She fed him. With her sayings and her seeings. She kept Saddic alive.
He thought about what she had said for Visto’s deading. About how some of it wasn’t true, the bit about Visto not remembering anything about where he’d come from. He’d remembered too much, in fact. So, Badalle had knowingly told an untruth about Visto. At his deading. Why had she done that?
Because Visto was gone. Her words weren’t for him because he was gone. They were for us. She was telling us to give up remembering. Give it up so when we find it again it all feels new. Not the remembering itself but the things we remembered. The cities and villages and the families and the laughing. The water and the food and full stomachs. Is that what she was telling us?
Well, he had his meal for the day, didn’t he? She was generous that way.
The feet at the ends of his legs were like wads of leather. They didn’t feel much and that was a relief since the stones on the track were sharp and so many others had bleeding feet making it hard to walk. The ground was even worse to either side of the trail.
Badalle was smart. She was the brain behind the jaws, the tongue. She took what the snake’s eyes saw. She made sense of what the tongue tasted. She gave names to the things of this new world. The moths that pretended to be leaves and the trees that invited the moths to be leaves so that five trees shared one set of leaves between them, and when the trees got hungry off went the leaves, looking for food. No other tree could do that, and so no other tree lived on the Elan.
She talked about the jhaval, the carrion birds no bigger than sparrows, that were the first to swarm a body when it fell, using their sharp beaks to stab and drink. Sometimes the jhaval didn’t even wait for the body to fall. Saddic had seen them attacking a wounded ribber, even vultures and crows. Sometimes each other, too, when the frenzy was on them.
Satra Riders, as what did in poor Visto, and flow-worms that moved in a seething carpet, pushing beneath a corpse to squirm in the shade. They bit and drenched themselves in whatever seeped down and as the ground softened down they went, finally able to pierce the skin of the blistered earth.
Saddic looked in wonder at this new world, listened in awe as Badalle gave the strange things names and made for them all a new language.
Close to noon they found a waterhole. The crumbled foundations of makeshift corrals surrounded the shallow, muddy pit.
The snake halted, and then began a slow, tortured crawl into and out of the churned-up mud. The wait alone killed scores, and even as children emerged from the morass, slathered black, some fell to convulsions, curling round mud-filled guts. Some spilled out their bowels, fouling things for everyone that came after.
It was another bad day for the Chal Managal.
Later in the afternoon, during the worst of the heat, they spied a greyish cloud on the horizon ahead. The ribbers began howling, dancing in terror, and as the cloud rushed closer, the dogs finally fled.
What looked like rain wasn’t rain. What looked like a cloud wasn’t a cloud.
These were locusts, but not the normal kind of locusts.
Wings glittering, the swarm filling half the sky, and then all the sky, the sound a clicking roar-the rasp of wings, the snapping open of jaws-each creature a finger long. Out from within the cloud, as it engulfed the column, lunged buzzing knots where the insects massed almost solid. When one of these hammered into a huddle of children, shrieks of pain and horror erupted-the flash of red meat, and then bone-and then the horde swept on, leaving behind clumps of hair and heaps of gleaming bone.
These locusts ate meat.
This was the first day of the Shards.
Chapter Five
The painter must be mute
The sculptor deaf
Talents are passed out
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She fed him. With her sayings and her seeings. She kept Saddic alive.
He thought about what she had said for Visto’s deading. About how some of it wasn’t true, the bit about Visto not remembering anything about where he’d come from. He’d remembered too much, in fact. So, Badalle had knowingly told an untruth about Visto. At his deading. Why had she done that?
Because Visto was gone. Her words weren’t for him because he was gone. They were for us. She was telling us to give up remembering. Give it up so when we find it again it all feels new. Not the remembering itself but the things we remembered. The cities and villages and the families and the laughing. The water and the food and full stomachs. Is that what she was telling us?
Well, he had his meal for the day, didn’t he? She was generous that way.
The feet at the ends of his legs were like wads of leather. They didn’t feel much and that was a relief since the stones on the track were sharp and so many others had bleeding feet making it hard to walk. The ground was even worse to either side of the trail.
Badalle was smart. She was the brain behind the jaws, the tongue. She took what the snake’s eyes saw. She made sense of what the tongue tasted. She gave names to the things of this new world. The moths that pretended to be leaves and the trees that invited the moths to be leaves so that five trees shared one set of leaves between them, and when the trees got hungry off went the leaves, looking for food. No other tree could do that, and so no other tree lived on the Elan.
She talked about the jhaval, the carrion birds no bigger than sparrows, that were the first to swarm a body when it fell, using their sharp beaks to stab and drink. Sometimes the jhaval didn’t even wait for the body to fall. Saddic had seen them attacking a wounded ribber, even vultures and crows. Sometimes each other, too, when the frenzy was on them.
Satra Riders, as what did in poor Visto, and flow-worms that moved in a seething carpet, pushing beneath a corpse to squirm in the shade. They bit and drenched themselves in whatever seeped down and as the ground softened down they went, finally able to pierce the skin of the blistered earth.
Saddic looked in wonder at this new world, listened in awe as Badalle gave the strange things names and made for them all a new language.
Close to noon they found a waterhole. The crumbled foundations of makeshift corrals surrounded the shallow, muddy pit.
The snake halted, and then began a slow, tortured crawl into and out of the churned-up mud. The wait alone killed scores, and even as children emerged from the morass, slathered black, some fell to convulsions, curling round mud-filled guts. Some spilled out their bowels, fouling things for everyone that came after.
It was another bad day for the Chal Managal.
Later in the afternoon, during the worst of the heat, they spied a greyish cloud on the horizon ahead. The ribbers began howling, dancing in terror, and as the cloud rushed closer, the dogs finally fled.
What looked like rain wasn’t rain. What looked like a cloud wasn’t a cloud.
These were locusts, but not the normal kind of locusts.
Wings glittering, the swarm filling half the sky, and then all the sky, the sound a clicking roar-the rasp of wings, the snapping open of jaws-each creature a finger long. Out from within the cloud, as it engulfed the column, lunged buzzing knots where the insects massed almost solid. When one of these hammered into a huddle of children, shrieks of pain and horror erupted-the flash of red meat, and then bone-and then the horde swept on, leaving behind clumps of hair and heaps of gleaming bone.
These locusts ate meat.
This was the first day of the Shards.
Chapter Five
The painter must be mute
The sculptor deaf
Talents are passed out
Singly
As everyone knows
Oh let them dabble
We smile our indulgence
No end to our talent
For allowances
But talents are passed out
Singly
We permit you one
Worth lauding
The rest may do service
In serviceable fashion
But greatness?
That is a title passed out
Singly
Don’t be greedy
Over trying our indulgence
Permission
Belongs to us
Behind the makeshift wall-
The bricks of our
Reasonable scepticism.
A Poem That Serves, Astattle Pohm
Corporal Tarr’s memory of his father could be entirely summed up inside a single recollected quote, ringing like Talian death bells across the breadth of Tarr’s childhood. A raw, stentorian pronouncement battering down on the flinching son. ‘Sympathy? Aye, I have sympathy-for the dead and no one else! Ain’t nobody in this world deserves sympathy unless they’re dead! You understanding me, son?’