Closing Time (Catch-22 2) - Page 34

They could tell from voices higher up that the stairwell had crowded considerably. They heard clearly the bawdy laughter, the languorous salutes of greeting and recognition, the obscenities, they could smell the smoke of matches and dope and scorched newspapers, they heard a glass bottle break, they heard the splash one floor up of a man or a woman urinating, and they smelled that too. At the top of the lowest flight, they saw the one-legged woman, who was white, drinking wine with a man and two women who were black. Her expression was blank and she talked in a daze, crushing pink underwear in a hand that lay restfully in her lap. Her wooden crutches, which were old and chipped and splintered and spotted, were lying on the staircase at her hip.

"She gets a wheelchair," McBride had already explained, "and someone steals it. Then friends steal one from someone else. Then someone steals that one."

This time McBride took the exit door, and Yossarian found himself on the sidewalk passing buses on the sub-level driving ramps, where the exploding exhausts and grinding engines were noisier and the air was stinking with diesel fumes and the smell of hot rubber, and they walked past boarding stations with long-distance buses for EI Paso and Saint Paul, with connections continuing far up into Canada and down all the way through Mexico into Central America.

McBride took an entrepreneur's gratification in the operational efficiency of the bus terminal: the figures of almost five hundred boarding gates, sixty-eight hundred buses, and nearly two hundred thousand passengers in and out every normal working day tripped from his tongue fluently. The work still went on, he was speedy to assert, the terminal functioned, and that was the point, wasn't it?

Yossarian wasn't sure.

Now they rode by escalator back to the main floor. Passing the Communications Control Center, they glanced uneasily at the flocks of male and female hookers already congregating in the central areas of p

rostitution, where more and more would continue crowding in crafty and pathetic legions like molecules of matter in human form drawn insensibly to a central mass from which they could not want to free themselves. They strode past a shrunken black woman who stood near a post between state-authorized Lottery and Lotto stands in unlaced sneakers and held out a soiled paper cup while chanting tunelessly, "Fifteen cents? Gimme fifteen cents? Any food? Used food?" A gray-haired bloated woman in a green tam-o'-shanter and green sweater and skirt, with sores on her splotched legs, was singing an Irish song off-key blissfully in a cracked voice near a filthy, sleeping teenager on the floor and a wild-eyed, slender, chocolate-colored tall man who was spotlessly clean and seemed all bones, preaching Christian salvation in a Caribbean accent to a stout black woman who nodded and a skinny white Southerner with closed eyes who kept breaking in with calls of thrilled affirmation. As they drew near the police station, Yossarian remembered with malicious caprice his wish to find out something special from his capable guide.

"McBride?"

"Yossarian?"

"I was talking to some friends. They're thinking of holding a wedding here in the terminal."

McBride flushed generously. "Sure, hey, that's a good idea. Yeah, Yo-Yo. I could pitch in and help. We could make them a nice wedding, I think we could. I've still got that empty cell there for the kids. We could turn that into the chapel. And of course, right next door, ahem, I've still got the bed, for the honeymoon night. We could give them a big wedding breakfast in one of the food shops and maybe buy them some lottery tickets as a good-luck present. What's funny? Why couldn't they use it?"

It took Yossarian a minute to stop laughing. "No, Larry, no," he explained. "I'm talking about a big wedding, gigantic, high society, hundreds of guests, limousines at the bus ramps, newspapermen and cameras, a dance floor with a big band, maybe two dance floors and two bands."

"Are you crazy, Yo-Yo?" Now McBride was the one who was chuckling. "The commissioners would never allow it!"

"These people know the commissioners. They'd be there as guests. And the mayor and the cardinal, maybe even the new President. Secret Service men and a hundred police."

"If you had the President we'd be allowed to go all the way down there to look. The Secret Service would want that."

"Sure, you would like that too. It would be the wedding of the year. Your terminal would be famous."

"You'd have to clear out the people! Stop all the buses!"

"Nah." Yossarian shook his head. "The buses and crowds could be part of the entertainment. It would get in the newspapers. Maybe a picture inside with you and McMahon, if I pose you right."

"Hundreds of guests?" McBride restated shrilly. "A band and a dance floor? Limousines too?"

"Maybe fifteen hundred! They could use your bus ramps and park upstairs in your garages. And caterers and florists, waiters and bartenders. They could go riding on the escalators, in time to the music. I could talk to the orchestras."

"That could not be done!" McBride declared. "Everything would go wrong. It would be a catastrophe."

"Fine," said Yossarian. "Then I'll want to go ahead. Check it out for me, will you, please? Get out of my way!"

He snapped this last out at an oily Hispanic man just ahead who was flashing a stolen American Express credit card at him seductively with a smile of insinuating and insulting familiarity and caroling happily, "Just stolen, just stolen. Don't leave home without it. You can check it out, check it out."

Inside the police station, there were no reports of any new dead babies, the officer at the desk volunteered to McBride with a jocular impertinence.

"And no live ones either."

"I hate that guy," McBride muttered, coloring uncomfortably. "He thinks I'm crazy too."

McMahon was out on an emergency call, and Michael, who was finished with his unfinished drawing, inquired casually:

"Where've you been?"

"Coney Island," Yossarian said jauntily. "And guess what. Kilroy was there."

"Kilroy?"

Tags: Joseph Heller Catch-22 Classics
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