40
Sunset Cemetery was a nice combination of old and new. Big monuments of angels and weeping virgins combined with flat, modern stones--so much less interesting. It was still a place for the rich and famous to be interred, like our local famous brewery family, the Busches.
In his day, Edwin Alonzo Herman had been a very important man, and his monument showed that he thought so, too. It loomed up into the darkness like some winged giant. There was enough light to see that the huge angel had a sword and shield, and it gave you sense that it was waiting to pass judgment, and you wouldn't like what it decided. Of course, maybe that was just the way I was feeling tonight.
There were more than a dozen people waiting at the paved road, most of them lawyers, though with enough family members to have nearly caused a fistfight when I introduced myself and briefly explained what I'd be doing. I'd started telling people up front that I'd be using a machete and beheading chickens, for two different reasons. I'd had an overzealous bodyguard of a very wealthy man nearly shoot me when I drew the big blade. At a different graveside for a historical society, the secretary of said society had jumped me and tried to save the chicken. She'd turned out to be a vegan. That's like a rabid fundamentalist vegetarian. I'd been glad later that it hadn't been cold enough to wear a coat, because leather is the only kind of coat I own.
Tonight was cold enough for coats. October isn't usually that chilly in St. Louis, but tonight had decided to be cold. Or maybe it just felt colder because I was wearing a thong. I'd been surprised by two things about the skimpy underwear: One, once I got over the sensation of having something in the crack of my butt, the thong wasn't uncomfortable; two, a thong under a short skirt on a cold night was damn cold. I'd never fully appreciated how much warmth a little extra bit of satin or silk could hold in against my ass. I certainly appreciated it as I walked over the grass in my little boots and skirt. I huddled in the borrowed leather jacket, but kept my face away from the collar. I did not want a repeat of what had happened in the car. I willed the warmth in my upper body to travel downward. I was suddenly wishing I'd taken one of the taller men's jackets. It wouldn't have looked as good, but it would have covered my ass.
I stood in front of the grave, though, since it had been nearly two hundred years in a cemetery that was as well-maintained as Sunset, there was no way for me to truly be sure of where the grave had been, not really. A lot of the graves had been moved here from smaller cemeteries over the years, as increased population had needed the land. But I had dropped just enough of my shields to know exactly where Edwin Alonzo Herman's grave lay. His bones were under there, I could feel them.
To the watchers from the road who had paid for this show, it must have looked like I was standing a little far away from the impressive angel. But it had been my experience that once the zombie crawls out of the grave, the crowd always thinks they've had a good show. They'll forgive almost any lack of showmanship on my part, once they've seen me raise the dead. Funny, that.
The crate with softly clucking chickens was near my feet. Graham had carried it and put it where I said to put it. No arguments. Once we left the Jeep, he went back into serious security guard mode. He was the unsmiling, business only person he'd been when I first saw him at the club. He was wearing a plain white T-shirt with his black jeans, jogging shoes, and his own short, leather jacket. He'd changed out of the Guilty Pleasures shirt without being asked. The joking, half-flirting man of a few minutes ago had vanished behind a very serious face and a pair of dark eyes that kept searching the cemetery, the people near us, and farther away, so he was very obviously aware of the perimeter. He seemed to vibrate bodyguard. I'd let the lawyers think he was and showed them the many bandages on my face, wrist, and fingers, to prove the necessity. No one had argued that this was private business and they didn't like anyone but me here with them, once Graham put his dark gaze on their faces. He had a really good stare, a hardness to his face and eyes that did not match what he'd been like in the car. Interesting.
Requiem had carried my gym bag with all the rest of the zombie-raising equipment, except the chickens. I could have carried the bag, but it would have taken me two trips to get the chickens. They tended to squawk if you didn't carry them upright and carefully. Since I was planning on killing them tonight, I tried not to scare them. I had to kill them to raise the dead, but I could make it as painless as possible. And fear definitely goes under the heading of pain in the wrong situation. Being a blood sacrifice probably qualifies as a wrong situation, even if you're a chicken.
I'd persuaded Requiem to leave his long, black cloak in the Jeep, because in it, he looked like a cute version of the Grim Reaper. Out of it, he looked like he should have been going clubbing. Maybe it was the leather pants? Or the boots? Or the long-sleeved silk shirt in a deep green jewel tone that made his white skin almost shine in contrast. The shirt had made his eyes turquoise in the light, as if there was green in that bright blue somewhere. He'd been harder to explain than Graham, because even without the cloak, he didn't really look like a bodyguard. He looked like what he was, and that was nothing that any of Herman's descendants thought should be here tonight. The only walking dead they wanted to see tonight was Herman himself. I'd told them the vampire stayed, they could like it, or lump it. I also reminded them that I was not obligated to return their down payment if they changed their minds about raising Edwin Herman from the grave. I was here, ready to fulfill my part of the bargain.
When you start needing more than a hundred years worth of zombie raised, it's sort of a seller's market, and I was the seller. There were two other animators in the United States that could do it. One in California, and one in New Orleans, but they weren't here, and I was. Besides, they were nearly as expensive as I was, and they also came with the cost of plane fare and hotels. More money.
So the lawyers got them to shut up. Though there was an elderly woman on the side of the family that had inherited the money that wanted to leave if the "demon" stayed. Demon? If she thought Requiem was a demon, she'd never seen one for real. I had, and I knew the difference.
But the lawyers had settled them down, and one of the granddaughters had settled the grandmother down, and now they were waiting in the dark for me to do my job.
