit of balcony waving to keep the loyalty muscles in tip-top shape, that's what I always say. See to it. Rockets. With runes on.'
I know about that. My father told me all about that when we used to take the thargas to be mated. When a man and a woman —'
'About the universe is what I meant,' said Albert hurriedly. 'I mean, have you ever thought about it?'
'I know the Disc is carried through space on the backs of four elephants that stand on the shell of Great A'Tuin,' said Mort.
'That's just part of it. I meant the whole universe of time and space and life and death and day and night and everything.'
'Can't say I've ever given it much thought,' said Mort.
'Ah. You ought. The point is, the nodes are part of it. They stop death from getting out of control, see. Not him, not Death. Just death itself. Like, uh —' Albert struggled for words – 'like, death should come exactly at the end of life, see, and not before or after, and the nodes have to be worked out so that the key figures . . . you're not taking this in, are you?'
'Sorry.'
'They've got to be worked out,' said Albert flatly, 'and then the correct lives have got to be got. The hourglasses, you call them. The actual Duty is the easy job.'
'Can you do it?'
'No. Can you?'
'No!'
Albert sucked reflectively at his peppermint. That's the whole world in the gyppo, then,' he said.
'Look, I can't see why you're so worried. I expect he's just got held up somewhere,' said Mort, but it sounded feeble even to him. It wasn't as though people buttonholed Death to tell him another story, or clapped him on the back and said things like 'You've got time for a quick half in there, my old mate, no need to rush off home' or invited him to make up a skittles team and come out for a Klatchian take-away afterwards, or . . . It struck Mort with sudden, terrible poignancy that Death must be the loneliest creature in the universe. In the great party of Creation, he was always in the kitchen.
'I'm sure I don't know what's come over the master lately,' mumbled Albert. 'Out of the chair, my girl. Let's have a look at these nodes.'