Catching Fire (The Hunger Games 2) - Page 8

"Isn't it thrilling?"

"Don't you feel so lucky?"

"In your very first year of being a victor, you get to be a mentor in a Quarter Quell!"

Their words overlap in a blur of excitement.

"Oh, yes," I say neutrally. It's the best I can do. In a normal year, being a mentor to the tributes is the stuff of nightmares. I can't walk by the school now without wondering what kid I'll have to coach. But to make things even worse, this is the year of the Seventy-fifth Hunger Games, and that means it's also a Quarter Quell. They occur every twenty-five years, marking the anniversary of the districts' defeat with over-the-top celebrations and, for extra fun, some miserable twist for the tributes. I've never been alive for one, of course. But in school I remember hearing that for the second Quarter Quell, the Capitol demanded that twice the number of tributes be provided for the arena. The teachers didn't go into much more detail, which is surprising, because that was the year District 12's very own Haymitch Abernathy won the crown.

"Haymitch better be preparing himself for a lot of attention!" squeals Octavia.

Haymitch has never mentioned his personal experience in the arena to me. I would never ask. And if I ever saw his Games televised in reruns, I must've been too young to remember it. But the Capitol won't let him forget it this year. In a way, it's a good thing Peeta and I will both be available as mentors during the Quell, because it's a sure bet that Haymitch will be wasted.

After they've exhausted the topic of the Quarter Quell, my prep team, launches into a whole lot of stuff about their incomprehensibly silly lives. Who said what about someone I've never heard of and what sort of shoes they just bought and a long story from Octavia about what a mistake it was to have everyone wear feathers to her birthday party.

Soon my brows are stinging, my hair's smooth and silky, and my nails are ready to be painted. Apparently they've been given instruction to prepare only my hands and face, probably because everything else will be covered in the cold weather. Flavius badly wants to use his own trademark purple lipstick on me but resigns himself to a pink as they begin to color my face and nails. I can see by the palette Cinna has assigned that we're going for girlish, not sexy.

Good. I'll never convince anyone of anything if I'm trying to be provocative. Haymitch made that very clear when he was coaching me for my interview for the Games.

My mother comes in, somewhat shyly, and says that Cinna has asked her to show the preps how she did my hair the day of the reaping. They respond with enthusiasm and then watch, thoroughly engrossed, as she breaks down the process of the elaborate braided hairdo. In the mirror, I can see their earnest faces following her every move, their eagerness when it is their turn to try a step. In fact, all three are so readily respectful and nice to my mother that I feel bad about how I go around feeling so superior to them. Who knows who I would be or what I would talk about if I'd been raised in the Capitol? Maybe my biggest regret would be having feathered costumes at my birthday party, too.

When my hair is done, I find Cinna downstairs in the living room, and just the sight of him makes me feel more hopeful. He looks the same as always, simple clothes, short brown hair, just a hint of gold eyeliner. We embrace, and I can barely keep from spilling out the entire episode with President Snow. But no, I've decided to tell Haymitch first. He'll know best who to burden with it. It's so easy to talk to Cinna, though. Lately we've been speaking a lot on the telephone that came with the house. It's sort of a joke, because almost no one else we know owns one. There's Peeta, but obviously I don't call him. Haymitch tore his out of the wall years ago. My friend Madge, the mayor's daughter, has a telephone in her house, but if we want to talk, we do it in person. At first, the thing barely ever got used. Then Cinna started to call to work on my talent.

Every victor is supposed to have one. Your talent is the activity you take up since you don't have to work either in school or your district's industry. It can be anything, really, anything that they can interview you about. Peeta, it turns out, actually has a talent, which is painting. He's been frosting those cakes and cookies for years in his family's bakery. But now that he's rich, he can afford to smear real paint on canvases. I don't have a talent, unless you count hunting illegally, which they don't. Or maybe singing, which I wouldn't do for the Capitol in a million years. My mother tried to interest me in a variety of suitable alternatives from a list Effie Trinket sent her. Cooking, flower arranging, playing the flute. None of them took, although Prim had a knack for all three. Finally Cinna stepped in and offered to help me develop my passion for designing clothes, which really required development since it was nonexistent. But I said yes because it meant getting to talk to Cinna, and he promised he'd do all the work.

Now he's arranging things around my living room: clothing, fabrics, and sketchbooks with designs he's drawn. I pick up one of the sketchbooks and examine a dress I supposedly created. "You know, I think I show a lot of promise," I say.

"Get dressed, you worthless thing," he says, tossing a bundle of clothes at me.

I may have no interest in designing clothes but I do love the ones Cinna makes for me. Like these. Flowing black pants made of a thick, warm material. A comfortable white shirt. A sweater woven from green and blue and gray strands of kitten-soft wool. Laced leather boots that don't pinch my toes.

"Did I design my outfit?" I ask.

"No, you aspire to design your outfit and be like me, your fashion hero," says Cinna. He hands me a small stack of cards. "You'll read these off camera while they're filming the clothes. Try to sound like you care."

Just then, Effie Trinket arrives in a pumpkin orange wig to remind everyone, "We're on a schedule!" She kisses me on both cheeks while waving in the camera crew, then orders me into position. Effie's the only reason we got anywhere on time in the Capitol, so I try to accommodate her. I start bobbing around like a puppet, holding up outfits and saying meaningless things like "Don't you love it?" The sound team records me reading from my cards in a chirpy voice so they can insert it later, then I'm tossed out of the room so they can film my/Cinna's designs in peace.

Prim got out early from school for the event. Now she stands in the kitchen, being interviewed by another crew. She looks lovely in a sky blue frock that brings out her eyes, her blond hair pulled back in a matching ribbon. She's leaning a bit forward on the toes of her shiny white boots like she's about to take flight, like -

Bam! It's like someone actually hits me in the chest. No one has, of course, but the pain is so real I take a step back. I squeeze my eyes shut and I don't see Prim - I see Rue, the twelve-year-old girl from District 11 who was my ally in the arena. She could fly, birdlike, from tree to tree, catching on to the slenderest branches. Rue, who I didn't save. Who I let die. I picture her lying on the ground with the spear still wedged in her stomach... .

Tags: Suzanne Collins The Hunger Games Science Fiction
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