Dead Witch Walking (The Hollows 1) - Page 8

The bus was quiet, as most traffic was coming out of the Hollows this time of day. Jenks had left via the window shortly after we crossed the river into Kentucky. It was his opinion the I.S. wouldn't tag me on a bus with witnesses. I wasn't ready to believe it, but I wasn't going to ask him to stay with me, either.

I had told the driver the address, and he agreed to tell me when we were there. The human was skinny, his faded blue uniform hanging loose on him despite the vanilla wafers he was cramming into his mouth like jelly beans.

Most of Cincinnati's mass-transit drivers were comfortable with Inderlanders, but not all. Humanity's reactions to us varied widely. Some were afraid, some weren't. Some wanted to be us, some wanted to kill us. A few took advantage of the lower tax rate and lived in the Hollows, but most didn't.

Shortly after the Turn, an unexpected migration occurred when almost every human who could afford it moved deep into the cities. The psychologists of the day had called it a "nesting syndrome," and in hindsight the countrywide phenomenon was understandable. Inderlanders were more than eager to snap up the properties on the outskirts, lured by the prospect of a little more earth to call their own, not to mention the drastically falling home prices.

The population demographics have only recently started to even out, as well-to-do Inderlanders move back into the city and the less fortunate, more informed humans decide they would rather live in a nice Inderland neighborhood than a trashy human one. Generally, though, apart from a small section around the university, humans lived in Cincinnati and Inderlanders lived across the river in the Hollows. We don't care that most humans shun our neighborhoods like pre-Turn ghettoes.

The Hollows have become a bastion of Inderland life, comfortable and casual on the surface, with its potential problems carefully hidden. Most humans are surprised at how normal the Hollows appear, which, when you stop to think about it, makes sense. Our history is that of humanity's. We didn't just drop out of the sky in '66; we emigrated in through Ellis Island. We fought in the Civil War, World War One, and World War Two - some of us in all three. We suffered in the Depression, and we waited like everyone else to find out who shot JR.

But dangerous differences exist, and any Inderlander over the age of fifty spent the earliest part of his or her life disguising them, a tradition that holds true even to this day.

The homes are modest, painted white, yellow, and occasionally pink. There are no haunted houses except for Love-land Castle in October, when they turn it into the baddest haunted house on either side of the river. There are swing sets, aboveground pools, bikes on the lawns, and cars parked on the curb. It takes a sharp eye to notice that the flowers are arranged in antiblack magic hexes and the basement windows are often cemented over. The savage, dangerous reality blooms only in the depths of the city, where people gather and emotions run rampant: amusement parks, dance clubs, bars, churches. Never our homes.

And it's quiet - even at night when all its denizens are up. It was always the stillness that a human noticed first, setting them on edge and sending their instincts into full swing.

I found my tension easing as I stared out the window and counted the black, light-proof blinds. The quiet of the neighborhood seemed to soak into the bus. Even the few people riding had grown still. There was just something about the Hollows that said "Home."

My hair swung forward as the bus stopped. On edge, I jerked when the guy behind me bumped my shoulder as he got up. Boots clattering, he hastened down the steps and into the sun. The driver told me my stop was next, and I stood as the nice man trundled down a side street to give me curb service. I stepped down into the patchy shade, standing with my arms wrapped around the box and trying not to breathe the fumes as the bus drove away. It disappeared around a corner, taking its noise and the last vestiges of humanity with it.

Slowly it grew quiet. The sound of birds drifted into existence. Somewhere close there were kids calling - no, kids screaming - and the barking of a dog. Multicolored chalk runes decorated the cracked sidewalk, and a forgotten doll with fangs painted on it smiled blankly at me. There was a small stone church across the street, its steeple rising far above the trees.

I turned on a heel, eyeing what Ivy had rented for us: a one-story house that could easily be converted to an office. The roof looked new, but the chimney mortar was crumbling. There was grass out front, looking like it should have been cut last week. It even had a garage, the door gaping open to show a rusting mower.

It will do, I thought as I opened the gate to the chain-link fence enclosing the yard. An old black man sat on the porch, rocking the afternoon away. Landlord? I mused, smiling. I wondered if he was a vamp, since he wore dark glasses against the late afternoon sun. He was scruffy looking despite being clean-shaven, his tightly curled hair going gray around the temples. There was mud on his shoes and a hint of it on the knees of his blue jeans. He looked worn-out and tired - put away like an unwanted plow horse who was still eager for one more season.

He set a tall glass on the porch railing as I came up the walk. "Don't want it," he said as he took off his glasses and tucked them in a shirt pocket. His voice was raspy.

Hesitating, I peered up at him from the bottom of the stairs. "Beg pardon?"

He coughed, clearing his throat. "Whatever you're selling out of that box. Don't want it. I've got enough curse candles, candy, and magazines. And I don't have the money for new siding, water purifier, or a sunroom."

"I'm not selling anything," I said. "I'm your new tenant."

He sat up straighter, somehow making himself look even more unkempt. "Tenant? Oh, you mean across the street."

Confused, I shifted my box to my other hip. "This isn't 1597 Oakstaff, is it?"

He chuckled. "That's across the street."

"Sorry to have bothered you." I turned to leave, hoisting the box higher.

"Yep," the man said, and I paused, not wanting to be rude. "The numbers are backward on this street. Odd numbers on the wrong side of the road." He smiled, creasing the wrinkles around his eyes. "But they didn't ask me when they put the numbers up." He extended his hand. "I'm Keasley," he said, waiting for me to climb the stairs and take his hand.

Neighbors, I thought, rolling my eyes as I went up the stairs. Best to be nice. "Rachel Morgan," I said, pumping his arm once. He beamed, patting my shoulder in a fatherly fashion. The strength of his grip was surprising, as was the scent of redwood coming from him. He was a witch, or at the very least a warlock. Not comfortable with his show of familiarity, I took a step back as he released me. It was cooler on his porch, and I felt tall under the low ceiling.

