The Shepherd's Crown (Discworld 41) - Page 68

He looked up as some dust fell down from where Big Yan sat on Daft Wullie to silence him. ‘I hope ye haven’t got woodworm already, Tiff.’

She laughed again as she gave him a hug to say goodbye.

Mr Block was an early visitor too. He puffed his way up the hill and found her settled in with You the cat sitting on her lap while she sorted rags.

Tiffany watched nervously as the old carpenter looked around and under the hut with a professional eye. When he had finished, she gave him a cup of tea and asked him what he thought.

‘You’ve done well, lass. Very well. I have never seen a boy apprentice take to carpentry as quickly as this, and you are a girl.’

‘Not a girl,’ Tiffany said. ‘I’m a witch.’ And she looked down to the little cat beside her and said, ‘That’s so, isn’t it, You?’

Mr Block looked at her suspiciously for a moment. ‘So did you use magic to make the hut, miss?’

‘I didn’t have to,’ said Tiffany. ‘The magic was already here.’

The End.

1948–2015

AFTERWORD

The Shepherd’s Crown is Terry Pratchett’s final novel. It was written in his last year before he finally succumbed in early 2015 to the ‘embuggerance’ of posterior cortical atrophy. Terry had been diagnosed back in 2007, the year that he wrote Nation. At that time, Terry thought he might have less than two years to live and that brought a new urgency to his writing. He had never been a slouch in this respect but now things were measured by the cost in writing time. If demands for his presence took him away from writing, it had to be really worthwhile, such as feeding the chickens or attending to his tortoises. He had so many more books he wanted to write.

It says a lot for Terry’s resilience and determination not to go down without a fight that he wrote five more full-length bestselling novels between Nation and The Shepherd’s Crown (as well as collaborating with Stephen Baxter on five Long Earth novels). And Terry was still developing new ideas for books right up to his final few months.fn1

Terry usually had more than one book on the go at a time and he discovered what each was about as he went along. He would start somewhere, telling himself the story as he wrote it, writing the bits he could see clearly and assembling it all into a whole – like a giant literary jigsaw – when he was done. Once it was shaped, he would keep writing it too, adding to it, fixing bits, constantly polishing and adding linking sequences, tossing in just one more footnote or event. His publishers often had to prise the manuscript away from him, as there was always more he felt he could do, even though by then he would be well into the next story which was tugging at his elbow. Eventually the book was sent to the printer, and reluctantly Terry would let it go.

Terry had been thinking about the key elements in Tiffany Aching and Granny Weatherwax’s last story for a few years. He wrote the pivotal scenes while he was still writing Raising Steam and then re-wrote them several times as he shaped the rest of The Shepherd’s Crown around them.

The Shepherd’s Crown has a beginning, a middle and an end, and all the bits in between. Terry wrote all of those. But even so, it was, still, not quite as finished as he would have liked when he died.

If Terry had lived longer, he would almost certainly have written more of this book. There are things we all wish we knew more about. But what we have is a remarkable book, Terry’s final book, and anything you wish to know more about in here, you are welcome to imagine yourself.

Rob Wilkins

May 2015

Salisbury, UK

fn1 We will now not know how the old folk of Twilight Canyons solve the mystery of a missing treasure and defeat the rise of a Dark Lord despite their failing memories, nor the secret of the crystal cave and the carnivorous plants in The Dark Incontinent, nor how Constable Feeney solves a whodunnit amongst the congenitally decent and honest goblins, nor how the second book about the redoubtable Maurice as a ship’s cat might have turned out. And these are just a few of the ideas his office and family know about.

ACKNOWLEDGEMENTS

Despite the effects of his Alzheimer’s disease, Te

rry wanted to keep writing as long as possible and was able to do so not least through the assistance of his fine editorial team. Lyn, Rhianna and Rob would most especially like to thank Philippa Dickinson and Sue Cook for their tireless help and encouragement that kept the words flowing.

A Feegle Glossary

adjusted for those of a delicate disposition

(A Work In Progress By Miss Perspicacia Tick, witch)

Bigjobs: human beings

Big Man: chief of the clan (usually the husband of the kelda)

Blethers: rubbish, nonsense

Tags: Terry Pratchett Discworld Fantasy
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