The Dead Town (Dean Koontz's Frankenstein 5) - Page 15

In the conference room, which they had chosen to designate the armory, Sammy said to Ralph, “I know you’re not a gun nut in the negative sense.”

“How do you know?” Ralph asked, sweeping his arms wide to indicate the array of firearms on the conference table. “This is like one-fifth of my collection—and none are antiques.”

“You’re not any kind of nut. You’re steady. So you have some good reason to gun-up like this.”

Ralph hesitated. He wasn’t a guy who talked much about himself. “I used to have only a single pistol for the nightstand drawer. Eight years ago this past September, I started the collection.”

Eight years earlier, Sammy had been just fifteen, a high-school student in Corona del Mar, California, where his parents lived.

Deucalion said to Ralph, “Your wife died eight years ago.”

Sammy knew this but hadn’t made the connection.

“Jenny couldn’t die that young. She was so good. So very alive. It was the most impossible thing that could ever, ever happen. But it happened. So I knew then everything else that seemed impossible might happen, too. All my life, I’ve been practical, prudent, prepared. The three P’s—that’s what my mother called them. There was no way I could have been prepared for Jenny dying, but the day I buried her, I swore to myself I’d be ready for every other impossible thing that could happen next. So maybe I am a nut, after all.”

Sammy glanced at Deucalion, saw pulses of strange light throb through the giant’s eyes, and looked at Ralph again. “Evidently not.”

Chapter 29

Suddenly an ardent believer in everything that he previously disbelieved, from extraterrestrials to Satan, Frost sprinted across the room, past the eye-in-the-tongue still lying on the bed, and into the upstairs hallway. His heart galloped and he heard himself gasping for breath. He knew that he was sprinting as fast as he ever had, ever could, but he felt that he moved in slow motion, through air as resistant as water, his legs as leaden as those of a deep-sea diver in a pressure suit and a massive helmet, trudging across the ocean floor.

Even above the desperate bellows of his ragged breathing and the slamming of his feet, Frost heard his pursuer, a buzzing-hissing-sizzling-zippering that was all those things and yet none of them, nothing like the sly slithering noise that had come from the cocoon, a never-before-heard sibilation, now a wet and clearly biological sound but now as dry as windblown sand.

At the midpoint of the hallway, he turned right toward the open staircase, and as he changed directions, he glanced back. The thing wasn’t giving chase in either its womanly form or as the amorphous mass of seething tissue that it had been when it sucked in the last of Dagget. Now it manifested as an airborne silvery-gray mass, as dense as smoke, a teeming and twinkling swarm that might have been insects so tiny that the eye could not discern any details of them, billions upon billions. But he knew in fact they were together the body of the woman who came from the cocoon, nothing as ordinary as insects, but the substance of the woman now a racing cloud of gray that, falling upon him, would render him as rapidly as Dagget had been rendered.

Pistol in hand but under no delusion that it would be effective, Frost plunged down the stairs. The swarm passed overhead, perhaps intending to swoop around and into his face and dissolve the eyes out of his skull as they entered and possessed him. In passing, however, they encountered the chandelier above, a many-armed brass affair with amber-glass cups containing flame-shaped bulbs. They sizzled through it, dissolving the chain from which it was suspended and the cord from which it drew power, leaving the foyer lit only by the staircase lights and a soffit light above the door.

The extinguished chandelier fell but only half as fast as gravity demanded, borne by the boiling cloud of ravenous microscopic mites, descending toward the ground floor like a ship slowly sinking through the fathoms, diminishing as it went because it was being consumed in its fall. What reached the foyer below was in the end only the cloud, the swarm, no twist of metal or shard of glass remaining of the chandelier.

Just past the landing, on the lower of the two curving flights of stairs, Frost halted. Death waited below him. The swarm appeared less bright now, less silvery, darker shades of gray … and clotted. It looked more like dirty water than like smoke, slopping around in the foyer, lapping at the walls, seeming to build a tide toward the lower hallway that led back into the house, but then rolling toward the front door.

In spite of its watery appearance, the swarm didn’t make liquid sounds, still buzzed and hissed and sizzled, but the tone had become lower, less the furious zeeeeee of angry wasps, more the grumbling drone of bumblebees. Through the spiraling currents of this pool, which included numerous whorls that intersected and spun off new coils and curls, there bobbled what appeared to be lumpy forms more coherent than the rest, though they seemed to dissolve as new lumps formed elsewhere.

