The Cruel Prince (The Folk of the Air 1) - Page 44


“Let’s talk about your behavior tonight,” says Madoc, leaning forward.

“Let’s talk about your behavior tonight,” I return.

He sighs and rubs one large hand over his face. “You were there, weren’t you? I tried to get you all out, so you wouldn’t have to see it.”

“I thought you loved Prince Dain,” I say. “I thought you were his friend.”

“I loved him well enough,” Madoc says. “Better than I will ever love Balekin. But there are others who have a claim on my loyalty.”

I think again of my puzzle pieces, of the answers I came back home to get. What could Balekin have given or promised Madoc that would have persuaded him to move against Dain?

“Who?” I demand. “What could be worth this much death?”

“Enough,” he growls. “You are not yet on my war council. You will know what there is to know in the fullness of time. Until then, let me assure you that although things are in disarray, my plans are not overturned. What I need now is the youngest prince. If you know where Cardan is, I could get Balekin to offer you a handsome reward. A position in his Court. And the hand of anyone you wanted. Or the still-beating heart of anyone you despised.”

I look at him in surprise. “You think I’d take Locke from Taryn?”

He shrugs. “You seemed like you wanted to take Taryn’s head from her shoulders. She played you false. I don’t know what you might consider a fitting punishment.”

For a moment, we just look at each other. He’s a monster, so if I want to do a very bad thing, he’s not going to judge me for it. Much.

“If you want my advice,” he says slowly, “love doesn’t grow well, fed on pain. Grant me that I know that at least. I love you, and I love Taryn, but I don’t think she’s suited for Locke.”

“And I am?” I cannot help thinking that Madoc’s idea of love doesn’t seem like a very safe thing. He loved my mother. He loved Prince Dain. His love for us is likely to afford us no more protection than it afforded either of them.

“I don’t think Locke is suited for you.” He smiles his toothy smile. “And if your sister is right and you do know where Prince Cardan is, give him to me. He’s a foppish sort of boy, no good with a sword. He’s charming, in a way, and clever, but nothing worth protecting.”

Too young, too weak, too mean.

I think again of the coup that Madoc had planned with Balekin, wondering how it was supposed to go. Kill the two elder siblings, the ones with influence. Then surely the High King would relent and put the crown on the head of the prince with the most power, the one with the military on his side. Perhaps grudgingly, but once threatened, Eldred would crown Balekin. Except he didn’t. Balekin tried to force his hand, and then everyone died.

Everyone but Cardan. The board swept nearly clear of players.

That can’t be how Madoc thought things would play out. But, still, I remember his lessons on strategy. Every outcome of a plan should lead to victory.

No one can really plan for every variable, though. That’s ridiculous.

“I thought you were supposed to lecture me about not sword fighting in the house,” I say, trying to steer the conversation away from the whereabouts of Cardan. I’ve gotten what I promised the Court of Shadows—an offer. Now I just have to decide what to do with it.

“Must I tell you that if your blade had struck true and you’d hurt Taryn, you would have regretted it all your days? Of all the lessons I imparted to you, I would have thought that was the one I taught you best.” His gaze is steady on mine. He’s talking about my mother. He’s talking about murdering my mother.

I can say nothing to that.

“It is a shame you didn’t take out that anger on someone more deserving. In times like these, the Folk go missing.” He gives me a significant look.

Is he telling me it’s okay to kill Locke? I wonder what he’d say if he knew I’d already killed one of the Gentry. If I showed him the body. Apparently, maybe, congratulations.

“How do you sleep at night?” I ask him. It’s a crappy thing to say, and I am only saying it, I know, because he has shown me just how close I am to being everything I have despised in him.

His eyebrows furrow, and he looks at me as though he’s evaluating what sort of answer to give. I imagine myself as he must see me, a sullen girl sitting in judgment of him. “Some are good with pipes or paint. Some have skill in love,” he says finally. “My talent is in making war. The only thing that has ever kept me awake was denying it.”

I nod slowly.

He gets up. “Think about what I’ve said, and then think about where your own talents lie.”

We both know what that means. We both know what I am good at, what I am—I just chased my sister around the downstairs with a sword. But what to do with that talent is the question.

As I exit the game room, I realize that Balekin must have arrived with his retainers. Knights with his livery—three laughing birds emblazoned on their tabards—stand at attention in the hall. I slink past them and up the stairs, dragging my sword behind me, too exhausted to do anything else.

