remained light on her arm. "Nothing's more powerful than a woman at that instant before she gives herself." He stroked the glass again. "Obviously you're aware of that"
"And the man?"
He smiled then, just the faintest curve of lips. His grip on her arm seemed more of a caress now. A request And his eyes, amused, interested, skimmed over her face. That, Margaret Mary, would depend on the woman."
She didn't move, absorbed the sexual punch, acknowledged it with a slight nod. "Well, we agree on something. Sex and power generally depend on the woman."
That's not at all what I said, or meant What draws you to create something like this?"
"It's difficult to explain art to a man of business."
When she would have stepped back, he curled his fingers around her arm, tightened his grip. Try."
Annoyance pricked through her. "What comes to me comes. There's no plot, no plan. It has to do with
emotions, with passions and not with practicality or profit. Otherwise I'd be making little glass swans for gift shops. Jesus, what a thought."
His smile widened. "Horrifying. Fortunately I'm not interested in little glass swans. But I would like that tea."
"We'll have it in the kitchen." She started to step away again, and again his grip stopped her. Temper flashed into her eyes like lightning. "You're blocking my way, Sweeney."
"I don't think so. I'm about to clear it for you." He released her and followed her silently into the kitchen.
Her cottage was a far cry from the country comfort of Blackthorn. There were no rich smells of baking wafting in the air, no plumped pillows or gleaming woodwork. It was spartan, utilitarian and untidy. Which was why, he supposed, the art carelessly set here and there was that much more effective and striking.
He wondered where she slept, and if her bed was as soft and inviting as the one he'd spent the night in. And he wondered if he would share it with her. No, not if, he corrected himself. When.
Maggie set the teapot on the table along with two thick pottery mugs. "Did you enjoy your stay at Blackthorn Cottage?" she asked as she poured.
"I did. Your sister's charming. And her cooking memorable."
Maggie softened, added three generous spoons of sugar to her tea. "Brie's a homemaker in the best sense of the word. Did she make her currant buns this morning?"
"I had two of them."
Relaxed again, Maggie laughed and propped one booted foot on her knee. "Our father used to say Brie got all the gold and I the brass. I'm afraid you won't get any home-baked buns here, Sweeney, but I could probably dig out a tin of biscuits."
"No need."
"You'd probably rather get straight to business." Cupping the mug in both hands, Maggie leaned forward. "What if I were to tell you plain I'm not interested in your offer?"
Rogan considered, sipping his tea black and strong. Td have to call you a liar, Maggie." He grinned at the Are that erupted in her eyes. "Because if you weren't interested, you wouldn't have agreed to see me this morning. And I certainly wouldn't be drinking tea in pour kitchen." He held up a hand before she could speak. "We'll agree, however, that you don't want to be interested."
A clever man, she mused, only slightly mollified. Clever men were dangerous ones. "I've no wish to be produced, or managed, or guided."
"We rarely wish for what we need." He watched her over the rim of his cup, calculating even as he enjoyed the way the faint flush seemed to silken her skin, deepen the green of her eyes. "Why don't I explain myself more clearly? Your art is your domain. I have no intention of interfering in any way with what you do in your studio. You create what you're inspired to create, when you're inspired to create it."
"And what if what I create isn't to your taste?"
I've shown and sold a great number of pieces I wouldn't care to have in my home. That's the business, Maggie. And as I won't interfere with your art, you won't interfere with my business."
"I'll have no say in who buys my work?"
"None," he said simply. "If you have an emotional attachment to a piece, you'll have to get over it, or keep the piece for yourself. Once it's in my hands, it's mine."
Her jaw clenched. "And anyone with the money can own it."
"Exactly."
Maggie slapped the mug down and sprang up to pace. She used her whole body, a habit Rogan admired. Legs, arms, shoulders all in rhythmically angry movements. He topped off his tea and sat back to enjoy the show.
"I pull something out of myself, and I create it, make it solid, tangible, real, and some idiot from Kerry or Dublin or, God help me, London, comes in and buys it for his wife's birthday without having the least understanding of what it is, what it means?"
"Do you develop personal relationships with everyone who buys your work?"
"At least I know where it's going, who's buying it." Usually, she added to herself.
