Mockingjay (The Hunger Games 3) - Page 70

Tigris watches through the shutters for the right moment, unbolts the door, and nods to Cressida and Pollux. "Take care," Cressida says, and they are gone.

We'll be following in a minute. I get out the key, unlock Peeta's cuffs, and stuff them in my pocket. He rubs his wrists. Flexes them. I feel a kind of desperation rising up in me. It's like I'm back in the Quarter Quell, with Beetee giving Johanna and me that coil of wire.

"Listen," I say. "Don't do anything foolish."

"No. It's last-resort stuff. Completely," he says.

I wrap my arms around his neck, feel his arms hesitate before they embrace me. Not as steady as they once were, but still warm and strong. A thousand moments surge through me. All the times these arms were my only refuge from the world. Perhaps not fully appreciated then, but so sweet in my memory, and now gone forever. "All right, then." I release him.

"It's time," says Tigris. I kiss her cheek, fasten my red hooded cloak, pull my scarf up over my nose, and follow Gale out into the frigid air.

Sharp, icy snowflakes bite my exposed skin. The rising sun's trying to break through the gloom without much success. There's enough light to see the bundled forms closest to you and little more. Perfect conditions, really, except that I can't locate Cressida and Pollux. Gale and I drop our heads and shuffle along with the refugees. I can hear what I missed peeking through the shutters yesterday. Crying, moaning, labored breathing. And, not too far away, gunfire.

"Where are we going, Uncle?" a shivering little boy asks a man weighed down with a small safe.

"To the president's mansion. They'll assign us a new place to live," puffs the man.

We turn off the alley and spill out onto one of the main avenues. "Stay to the right!" a voice orders, and I see the Peacekeepers interspersed throughout the crowd, directing the flow of human traffic. Scared faces peer out of the plate-glass windows of the shops, which are already becoming overrun with refugees. At this rate, Tigris may have new houseguests by lunch. It was good for everybody that we got out when we did.

It's brighter now, even with the snow picking up. I catch sight of Cressida and Pollux about thirty yards ahead of us, plodding along with the crowd. I crane my head around to see if I can locate Peeta. I can't, but I've caught the eye of an inquisitive-looking little girl in a lemon yellow coat. I nudge Gale and slow my pace ever so slightly, to allow a wall of people to form between us.

"We might need to split up," I say under my breath. "There's a girl - "

Gunfire rips through the crowd, and several people near me slump to the ground. Screams pierce the air as a second round mows down another group behind us. Gale and I drop to the street, scuttle the ten yards to the shops, and take cover behind a display of spike-heeled boots outside a shoe seller's.

A row of feathery footwear blocks Gale's view. "Who is it? Can you see?" he asks me. What I can see, between alternating pairs of lavender and mint green leather boots, is a street full of bodies. The little girl who was watching me kneels beside a motionless woman, screeching and trying to rouse her. Another wave of bullets slices across the chest of her yellow coat, staining it with red, knocking the girl onto her back. For a moment, looking at her tiny crumpled form, I lose my ability to form words. Gale prods me with his elbow. "Katniss?"

"They're shooting from the roof above us," I tell Gale. I watch a few more rounds, see the white uniforms dropping into the snowy streets. "Trying to take out the Peacekeepers, but they're not exactly crack shots. It must be the rebels." I don't feel a rush of joy, although theoretically my allies have broken through. I am transfixed by that lemon yellow coat.

"If we start shooting, that's it," Gale says. "The whole world will know it's us."

It's true. We're armed only with our fabulous bows. To release an arrow would be like announcing to both sides that we're here.

"No," I say forcefully. "We've got to get to Snow."

"Then we better start moving before the whole block goes up," says Gale. Hugging the wall, we continue along the street. Only the wall is mostly shopwindows. A pattern of sweaty palms and gaping faces presses against the glass. I yank my scarf up higher over my cheekbones as we dart between outdoor displays. Behind a rack of framed photos of Snow, we encounter a wounded Peacekeeper propped against a strip of brick wall. He asks us for help. Gale knees him in the side of the head and takes his gun. At the intersection, he shoots a second Peacekeeper and we both have firearms.

"So who are we supposed to be now?" I ask.

"Desperate citizens of the Capitol," says Gale. "The Peacekeepers will think we're on their side, and hopefully the rebels have more interesting targets."

I'm mulling over the wisdom of this latest role as we sprint across the intersection, but by the time we reach the next block, it no longer matters who we are. Who anyone is. Because no one is looking at faces. The rebels are here, all right. Pouring onto the avenue, taking cover in doorways, behind vehicles, guns blazing, hoarse voices shouting commands as they prepare to meet an army of Peacekeepers marching toward us. Caught in the cross fire are the refugees, unarmed, disoriented, many wounded.

A pod's activated ahead of us, releasing a gush of steam that parboils everyone in its path, leaving the victims intestine-pink and very dead. After that, what little sense of order there was unravels. As the remaining curlicues of steam intertwine with the snow, visibility extends just to the end of my barrel. Peacekeeper, rebel, citizen, who knows? Everything that moves is a target. People shoot reflexively, and I'm no exception. Heart pounding, adrenaline burning through me, everyone is my enemy. Except Gale. My hunting partner, the one person who has my back. There's nothing to do but move forward, killing whoever comes into our path. Screaming people, bleeding people, dead people everywhere. As we reach the next corner, the entire block ahead of us lights up with a rich purple glow. We backpedal, hunker down in a stairwell, and squint into the light. Something's happening to those illuminated by it.They're assaulted by...what? A sound? A wave? A laser? Weapons fall from their hands, fingers clutch their faces, as blood sprays from all visible orifices - eyes, noses, mouths, ears. In less than a minute, everyone's dead and the glow vanishes. I grit my teeth and run, leaping over the bodies, feet slipping in the gore. The wind whips the snow into blinding swirls but doesn't block out the sound of another wave of boots headed our way.

"Get down!" I hiss at Gale. We drop where we are. My face lands in a still-warm pool of someone's blood, but I play dead, remain motionless as the boots march over us. Some avoid the bodies. Others grind into my hand, my back, kick my head in passing. As the boots recede, I open my eyes and nod to Gale.

Tags: Suzanne Collins The Hunger Games Science Fiction
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