"At what price?'
He shook his head, and now the blankness was replaced by anger. He was just suddenly moving forward. I caught his hand going under the shirt, and I was rolling off the bed, with the Browning in my hand. I had a round in the chamber and was falling back onto the floor with the gun pointed up, eyes searching for movement.
He was gone.
My heart was thudding so loudly that I could barely hear, and I was straining to hear. A movement, something. He had to be on the bed. It was the only place he could have gone. From my angle I couldn't see anything on top of the bed, just the corner of the mattress and the trail of sheet.
Knowing Edward, the ammo in the Browning was probably his homemade brew, which meant that it would pierce the bottom of the bed and go up into whatever lay on top of the bed. I felt the last of the air in my body slide outward, and I sighted on the underneath of the bed. The first bullet would either hit him or make him move, then I'd have a better idea of where he was.
"Don't shoot, Anita."
His voice made me move the gun barrel just a touch more right. It would take him mid-body because he was crouched up there, not lying down. I knew that without seeing it.
"It was a test, Anita. If I wanted to come against you, I'd warn you first, you know that."
I did know that, but ... I heard the bed creak. "Don't move, Edward. I mean it."
"You think you can just decide to turn all this off. You can't. The genie is out of the bottle for you, Anita, just like it is for me. You can't unmake yourself. Think of all the effort, all the pain, that went into making you who you are. Do you really want to throw all that away?"
I was lying flat on my back, gun pointed two-handed. The floor was cold where the gown had gaped at my back. "No," I said, finally.
"If your heart starts bleeding for all the bad things you do, it won't be the last thing that bleeds."
"You really did this to test me. You son of a bitch."
"Can I move now?"
I took my finger off the trigger and sat up on the floor. "Yeah, you can move."
He eased back off the other side of the bed as I stood up on this one. "Did you see how fast you went for the gun? You knew where it was, you had the safety off and a round chambered, and you were looking for cover, and trying to target me." Again there was that pride, like a teacher with a favorite student.
I looked across at him. "Don't ever do anything like that again, Edward."
"A threat?" he asked.
I shook my head. "No threat, just instinct. I came so close to putting a bullet through the bed and into you."
"And while you were doing it, your conscience wasn't bothering you. You weren't thinking, 'It's Edward. I'm about to shoot my friend.' "
"No," I said. "I wasn't thinking anything but how to get the best shot possible before you had time to shoot me." It didn't make me happy to say it. It felt like I'd been mourning dead pieces of myself, and Edward's little demonstration had confirmed the deaths. It made me sad, and a little depressed, and not happy with Edward.
"I knew a man once who was as good as you are," Edward said. "He started second-guessing himself, worrying about whether he was a bad person. It got him killed. I don't want to see you dead because you hesitated. If I have to bury you, then I want it to be because someone was just that good or that lucky."
"I want to be cremated," I said, "not buried."
"Good little Christian, fallen Catholic, practicing Episcopalian, and you want to be cremated."
"I don't want anyone trying to raise me from the dead or stealing body parts for spells. Just burn it all, thanks."
"Cremated. I'll remember."
"How about you, Edward? Where do you want the body shipped?"
"It doesn't matter," he said. "I'll be dead, and I won't care."
"No family?"
"Just Donna and the kids."
"They are not your family, Edward."
"Maybe they will be."
I put the safety on the Browning. "We don't have time to discuss your love life and my moral crisis. Get out so I can get dressed."
He had his hand on the door when he turned. "Speaking of love life, Richard Zeeman called."
That got my attention. "What do you mean Richard called?"
"He seemed to know that something bad had happened to you. He was worried."
"When did he call?"
"Earlier tonight."
"Did he say anything else?"
"That he'd finally called Ronnie and had her track down Ted Forrester's unlisted number. He seemed to think that you leaving a forwarding number with him would be a good idea." His face was utterly blank, empty. Only his eyes held a faint hint of amusement.
So both the boys had finally grown frustrated at my silence. Richard had turned to my good friend, Ronnie, who happened to be a private investigator. Jean-Claude had taken a more direct route. But they'd both finally gotten hold of me on the same night. Would they compare notes?
"What did you tell Richard?" I laid the gun on the bed with the rest.
"That you were all right." Edward was looking around the room. "Doctor Cunningham still not allowing you a phone in here?"
"Nope," I said. I had managed to untie the back of the gown.
