When I get there, I listen, not hearing anything over my own beating heart. I wonder what the hell it is I’m doing, because this is how every single horror movie plays out at the end, with some idiot woman going toward a sound she knows she should run away from. Gripping the knife a little tighter, I place my hand on the door handle and turn slowly, wanting to be able to just peek inside before I decide my next move.
As I push in, I look into the room, and all I see is a couch and a TV. I let out a silent curse about rich people with so much money they can afford what is basically a living room inside their bedroom, then open the door a little wider.
When I hear a louder whimper but don’t see anything, I step inside, then keep close to the ground as I scoot toward the wall that separates the sitting area from the actual bedroom. As I reach the step and archway, I look around the corner and immediately wish I had run for help instead of pretending to be brave. I pull back and close my eyes, still seeing blood—so much blood—and Shell’s naked body spread out on the bed, with her head hanging over the edge, almost all her blonde hair stained red.
Holding the knife tighter in my grasp, I hear a woman talking but can’t make out what she’s saying. It sounds like she’s in another room, the bathroom maybe or the closet, both on the opposite side of the wall from me. I look at the bedroom door, and just as I plan to take a step that way, I hear a quiet whimper, and my eyes slide closed. If I leave Shell now, chances are she won’t be alive by the time the cops arrive. Saying a silent prayer, I walk to the archway and peek around the corner, seeing the closet door is open and dark. The bathroom door is closed.
Tiptoeing, I go to the bed to check on Shell and rest my fingers against her neck to check her pulse. “Shell,” I whisper, and tears of relief and dismay fill my eyes when she doesn’t respond, but I see her chest move up and then back down ever so slightly. The breath causing blood to bubble from the small stab wounds on her chest.
She’s still alive, but there is no way I will be able to get her out of here without help, and I don’t even know that it would be safe to move her even if I could. I glance at the bathroom door, hearing the woman in there still talking to someone, then look around the room, trying to come up with some kind of plan.
There are not a lot of options. I either try to catch the woman and knock her unconscious when she walks out, or hold the door closed on this side until someone comes into the house. And since I don’t have my cell phone to call for help and no one knows where I am, that could be a long while. Plus, I honestly don’t know if I’d be strong enough to do that for more than a few minutes.
Being as quiet as I can, I unplug the lamp from the bedside and carry it with me to stand at the side of the bathroom door, taking off the shade and placing it on the ground. With my heart pounding, I transfer the knife that I don’t want to lose into my left hand and grasp the lamp with my right, thankful it’s one of those candlestick ones that are light without the thick base.
As I stand there, I listen to the woman talking on the phone—not sounding panicked but normal—and as I listen harder, I swear it sounds as if she’s talking to a child, trying to encourage them to do something. How she can have a conversation while a woman she attacked is dying a room away is something I just do not understand.
“A… April.” My eyes widen and fly to the bed, seeing Shell reach out her hand to me, and I shake my head. “Ap—” She coughs, and red splatters across the cream duvet and floor. The woman talking inside the bathroom stops, then I hear a thunk and the sound of swishing fabric right before the bathroom door is flung open, and she steps out wearing some strange white cloth covering her from head to toe. I don’t hesitate to swing out the lamp in my hand, but I don’t get it high enough, so I end up hitting her in the stomach and knocking her back into the bathroom a step. Her eyes widen, then she rights herself and rushes me.