"Are you friends with the vamp?" he said, gesturing across the street with his chin.

"Ivy? Yeah."

He nodded slowly, as if it were important. "Both of you quit together?"

I blinked. "News travels fast."

He laughed. "Yup. It does at that."

"Aren't you afraid I'm going to get spelled on your front porch and take you with me?"

"No." He leaned back in his rocker and picked up his glass. "I took that one off you." He held up a tiny self-stick amulet between his finger and thumb. As my lips parted, he dropped it into his glass. What I thought had been lemonade foamed as the spell dissolutioned. Yellow smoke billowed, and he waved his hand dramatically. "Oooh doggies, that's a nasty one."

Saltwater? He grinned at my obvious shock. "That guy on the bus..." I stammered as I backed off the porch. The yellow sulfur eddied down the stairs as if trying to find me.

"Nice meeting you, Ms. Morgan," the man said I stumbled onto the walk and into the sun. "A vamp and pixy might keep you alive a few days, but not if you aren't more careful."

My eyes turned to look down the street at the long gone bus. "The guy on the bus..."

Keasley nodded. "You're right in that they won't try anything when there's a witness, leastwise, not at first, but you have to watch for the amulets that won't trigger till you're alone."

I had forgotten about delayed spells. And where was Denon getting the money? My face scrunched up as I figured it out; Ivy's bribe money was paying for my death threat. Swell.

"I'm home all day," Keasley was saying. "Come on over if you want to talk. I don't get out much anymore. Arthritis." He slapped his knee.

"Thanks," I said. "For - finding that charm."

"My pleasure," he said, his gaze on the ceiling of the porch and the lazily spinning fan.

My stomach was knotting as I made my way back to the sidewalk. Was the entire city aware I had quit? Maybe Ivy had talked to him.

I felt vulnerable in the empty street. Edgy, I crossed the road looking for house numbers. "Fifteen ninety-three," I muttered, glancing at the small yellow house with two bikes tangled on the lawn. "Sixteen hundred and one," I said, looking the other way to the well-kept brick home. My lips pursed. The only thing between them was that stone church. I froze. A church?

A harsh buzzing zipped past my ears, and I instinctively ducked.

"Hi, Rache!" Jenks came to a hovering halt just out of my reach.

"Damn it, Jenks!" I shouted, warming as I heard the old man laugh. "Don't do that!"

"Got your stuff set," Jenks said. "I made him put everything up on blocks."

"It's a church," I said.

"No shit, Sherlock. Wait until you see the garden."

I stood unmoving. "It's a church."

Jenks hovered, waiting for me. "There's a huge yard in back. Great for parties."

"Jenks," I said through gritted teeth. "It's a church. The backyard is a graveyard."

"Not all of it." He began weaving impatiently. "And it's not a church anymore. It's been a day care for the last two years. No one's been buried there since the Turn."

I stood, staring at him. "Did they move the bodies out?"

His darting ceased and he hung motionless. "'Course they moved the bodies out. You think I'm stupid! You think I'd live where there were dead humans? God help me. The bugs coming off 'em, diseases, viruses, and crap soaking into the soil and getting into everything!"

I adjusted my grip on my stuff, striding across the shady street and up the wide steps of the church. Jenks didn't have a clue as to whether the bodies had been moved out. The gray stone steps were bowed in the middle from decades of use, and they were slippery. There were twin doors taller than I, made of a reddish wood and bound with metal. One had a plaque screwed into it. "Donna's Daycare," I muttered, reading the inscription. I tugged a door open, surprised at the strength needed to shift it. There wasn't even a lock on it, just a sliding bolt on the inside.

"Of course they moved the bodies out," Jenks said, then flitted over the church. I'd put a hundred on it that he was going out to the backyard to investigate.

"Ivy?" I shouted, trying to slam the door behind me. "Ivy, are you here?" The echo of my voice came back from the yet unseen sanctuary, a thick, stained-glassed quiet hush of sound. The closest I'd been to a church since my dad died was reading the cutesy catch phrases off those backlit signs they all put on their front lawns. The foyer was dark, having no windows and black wooden panels. It was warm and still, thick with the presence of past liturgy. I set the box on the wooden floor and listened to the green and amber hush slipping in from the sanctuary.

"Be right down!" came Ivy's distant shout. She sounded almost cheerful, but where on earth was she? Her voice was coming from everywhere and nowhere at all.

There was the soft click of a latch, and Ivy slipped from behind a panel. A narrow spiral stairway went up behind her. "I've got my owls up in the belfry," she said. Her brown eyes were more alive than I'd ever seen them. "It's perfect for storage. Lots of shelves and drying racks. Someone left their stuff up there, though. Want to go through it with me later?"

"It's a church, Ivy."

Ivy stopped. Her arms crossed and she looked at me, her face abruptly empty.

"There are dead people in the backyard," I added, and she levered herself up and went into the sanctuary. "You can see the tombstones from the road," I continued as I followed her in.

The pews were gone, as was the altar, leaving only an empty room and a slightly raised stage. That same black wood made a wainscot that ran below the tall stained-glassed windows that wouldn't open. A faded shadow on the wall remained where an enormous cross once hung over the altar. The ceiling was three stories up, and I sent my gaze to the open woodwork, thinking it would be hard to keep this room warm in winter. It was nothing but a stripped down open space... but the stark emptiness seemed to add to the feeling of peace.

"How much is this going to cost?" I asked, remembering I was supposed to be angry.


"Seven hundred a month, utilities - ah - included," Ivy said quietly.

Tags: Kim Harrison The Hollows Fantasy
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