I had the chickens in their crate, and my gym bag with the machete and other paraphernalia. But before anything else, I had to drop my shields enough to do this. I'd learned how to shield, really shield, so that I could fight off the urge to use my gift. I'd learned long ago to control it enough so I didn't raise the dead by accident. There'd been a professor in college that committed suicide. He'd come to my dorm room one night. He wanted to tell his wife he was sorry. That was back when I wasn't raising anything, just shut it down, ignored it. I'm too damn gifted to ignore it. Psychic ability will come out one way or another, if the power is big enough, it'll find a way. And you probably won't like what it will find.
I dropped my shields, not all of them, but enough. Enough so I could open that part of me that raised the dead. It was like a fist that stayed clenched and tight, and only when I relaxed, spread wide those metaphysical fingers, could I be free. I knew people that had studied with animators or voodoo practitioners to acquire the skills needed to raise the dead. I'd studied to learn how not to raise the dead. But it took a little effort, all the time, to keep that fist closed, that power shut down. It was like a piece of me never completely relaxed, not even when I slept, unless I was here, with the true dead. Here to call one of them from the grave. It was the only moment that all of me could be free.
I stood there for a minute with my power spilling, cool and seeking, like a wind, except that this wind didn't move your hair, it only crept along your skin. It was like I'd been holding my breath, tight, so tight, and finally I could let it out, let it all out, and relax. Once I'd stopped being afraid of it, it felt so good to be with the dead. Peaceful, so peaceful, because whatever was left in the grave had nothing to do with souls or pain. Quiet as the grave wasn't just a saying. But I'd forgotten that there were dead near at hand that weren't underground.
My power touched Requiem. It should have ignored him, but it didn't. That cool not-wind curled around him like the arms of some long-lost lover. I'd never felt anything quite like it. For the first time I truly understood that my power was over the dead, all the dead, and that undead is still dead. I'd always thought, and been told, that vampires killed necromancers for fear that they would be controlled by them, but in that second, I knew that wasn't the whole truth. It was as if a door opened inside me, to a room that I hadn't known existed. Inside that metaphysical room stood something. It had no shape that my eye could see, no weight, nothing to touch, nothing to hold, but it was there, and it was real, and it was me, mine, sort of. A "power plateau" Byron and Requiem had called it, but that wasn't it. Plateau is static, not growing, not changing. This wasn't static.
It blew out toward me, and if it had been a real room in a real house, the house would have exploded outward with the force of its coming. It would have roared outward in a blizzard of wood and glass and metal, and there would have been nothing standing in that metaphysical yard, except ground zero of some mysterious blast.
It was inside me, so it couldn't slam into me, that was silly, but that's still what it did. It slammed into me, and for a second I was blind, deaf, weightless, nothingness. There was nothing but the rawness of that power.
I came to, with Graham's voice. "Anita, Anita, can you hear me? Anita!" I felt him holding me, knew we were on top of the grave. I could feel the grave, could feel Edwin Alonzo Herman lying underneath me. All I had to do was call his name.
"Something's wrong, Requiem."
"No," he said, and that one word was enough. I opened my eyes and saw the vampire standing over me.
"She's awake," Graham said, and he tried to cradle me into a sitting position, but I lifted my hand up toward Requiem.
The vampire reached down for me, and I reached for him. Graham helped, by pushing me upright, but he wasn't there for me in that moment. My business was with the dead, and Graham was too warm for me. The blood I wanted was slow and thick, and holding its hand out to me.
Requiem's fingers brushed mine, and the power inside me steadied, as if the world had been trembling, and now it was still. I touched his hand in that sudden stillness, and there was no pulse in his palm. No beat of blood to distract the senses. He blinked at me, his lips moved, but he did not breathe. He was still. He was dead. He was mine.
He pulled me to my feet, and we stood on the foot of the grave, hand in hand. I looked up into that face, met the turquoise flame of his eyes, but it wasn't me that was pulled into his gaze. It was he that fell into mine, and I knew, because I had a glimpse from his mind to mine, that my eyes were solid pools of black with stars glittering in them. It was the way my eyes had looked when Obsidian Butterfly, a vampire that thought she was an Aztec goddess, had shown me some of her power. She was powerful enough that no one argued with her about whether or not she was deity. Some things aren't worth the fight. I'd used the power I'd learned from her only twice, and both times my eyes had filled with stars.
The night was suddenly less dark. I could see details, colors, things that my own eyes could never have seen. Requiem's shirt was so green it seemed to burn like his eyes. It was a kind of hyperfocus, and it wasn't just sight. His hand in mine felt heavier than it should have, more important than it should have, as if I could feel each whorl of his fingertip like tiny silken lines against my hand. To make love like this would either be the most wondrous experience of your life, or drive you mad.
I remembered this power, but it wasn't what I needed. I had another flash from Requiem's mind, a tiny flash of fear, quieted almost immediately, because I was touching him and I didn't want him to be afraid. The stars in my eyes drowned in a rush of flame, black flame with a center of brown, as if wood were the flame, and fire what it ate.
My eyes were, for a moment, what they'd be if I'd been a vampire. They filled with dark, dark brown light, so dark it was almost black. I turned those glowing eyes toward the grave, and Graham saw them.
"Oh, God," he whispered.
"Get off the grave, Graham," I said, and my voice was mine, almost.
He just knelt on the ground and stared up at me.
"Move, Graham," I said, "you won't want to be there when I'm finished."
He scrambled to his feet and moved, until I told him, "Good enough." He stayed close, eyes wide, fear like a scent off of his skin, but he didn't run, and he didn't try to distance himself. Brave boy.
I knelt on the hard ground and drew Requiem down with me, so that he knelt behind me with his hands on my shoulders. He was like some huge solid wall of quiet strength behind me. I'd known that I amplified Jean-Claude's powers when I was near him, but I'd never felt anything like what was happening now. It wasn't a triumvirate of power between Requiem and me, it was that he was one of Jean-Claude's vampires, and that made him mine in a way. Mine to call on, mine to use, mine to reward.