“There’s one thing more. I just wanted to say that if—if you are ever in trouble, anything that I can do—”
He took her hand in his, held it tightly for a minute, then dropped it and walked rapidly away towards the Casino without looking back.
Katherine sat perfectly still, looking after him. Derek Kettering—Richard Knighton—two men so different—so very different. There was something kind about Knighton, kind and trustworthy. As to Derek—
Then suddenly Katherine had a very curious sensation. She felt that she was no longer sitting alone on the seat in the Casino gardens, but that someone was standing beside her, and that that someone was the dead woman, Ruth Kettering. She had a further impression that Ruth wanted—badly—to tell her something. The impression was so curious, so vivid, that it could not be driven away. She felt absolutely certain that the spirit of Ruth Kettering was trying to convey something of vital importance to her. The impression faded. Katherine got up, trembling a little. What was it that Ruth Kettering had wanted so badly to say?
Twenty-seven
INTERVIEW WITH MIRELLE
When Knighton left Katherine he went in search of Hercule Poirot, whom he found in the Rooms, jauntily placing the minimum stake on the even numbers. As Knighton joined him, the number thirty-three turned up, and Poirot’s stake was swept away.
“Bad luck!” said Knighton; “are you going to stake again?”
Poirot shook his head.
“Not at present.”
“Do you feel the fascination of gambling?” asked Knighton curiously.
“Not at roulette.”
Knighton shot a swift glance at him. His own face became troubled. He spoke haltingly, with a touch of deference.
“I wonder, are you busy, M. Poirot? There is something I would like to ask you about.”
“I am at your disposal. Shall we go outside? It is pleasant in the sunshine.”
They strolled out together, and Knighton drew a deep breath.
“I love the Riviera,” he said. “I came here first twelve years ago, during the War, when I was sent to Lady Tamplin’s Hospital. It was like Paradise, coming from Flanders to this.”
“It must have been,” said Poirot.
“How long ago the War seems now!” mused Knighton.
They walked on in silence for some little way.
“You have something on your mind?” said Poirot.
Knighton looked at him in some surprise.
“You are quite right,” he confessed. “I don’t know how you knew it, though.”
“It showed itself only too plainly,” said Poirot drily.
“I did not know that I was so transparent.”
“It is my business to observe the physiognomy,” the little man explained, with dignity.
“I will tell you, M. Poirot. You have heard of this dancer woman—Mirelle?”
“She who is the chère amie of M. Derek Kettering?”
“Yes, that is the one; and, knowing this, you will understand that Mr. Van Aldin is naturally prejudiced against her. She wrote to him, asking for an interview. He told me to dictate a curt refusal, which of course I did. This morning she came to the hotel and sent up her card, saying that it was urgent and vital that she should see Mr. Van Aldin at once.”
“You interest me,” said Poirot.
“Mr. Van Aldin was furious. He told me what message to send down to her. I ventured to disagree with him. It seemed to me both likely and probable that this woman Mirelle might give us valuable information. We know that she was on the Blue Train, and she may have seen or heard something that it might be vital for us to know. Don’t you agree with me, M. Poirot?”
“I do,” said Poirot drily. “M. Van Aldin, if I may say so, behaved exceedingly foolishly.”
“I am glad you take that view of the matter,” said the secretary. “Now I am going to tell you something, M. Poirot. So strongly did I feel the unwisdom of Mr. Van Aldin’s attitude that I went down privately and had an interview with the lady.”
“Eh bien?”
“The difficulty was that she insisted on seeing Mr. Van Aldin himself. I softened his message as much as I possibly could. In fact—to be candid—I gave it in a very different form. I said that Mr. Van Aldin was too busy to see her at present, but that she might make any communication she wished to me. That, however, she could not bring herself to do, and she left without saying anything further. But I have a strong impression, M. Poirot, that that woman knows something.”
“This is serious,” said Poirot quietly. “You know where she is staying?”
“Yes.” Knighton mentioned the name of the hotel.
“Good,” said Poirot; “we will go there immediately.”
The secretary looked doubtful.
“And Mr. Van Aldin?” he queried doubtfully.
“M. Van Aldin is an obstinate man,” said Poirot drily. “I do not argue with obstinate men. I act in spite of them. We will go and see the lady immediately. I will tell her that you are empowered by M. Van Aldin to act for him, and you will guard yourself well from contradicting me.”
Knighton still looked doubtful, but Poirot took no notice of his hesitation.
At the hotel, they were told that Mademoiselle was in, and Poirot sent up both his and Knighton’s cards, with “From Mr. Van Aldin” pencilled upon them.
Word came down that Mademoiselle Mirelle would receive them.
When they were ushered into the dancer’s apartments, Poirot immediately took the lead.
“Mademoiselle,” he murmured, bowing very low, “we are here on behalf of M. Van Aldin.”
“Ah! And why did he not come himself?”
“He is indisposed,” said Poirot mendaciously; “the Riviera throat, it has him in its grip, but me I am empowered to act for him, as is Major Knighton, his secretary. Unless, of course, Mademoiselle would prefer to wait a fortnight or so.”
If there was one thing of which Poirot was tolerably certain, it was that to a temperament such as Mirelle’s the mere word “wait” was anathema.
&nbs
p; “Eh bien, I will speak, Messieurs,” she cried. “I have been patient. I have held my hand. And for what? That I should be insulted! Yes, insulted! Ah! Does he think to treat Mirelle like that? To throw her off like an old glove. I tell you never has a man tired of me. Always it is I who tire of them.”
She paced up and down the room, her slender body trembling with rage. A small table impeded her free passage, and she flung it from her into a corner, where it splintered against the wall.
“That is what I will do to him,” she cried, “and that!”
Picking up a glass bowl filled with lilies she flung it into the grate, where it smashed into a hundred pieces.
Knighton was looking at her with cold British disapproval. He felt embarrassed and ill at ease. Poirot, on the other hand, with twinkling eyes was thoroughly enjoying the scene.
“Ah, it is magnificent!” he cried. “It can be seen—Madame has a temperament.”
“I am an artist,” said Mirelle; “every artist has a temperament. I told Dereek to beware, and he would not listen.” She whirled round on Poirot suddenly. “It is true, is it not, that he wants to marry that English miss?”
Poirot coughed.
“On m’a dit,” he murmured, “that he adores her passionately.”
Mirelle came towards them.
“He murdered his wife,” she screamed. “There—now you have it! He told me beforehand that he meant to do it. He had got to an impasse—zut! he took the easiest way out.”
“You say that M. Kettering murdered his wife.”
“Yes, yes, yes. Have I not told you so?”
“The police,” murmured Poirot, “will need proof of that—er—statement.”
“I tell you I saw him come out of her compartment that night on the train.”
“When?” asked Poirot sharply.
“Just before the train reached Lyons.”
“You will swear to that, Mademoiselle?”
It was a different Poirot who spoke now, sharp and decisive.
“Yes.”
There was a moment’s silence. Mirelle was panting, and her eyes, half defiant, half frightened, went from the face of one man to the other.