Frost might have fled back to the second floor, to leave the house by an upper window and a porch roof, if instinct had not said Wait. Weak-kneed and shaking on the stairs, he slipped his pistol in the shoulder rig under his jacket. He gripped the railing with his left hand to steady himself, leaned against it. With his right sleeve, he wiped at the cold sweat that stippled his brow.

In the foyer below him, under a mirror, stood a narrow side table holding three ceramic vases of different sizes. The gray tide washed under it, around its legs. For a moment the table seemed to be of no interest to that voracious multitude, but then the slender legs began to dissolve. The table tipped forward, and the vases slid off. They didn’t shatter as they fell into the pool, but bobbled briefly before apparently dissolving. The table came apart and the pieces were briefly flotsam before deliquescing out of sight into the spiral currents.

Intuition needed a while to be heard through the roar of Frost’s terror, but finally he began to suspect that the swarm had lost track of him. There was something aimless in its motion as it swashed back and forth in the foyer, as though it had forgotten its purpose and quested this way and that, in search of some reminder of what it had been pursuing.

Frost suspected that if he moved or in any way drew attention to himself, he might inspire an attack. He leaned against the railing and quieted his breathing.

Dagget was dead. They had been not just partners but also best friends. Frost wanted revenge. But he knew there would be none. The best he could hope for was to survive. And with his sanity.

Chapter 30

After Nancy Potter, replicant of the mayor’s wife, threw down the last of the angels and crushed them underfoot, shrieking with delight, she eventually grew somewhat calmer. But she was not able to keep her promise to hurry at once with Ariel to the barn to assist the girl in becoming what she was meant to be. All of the shattered figurines had left a mess on the living-room floor, and Nancy could not merely walk away from such appalling disorder. She was alarmed that by eliminating the porcelain icons, which in themselves were symbols of unreason and disorder, she had created this other chaos herself, and she was unable to remember the chain of reason by which she had justified such behavior. In a disordered environment, the highest efficiency could not be achieved, and she must at all times be efficient. She must vacuum the living room and restore order before going to the barn.

Ariel was not a replicant. She was a Builder, although a much different kind of Builder from those at work elsewhere in Rainbow Falls. As a Builder, she lived by the same principles that were programmed in the replicants. Indeed, Builders had an appreciation for order and efficiency even greater than that of the replicants. Each replicant was a single organism, but each Builder was a colony of billions of nanoanimals each of which was mandated to destroy only for the purpose of efficiently constructing other things—new Builders—that were more finely ordered than those beings that they deconstructed. When the colony acted as one, either as a swarm or in the form of a single creature, the imperative to order things around them according to their programmed directives was an irresistible motivating force.

Consequently, Ariel fretted about the delay but didn’t protest much when Nancy wanted to clean the living room and put things right once more. She dusted diligently while Nancy gathered the larger fragments of the figurines, and she vacuumed while Nancy polished the glass shelves in the display case with Windex. When Nancy became disturbed about a few scratches in the shelves, realized she could not make them look perfect, and smashed them, Ariel picked up the bigger shards of glass and disposed of them. She also vacuumed again while Nancy went to the kitchen and for a while sat at the dinette table with her eyes closed and her hands limp in her lap.

Replicant Nancy’s thoughts were as jumbled as laundry tumbling in a dryer. The real Nancy had not kept the most spotless possible house, but she’d been a demon about laundry. Therefore, because the replicant had downloaded the woman’s memories, the laundry metaphor occurred to her, and it served her well. One by one, she took her tumbling thoughts from the dryer, ironed them, folded them, and put them away.

When Ariel finished bringing order to the living room, she came into the kitchen and said, “Can we go to the barn now?”

Eyes still closed, Nancy said, “I need a couple minutes more.”

After nine minutes and twenty-six seconds, Ariel said, “I really need to become what I’m meant to be. I really do.”

“Just a minute,” Nancy said.

Four minutes and nine seconds later, Ariel said, “Please.”

At last Nancy opened her eyes. She felt much better. Her mind was ordered. Efficiency was again possible.

Oblivious of the weather, Nancy and Ariel crossed the yard from the house to the barn.

Most of the building’s sixteen hundred square feet were in the main room, with a small tack room at the back. The walls were well insulated, and there was an oil furnace.