"I'll have to remind you that I bought two of your pieces before we met"
"Aye. And look where that's got me."
Temperament, he thought with a sigh. As long as he'd worked with artists he'd never understood it. "Maggie," he began, trying for the most reasonable of tones. The reason you need a manager is to eliminate these difficulties. You won't have to worry about the sales, only the creation. And yes, if someone from Kerry or Dublin, or God help you London comes into one of my galleries and takes an interest in one of your pieces, it's his—as long as he meets the price. No resume, no character references required. And by the end of a year, with my help, you'll be a rich woman."
"Is that what you think I want?" Insulted, infuriated, she whirled on him. "Do you think, Rogan Sweeney, that I pick up my pipe every day calculating how much profit there might be at the end of it?"
"No, I don't. That's precisely where I come in. You're an exceptional artist, Maggie. And at the risk of inflating what appears to be an already titanic ego, I'll admit that I was captivated the first time I saw your work."
"Perhaps you have decent taste," she said with a cranky shrug.
"So I've been told. My point is that your work deserves more than you're giving it. You deserve more than you're giving yourself."
She leaned back on the counter, eyeing him narrowly. "And you're going to help me get more out of the goodness of your heart."
"My heart has nothing to do with it. I'm going to help you because your work will add to the prestige of my galleries."
"And to your pocketbook."
"One day you'll have to explain to me the root of your disdain for money. In the meantime, your tea's getting cold."
Maggie let out a long breath. She wasn't doing a good job of flattering him, she reminded herself, and returned to the table. "Rogan." She let herself smile. "I'm sure you're very good at what you do. Your galleries have a reputation for quality and integrity, which I'm sure is a reflection of yourself."
She was good, he mused, and ran his tongue over his teeth. Very good. "I like to think so."
"Doubtless any artist would be thrilled to be considered by you. But I'm accustomed to dealing for myself, for handling all the aspects of my work from making the glass to selling the finished piece—or at least placing it into the hands of someone I know and trust to sell it I don't know you."
"Or trust me?"
She lifted a hand, let it fall. "I would be a fool not to trust Worldwide Galleries. But it's difficult for me to imagine a business of that size. I'm a simple woman."
He laughed so quickly, so richly, that she blinked. Before she could recover, he was leaning forward, taking one of her hands in his. "Oh, no, Margaret Mary, simple is exactly what you are not Canny, obstinate, brilliant, bad-tempered and beautiful you are. But simple, never."
"I say I am." She yanked her hand free and struggled not to be charmed. "And I know myself better than you do or ever will."
"Every time you finish a sculpture you're shouting out this is who I am. At least for today. That's what makes art true."
She couldn't argue with him. It was an obse
rvation she hadn't expected from a man of his background. Making money from art didn't mean you understood it Apparently, he did.
"I'm a simple woman," she said again, daring him to contradict her a second time. "And I prefer to stay that way. If I agree to your management, there will be rules. Mine."
He had her, and he knew it. But a wise negotiator was never a smug one. "What are they?" he asked.
"I'll do no publicity, unless it suits me. And I can promise you it won't."
"It'll add to the mystery, won't it?"
She very nearly grinned before she recovered. "I'll not be after dressing up like some fashion plate for showings—if I come at all."
This time he tucked his tongue firmly in his cheek. Tin sure your sense of style will reflect your artistic nature."
It might have been an insult, but she couldn't be sure. "And I won't be nice to people if I don't want to be."
Temperament, again artistic." He toasted her with his tea. "Should add to sales." ' Though she was amused, she sat back and crossed her arms over her chest. "I will never, never duplicate a piece or create something out of someone else's fancy."
He frowned, shook his head. That may be a deal breaker. I had this idea for a unicorn, with a touch of gold leaf on the horn and hooves. Very tasteful." She snickered, then gave up and laughed out loud. "All right, Rogan. Maybe by some miracle we'll be able to work together. How do we do it?"
"I'll have contracts drawn up. Worldwide will want exclusive rights to your work." She winced at that. It felt as though she were surrendering a part of herself. Perhaps the best part. "Exclusive rights to the pieces I choose to sell."
"Of course."
She looked past him, out the window toward the fields beyond. Once, long ago, they, like her art, had