I am hungry, I realize, but I feel too sick to eat. Is this what it is to be brokenhearted? I am not sure it is Locke I am sick over, so much as the world the way it was before the coronation began. But if I could undo the passing of the days, why not unwind them to before I killed Valerian, why not unwind them until my parents are alive, why not unwind them all the way to the beginning?

There’s a knock on my door, and then it opens without my signaling anything. Vivi comes in, carrying a wooden plate with a sandwich on it, along with a stoppered bottle of amber glass.

“I’m a jerk. I’m an idiot,” I say. “I admit it. You don’t have to lecture me.”

“I thought you were going to give me a hard time about the glamour,” she says. “You know, the one you resisted.”

“You shouldn’t magic your sisters.” I draw the cork on the bottle and take a long swig of water. I didn’t realize how thirsty I was. I guzzle more, nearly draining the whole container in one continuous gulping swallow.

“And you shouldn’t try to chop yours in half.” She settles back against my pillows, against my worn stuffed animals. Idly, she picks up the snake and flicks the forks of its felt tongue. “I thought all of it—swordplay, knighthood—I thought it was a game.”

I remember how angry she was when Taryn and I gave in to Faerie and started having fun. Crowns of flowers on our heads, shooting bows and arrows at the sky. Eating candied violets and falling asleep with our heads pillowed on logs. We were children. Children can laugh all day and still cry themselves to sleep at night. But to hold a blade in my hand, a blade like the one that killed our parents, and think it was a toy, she’d have to believe I was heartless.

“It’s not,” I say finally.

“No,” Vivi says, wrapping the stuffed snake around the stuffed cat.

“Did she tell you about him?” I ask, climbing onto my bed next to her. It feels good to lie down, maybe a little too good. I am instantly drowsy.

“I didn’t know Taryn was with Locke,” Vivi says, deliberately giving me the whole sentence so I won’t have to wonder if she’s trying to trick me. “But I don’t want to talk about Locke. Forget him. I want us to leave Faerie. Tonight.”

That makes me sit upright. “What?”

She laughs at my reaction. It’s such a normal sound, so completely out of step with the high drama of the last two days. “I thought that would surprise you. Look, whatever happens next here, it’s not going to be good. Balekin’s an asshole. And he’s dumb on top of it. You should have heard Dad swearing on our way home. Let’s just go.”

“What about Taryn?” I ask.

“I’ve already asked her, and I’m not going to tell you if she agreed to come or not. I want you to answer for you. Jude, listen. I know you’re keeping secrets. Something is making you sick. You’re paler and thinner, and your eyes have a weird shine.”

“I’m fine,” I say.

“Liar,” she says, but the accusation has no heat. “I know that you’re stuck here in Faerie because of me. I know that the shittiest things that have happened in your whole life are because of me. You’ve never said it, which is kind of you, but I know. You’ve had to turn yourself into something else, and you’ve done it. Sometimes, when I look at you, I’m not sure if you’d even know how to be human anymore.”

I don’t know what to do with that—compliment and insult all at once. But behind it is a feeling of prophecy.

“You fit in better here than I do,” Vivi says. “But I bet it cost you something.”

I mostly don’t like to imagine the life I could have had, the one without magic in it. The one where I went to a regular school and learned regular things. The one where I had a living father and mother. The one where my older sister was the weirdo. Where I wasn’t so angry. Where my hands weren’t stained with blood. I picture it now, and I feel strange, tense all over, my stomach churning.

What I feel is panic.

When the wolves come for that Jude, she’ll be eaten up in an instant—and wolves always come. It frightens me to think of myself so vulnerable. But as I am now, I am well on my way to becoming one of the wolves. Whatever essential thing the other Jude has, whatever part that’s unbroken in her and broken in me, that thing might be unrecoverable. Vivi is right; it cost me something to be the way I am. But I do not know what. And I don’t know if I can get it back. I don’t even know if I want it.

But maybe I could try.

“What would we do in the mortal world?” I ask her.

Vivi smiles and pushes the plate with the sandwich toward me. “Go to movies. Visit cities. Learn to drive a car. There are lots of the Folk who don’t live in the Courts, don’t play at politics. We could live any way we like. In a loft. In a tree. Whatever you want.”

Tags: Holly Black The Folk of the Air Fantasy
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