Along the south wall, horses watched the women from three stalls. Queenie and Valentine, the mares. Commander, the sorrel stallion.

The interior of the stalls in which the mares stood had earlier in the day been fortified with eighth-inch-thick steel plating. All of the windows had been filled with insulation and covered with inch-thick squares of sound board.

When the work began, the mares, in terror, were likely to try to kick out the walls and doors of their stalls when they saw what happened to the stallion.

Victor’s plan was more ambitious than merely the elimination of humanity to the last pathetic individual. He intended also that every thinking creature in nature should be chased down in every field and forest, and deconstructed by Ariel’s variety of Builder. Victor’s definition of thinking included any life form with even minimal self-awareness. Any animal that took joy in life, that exhibited even the least curiosity about the world, that had the slightest capacity for wonder, must be hunted to extinction. The substance of those creatures would be used to make more Builders that could mimic all the myriad species, to mingle with their herds and run with their packs and fly with their flocks, and ruthlessly eliminate them. In the seas, too, were beings with capacity for joy and wonder—dolphins, whales, and others—that must eventually be extinguished to the last specimen by aquatic Builders in the event that the seas proved too vast and self-cleaning to be effectively poisoned.

With a triumphant smile that Nancy understood, Ariel walked to Commander’s stall. The girl had no apple for him, but she let the stallion snuffle and work his soft lips over her hand.

When in time nothing lived upon the planet other than Builders, replicants, insects, and plants, the two kinds of Communitarians would die at Victor’s satellite-broadcast command. Only he would remain for a short while to witness a world without performers or audience, without anyone but him to remember its history, with no one to seek a future or even to want one. In the beginning had been the Word, but in the end no word would ever be spoken again, from pole to pole. Victor’s rebellion had begun more than two hundred years earlier, and it had not ended with his death in Louisiana, for it continued here under the management of his clone, Victor Immaculate. This rebellion would be the greatest in history, not only in the history of the earth but also in the history of all that is, for Victor Immaculate would in the end kill himself, the last self-aware creature on Earth, and thereby signify that his maker, the New Orleans Victor, and his maker’s maker were as meaningless as history, which had led to this nothing, these unpopulated landscapes in which no eye delighted.

The triumph that Ariel anticipated as she moved to the mares in response to their nickering, the triumph that tasted sweet to Nancy, as well, was the eventual obliteration of everything of which they could not be a part, which happened to be everything, whereafter even the Community, having fulfilled its purpose, could cease to exist.

They had been made to unmake and ultimately to be unmade. An exquisite efficiency.

In time, the insects whose existence depended on animals would perish, and the insects who fed on those insects would perish next, and the plants whose roots were aerated by those insects would die off. On it would go, until the world in every corner remained irreparably barren and silent and still.

Returning to the center of the barn, Ariel said, “Help me to become what I am meant to be.”

Surveying the scattered stalks of hay that littered the floor, Nancy grimaced and said, “Just give me a few minutes to sweep this floor. You can’t create in all this disorder. Just because it’s a barn, there’s no excuse for this mess, no excuse at all, this just makes me livid.”

Chapter 31

From the arsenal on the big conference-room table, Mason Morrell chose only a pistol, and from the cache of ammunition, he selected one spare magazine, which he loaded.

“I’ll be locked in the broadcast booth,” he told Sammy. “If they get as far as breaking down that door, the rest of you are dead and I won’t have any hope of holding out against them. I’ll want to kill a couple, just for the principle of it, but then I won’t need anything but one round for myself.”

He went away with Deucalion, who needed to coach him a few more minutes about what he should say when he pulled the current recorded program and went live.

More familiar with all of these weapons than the average radio ad salesman might have been in, say, Connecticut, Burt Cogborn took some time deciding what he might need. He chose a pistol, an assault rifle, and a pistol-grip shotgun, plus spare magazines for the first two and a box of shells for the 12-gauge.

“I know there isn’t time,” Burt said, “but I sure wish I could go home and get Bobby, bring him back here.”

Bobby was his Labrador retriever. He always took Bobby with him on sales calls and usually brought the pooch to the station, as well. Mason Morrell called them the Cogborn twins, Burt and Bobby. For some reason, Burt had left the dog at home this time.

Tags: Dean Koontz Dean Koontz's Frankenstein Thriller
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