"Then how did Jean-Claude contact you?"
I stopped in mid-motion. The gown slid off one shoulder and I had to catch it with my hand. It caught me off guard and I'm never as good a liar on the spur of the moment. "I never said it was a phone call."
"Then what was it?"
I shook my head. "Just go, Edward. The night's not getting any younger."
He just stood there, looking at me. His face had gone all cold and suspicious.
I got the bra in one hand and turned my back on him. I let the gown slide to my waist, leaned back against the bed to hold it in place, and slipped the bra on. There was no sound from behind me. I got the panties and slipped them on underneath the gown. I had the jeans hallway up my legs under the cover of the gown when I heard the door hush open and close.
I turned and found the doorway empty. I finished dressing. I had my toiletries in the bathroom already, so I threw them in the gym bag along with the big knife, and the boxes of ammo. The new shoulder holster felt odd. I was used to a leather one which fit tight and secure. I guess nylon was secure, but it was almost too comfortable, as if it seemed less substantial than my leather one had. But it beat the heck out of sticking it down my jeans.
The knives went in the wrist sheaths. I checked to see what kind of ammo the Firestar had in it. Edward's homemade stuff. I checked the Browning, and it was his stuff, too. The backup clip for the Browning was the Hornady XTP Silver-Edge. I changed the clip. We were going into the Obsidian Butterfly as cops, which meant if I had to shoot someone, I'd have to explain it to the authorities later. Which meant I didn't want to go in there with some possibly illegal homemade shit in my gun. Besides I'd seen what the Hornady Silver-Edge could do to a vampire. It was enough.
The Firestar went into an Uncle Mike's inner pants holster, though truthfully the jeans were too tight for an inner pants holster. Maybe I wasn't spending enough time in the gym. I had been on the road more than I'd been home. The Kenpo was neat stuff, but it wasn't the same thing as a full workout with weights and running. Another thing to pay more attention to when I got back to St. Louis. I'd been letting a lot of things slide.
I finally transferred the Firestar to the small of my back and hated it, but it dug in something fierce in front. I have a slight sway to my back so there's always more room for a gun there, but it wasn't a quick place to draw from. Something about a woman's hip structure makes a gun at the small of the hack not the best idea. That I kept the gun at the small of my back tells you just how tight the jeans were. Definitely going to have to get back into a regular gym schedule. The first five pounds are easy to get rid of, the second five are harder, and it gets even harder from there. I'd been chunky in junior high, close to fat, so I knew what I was talking about. So that no teenager out there will get the wrong idea and go all anorexic on me, I was a size thirteen in jeans, and that was at five foot nothing. See, I really was chunky. I hate women who complain about being fat when they're like a size five. Anything under size five isn't a woman. It's a boy with breasts.
I stared at the black jacket. Two days folded in a gym bag and it desperately needed to go to the dry cleaners. I decided to carry it folded over one arm, on the theory it would unwrinkle a little. I didn't really need to hide the weapons until we got to the club. The knives were illegal if I'd been a cop or acivvie, but I was a vampire executioner, and we got to carry knives. Gerald Mallory, the grandfather of our business, had testified before a senate subcommittee, or something like that, at how many times knives had saved his life. Mallory was well liked in Washington. It was his home base. So the law got changed to let us carry knives, even really big ones. If someone challenged me, all I had to do was whip out my executioner's license, and I was legal. Of course, that was predicated on them knowing the loophole in the law. Not every cop on the beat is going to know. But my heart is pure because I'm legal.
Edward and Ramirez were waiting for me in the hallway. They both smiled and the smiles were so close to identical it was unnerving. Will the real good guys please stand up? But Edward's smile never faltered. Ramirez's did. His gaze hesitated on the wrist sheath. The jacket hid the other one. I walked up to them smiling, and my eyes were shiny, too. I put a hand around Edward's waist and brushed my arm along the gun I'd thought was there at the small of his back.
"I've called for backup," Ramirez said.
Edward had given me a quick Ted hug and let me go, though he knew I'd found the gun. "Great. It's been a long time since I visited a Master of the City with the police."
"How do you usually do it?" Ramirez asked.
"Carefully," I said.
Edward turned his head away and coughed. I think he was trying not to laugh, but you can never tell with Edward. Maybe he just had a tickle in his throat. I watched him walk and wondered where in the world he was hiding the third gun.