The City (The City 1) - Page 5

He said, “Hey, look at the time. Gotta get to the restaurant.” After he kissed my mom and kissed me, he hugged Anita, nodded at Grandpa Teddy, said, “Sir,” and skedaddled.

So that was my first family gathering on my first day in the world. A little tense.

The second time that my mother’s life fell apart was eight months later, when my father walked out on us. He said that he needed to focus on his career. He couldn’t sleep with a crying baby in the next room. He claimed to have a potential backer for a restaurant, so he might be able to go from cook to chef in his own place, and even if it would be a hole in the wall, he would be moving up faster than originally planned. He really needed to stay focused, do his work at the restaurant and pursue this new opportunity. He promised he’d be back. He didn’t say when. He told her he loved us. It was always surprisingly easy for him to say that. He promised to send money every week. He kept that promise for four weeks. By then, my mom had gotten the job at Woolworth’s lunch counter and her first singing gig at a dump called the Jazz Cave, so it was a difficult time, but only difficult, nothing serious yet.

5

I’m not going to be able to talk my life month by month, year by year. Instead, I’ll have to use this recorder as if it were a time machine, hop around, back and forth, so maybe you’ll see the uncanny way that things connected, which wasn’t apparent to me as I came to my future one day at a time.

Here is where I should tell you a little about the woman who kept showing up in my life at key moments. I never once saw her coming. She was just always there like sudden sunshine breaking through clouds. The first time was a day in April 1966, when I tried to hate the piano because I thought I’d never get to be a piano man.

I was nearly nine, and Grandma Anita still had a year to live. The previous December, my father had come back to stay with us again in the walk-up. Mom never divorced him. She considered it, even though she knew—and believed—that marriage was a sacrament. But she claimed that when she sang in places like the Jazz Cave and Brass Tacks and Slinky’s, she could more successfully discourage come-ons from customers and employees if she could honestly say, “I’ve got a husband, a baby boy, and Jesus. So as handsome as you are, I’m sure you can see I have no need of another man in my life.” According to Mom, just husband or child or Jesus alone wouldn’t have kept the most determined suitors at bay; with them, she needed the three-punch.

In the nearly eight years he’d been gone, Tilton Kirk hadn’t found a backer, hadn’t opened his own place, but he had left the restaurant where he worked as a cook to take the chef position in a somewhat higher-class joint. He was earning less because every year the owner compensated him also with five percent of the stock in the business, so that once he had accumulated thirty-five percent, he could buy the other sixty-five at an already agreed-upon price, using his stock to swing the bank loan.

With him at home again, my mom was more happy than not, but I was all kinds of miserable. The man really didn’t know how to be a dad. Sometimes he was a hard-nosed disciplinarian dealing out a lot more punishment than I deserved. At other times he’d want to be my best pal ever, hang out together, except that he didn’t know what kind of hanging out kids think is cool. Strolling the aisles of a restaurant-supply store, obsessing over different kinds of potato peelers and pâté molds, just doesn’t thrill a child. Neither does sitting on a barstool sipping a Coke while your old man drinks beer and swaps nagging-wife jokes with a stranger.

The worst was that by then I wanted to take piano lessons, and my father refused to let it happen. I had noodled the keyboard at Grandpa Teddy’s house, and I understood the layout on a gut level, the way Jackie Robinson could read a ball in flight. But Tilton said I was too little yet, my hands too small, and when my mom disagreed and said I was big enough, Tilton said we couldn’t afford the lessons yet. Soon but not yet, which meant never.

Grandpa offered to drive me over to his place and back a few times a week and give me lessons himself. But my father said, “It’s too far to run a little kid back and forth all the time, Syl. And we don’t have a piano here for him to practice between lessons. We’ll get a house soon, and then he can have a piano, and it’ll all make sense. Anyway, honey, you know I’m not your old man’s favorite human being. It breaks my heart how maybe he’ll poison the boy’s mind against me. I know Teddy wouldn’t do it on purpose, Syl, he’s not a mean man, but he’ll be poisoning without even knowing it. Soon we’ll rent a house, soon, and then it’ll make sense.”

So I was sitting on the stoop in front of our building, such a sullen look on my face that most passersby glanced at me and at once away, as though I, only eight, might try to stomp them in a fit of mean. It was an unseasonably warm day for April, the air so still and humid that a feather, cast off by a bird in flight, sank like a stone in water to the pavement in front of me. As sudden as it was brief, a wind came along, lifted the feather, spun dust and litter out of the gutter, and whirled all of it up the steps and over me. I sneezed and spat away the feather that stuck to my lips.

As I wiped at my eyes, I heard a woman say, “Hey, Ducks, how’s the world treating you?”

My mom had a couple of friends who were professional dancers in musicals that were always being talked about by people who loved the theater, and though this woman didn’t look like any of them, she did look like a dancer. Tall and slim and leggy, with smooth mahogany skin, she came up the steps so easy, with so little movement, you’d have thought she must be on an escalator. She wore a primrose-pink lightweight suit, a white blouse, and a pink pillbox hat with a fan of gray feathers along one side, as though dressed for lunch in some place where the waiters wore tuxedos.

In spite of her fine outfit and air of elegance, she sat beside me on the stoop. “Ducks, it’s rude not to answer when spoken to, and you look like a young man who’d rather poke himself in the eye than be rude.”

“The world stinks,” I declared.

“Certain things in the world stink, Ducks, but not the whole world. In fact, most of it smells wonderfully sweet. You yourself smell a little like limes and salt, which reminds me of a margarita, which isn’t a bad thing. Do you like my perfume? It’s French and expensive.”

The sweet-rose fragrance was subtle. “It’s all right, I guess.”

“Well, Ducks, if you don’t like it, I’ll go straight home this minute and take the bottle off my dresser and throw it out a window and let the alley reek until the next rain.”

“My name isn’t Ducks.”

“I’d be stunned if it was, Ducks. Parents saddle their children with things like Hortense and Percival, but I’ve never known one to name them after waterfowl.”

“What’s your name?” I asked.

“What do you think it is, Ducks?”

“Don’t you know your own name?”

“I just sometimes wonder what name I look like, so I ask.”

She was pretty. Even an eight-year-old boy knows a pretty girl when he sees her, and beauty lifts the heart no matter what your age. Her perfume smelled all right, too.

I said, “Well, I saw this movie on TV about these guys chasing after a treasure down in the Caribbean. This was way back when there were pirates. What they all wanted was this special pearl, see. Three things made it really, really special. It was large, like as big as a plum. And it wasn’t white or cream-colored or pink, like other pearls. It was black, pure shiny black, but it still had depth like the best pearls all do, so you could see into it, and it was very beautiful. So maybe I think the name you look like is Pearl.”

She cocked her head and sort of smirked at me. “Young man, if you are already this smooth with the ladies, won’t a one of us be safe when you’re all grown up. I am Pearl. There’s no other name I’d want to be. You call me Pearl, Jonah.”

Only hours later would I realize that I’d never told her my name.

“You said there were three special things about this pearl in the movie. Its size and its color and …?”

Tags: Dean Koontz The City Horror
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